DANCE Once you have learned to ride a bike or tie your shoes, your body will recall the movements and their sequential logic for the rest of your life. It's called muscle memory and dancers are fantastic at it.Read more »
DANCE Speaking from a practical perspective, Zhukov Dance Theatre is more of a pick-up company than what is commonly understood as an existing ensemble. Of the seven dancers currently performing, only Martyn Garside and Doug Baum have danced with Zhukov before. Two of them, Madison Hoke and Andrea Thomson, are still students at the San Francisco Conservatory of Dance. Yet the most remarkable aspect of the loosely woven, 65-minute Coin/c/dance (Sept. 27-29 at Z Space) was its sense of coming out of one mold.Read more »
DANCE Suspended by a single rope, Jennifer Chien's bare feet gently push against the white wall of Zaccho Dance Theatre's studio. The move propels her into space; perhaps she is swimming, perhaps flying, or just floating on Carla Kihlstedt and Matthias Bossi's finely detailed score.Read more »
The push and pull of relationships is a great basis for a dance piece. Not only are relationships intimate, beautiful, and at times frustrating, but they also create magnetic moments, and sometimes pain. This weekend, two dance companies, Detour Dance and the Caitlin Elliott Dance Collective, have collaborated (see? Relationships) to present Along the Way, a production that includes all the basics: love, lust, plain old allure. Read more »
FALL ARTS Most folks going to dance performances have a sense of how they want to spend their time and dollars. For some, a show must be conceptually edgy. For others, it's got to be ballet. Still others want choreography that resonates with socio-political implications — or they only want to see choreography grounded in indigenous traditions. I'm more of an omnivore: show me a piece, no matter its style, in which the forces at work arise from some internal necessity and play off each other convincingly, and I'm in.Read more »
Remy Charlip was born on January 10, 1929 in Brooklyn, NY. He died on August 14, 2012 in San Francisco. The following windy Sunday afternoon, he was lowered into the bone-dry ground on one of the ridges of Marin’s Mount Tamalpais. His woven wicker casket had been blanketed with earth, flowers, and farewells. A solitary hawk circled overhead as soft chanting wafted across the valley. He would have loved it.
Remy took with him over 60 years of making poetry in dance, writing, drawing, painting, and theater. When he moved to San Francisco in 1989, he had a major part of his life behind him with untold accolades and honors. He had helped shape the Merce Cunningham Dance Company, the Living Theater, the Paper Bag Players, and the National Theater of the Deaf. For decades he had choreographed, designed, performed, and directed for theater and dance, and he had become a much beloved author of some extraordinarily inventive books for children that respected their individuality and enlarged their imaginations.
Add a disco ball to any situation and you will not decrease its likelihood of becoming a party. When I stopped by ODC Theater earlier this week to snap some photos of the Alyce Finwall Dance Theater's rehearsals for the upcoming three-day dance festival Werk It Out!, it appeared that the dancers were in a festive mood. Read more »
DANCE What a stellar idea to premiere a work called No Hero the weekend after Independence Day. There are no brass bands, flag waving-exercises, or fireworks in Foundry artistic director-choreographer Alex Ketley's delightful and at times funny stage and video creation, which returns to Z Space August 1. Yet Hero is piece of pure Americana, a tender and amusing tribute to ordinary people and the role that dance may or may not play in their lives.Read more »