GOLDIES "Anybody want more popcorn? How about coffee?"
Ryan T. Smith is calling out to a packed audience in the oddest-shaped dance studio in San Francisco — long and narrow, like a bowling alley. The occasion is the latest installment in RAWdance's popular bi-annual CONCEPT series, started in 2007 by Smith and partner Wendy Rein in their Duboce Triangle neighborhood.Read more »
GOLDIES Greta Schoenberg founded the San Francisco Dance Film Festival in 2008, but she didn't realize it at the time. It began as "Motion Pictures," a gallery show combining dance photography with screenings of Schoenberg's "screen dance" films — short works she'd made specifically for the camera.Read more »
GOLDIES After being informed that Bay Guardian editors and a theater critic vetted his Goldie nomination, Brontez Purnell reacts. "I think it's fuckin' rad. I'm pretty into it. A theater critic? Was I criticized?"Read more »
DANCE Though I missed the beginning of Aszure Barton's gently appealing Awáa — I have trouble with 7:30pm curtains — it was easy to be drawn into her fluidly changing world, in which invisible currents propelled dancers to either give into or work against them. It's an intimate work, rich with evocative details, fabulously danced by six men and Lara Barclay. Much appreciated were Barton's touches of humor, but after a time I longed for a stronger underpinning for all this danced lushness.Read more »
DANCE For its 10th anniversary, the Black Choreographers Festival: Here & Now won't start with its customary lineup of performances, but with a ritual so ingrained that many dancers continue it even after they have retired from the stage. Dancers are obsessed with taking classes. Classes are why they scrape money together. If you're part of a company, classes are a part of your daily routine. If you aren't, you're on your own — and at around $10 or $15 a session, that can quickly add up to a serious amount of cash.Read more »
Smuin Ballet's The Christmas Ballet, which the late choreographer Michael Smuin premiered in 1995, has earned its spot among the myriad of Bay Area holiday entertainments. This year's opening night at San Francisco's Yerba Buena Center for the Arts — performances run through Dec. 28 — was packed with a casually dressed yet festive crowd of all ages, including grandparents with their elementary school age charges. (Gratefully absent were the toddlers that flood ballet performances). It was probably the most diverse and receptive audience an evening of ballet can muster these days.
DANCE Conceptual French choreographer Jérôme Bel thrives on conversation. Sometimes, he participates directly, as he did in Pichet Klunchunand Myself, in which he and Thai dancer Klunchun talked on stage. Performed at Yerba Buena Center for the Arts in 2009, the piece enchanted me with its daring theatricality and enraged me with its faux naïveté. Pichet was both sturdy like a rock and evanescent like a passing thought.Read more »
DANCE This past weekend, two dance companies showed premieres inspired by fiction writers. Alonzo King's imagination was stirred by Irish author Colum McCann (Let the Great World Spin) for Writing Ground, commissioned in 2010 by the Monte Carlo Ballet. For Jenny McAllister, it was mystery novelist and screenwriter Raymond Chandler, whom she has read and loved since she was a little girl.Read more »
FALL ARTS Fall may no long bring with it the nervous anticipation of entering a new classroom, clutching a shiny lunch box to your chest. But for those of us hooked on live performance, September brings its own thrills, as theaters, studios, and lofts reopen their doors. If dance happens to be your particular bag, you can't do much better than the here and now. Few other places in the country can beat the Bay Area for the sheer variety with which nude, slippered, and high-heeled feet take the stage.