No film at this year's Sundance Film Festival festival encountered as much controversy as Craig Zobel's Compliance. At the first public screening, an all-out shouting match erupted, with an audience member yelling "Sundance can do better!" You can't buy that kind of publicity. Every screening that followed was jam-packed with people hoping to experience the most shocking film at Sundance, and the film does not disappoint. (Beware: every review I have happened upon has unnecessarily spoiled major plots in the film, which is based on true events.)
Compliance aims to confront a society filled with people who are trained to follow rules without questioning them. Magnolia Pictures, which previously collaborated with Zobel on his debut film Great World of Sound (which premiered at Sundance in 2007), picked up the film for theatrical release (it comes out Fri/24 in Bay Area theaters); if you dare to check it out, prepare to be traumatized as well as intellectualized. You'll be screaming all the way home about one of the most audacious movies of 2012 — and that's exactly why the film is so brilliant.
San Francisco Bay Guardian I have attended Sundance since I was 11 years old, and there have been a handful of particularly volatile screenings in which audience members passed out, threw up, stormed out of the theater, or berated the filmmakers during the Q&A: Bryan Singer's Public Access and Rémy Belvaux and André Bonzel's Man Bites Dog in 1993; Mary Harron's American Psycho and Kim Ki-Duk's The Isle in 2000; Gaspar Noe's Irreversible in 2002; and Johan Renck's Downloading Nancy in 2008. Now, you've joined the ranks of the infamous Sundance elite. Were you prepared for how vulnerable your film Compliance was going to make audience members?
Craig Zobel Absolutely not. It really caught me off guard.