I used to live in a town where the alternative-alternative (holler!) weekly had a comics page. Paging to the back of said volume each seven days I'd look for Tony Millionaire's joint, Maakies. Millionaire's rounding out a phalanx of guest speakers at this weekend's APE (Sat/16 and Sun/17), so I'm thinking back to the days when his preciously drawn little derelicts marked my Wednesdays.

Read more »

Is Kathy Griffin as irritating as oil stains on a pelican's plumage or does she just play it as such on TV? After speaking with the comedian in anticipation of her live show this weekend at the Zellerbach Auditorium (Sat/17), this much is clear: Griffin is certainly committed to her character.

One would expect no less of a woman who has ridden a red-headed whorl of derision-abrasion from a Suddenly Susan sidekick gig to a six-season and counting reality TV show (My Life on the D-List) – not to mention sold out gigs at Madison Square Garden and a memoir entitled Official Book Club Selection that people appear to be liking. Sure, Stephen Baldwin and Dr. Phil have independently sought to strangle her, but they did so in front of her audience. She's like, the most popular unpopular girl ever, Rodney Dangerfield had he dropped the hangdog and set up a RSS feed straight to TMZ. Read on for our scuffle over philanthropy and sailor-style swearing.

Read more »

Because Open Studios is about more than just the free wine and occasional sushi board score. Really! The annual organized voyeurism of creative space in the city will showcase artists' studios in different neighborhoods each weekend this month. In gleeful anticipation, we visited screen-printer and long time Mission visual artist Calixto Robles, who is helping to throw open the doors to his Life Art Studios (151 Potrero, SF) this weekend. Read more »

To hear father and son artistic team Rene and Rio Yañez talk about San Francisco's Day of the Dead celebration is to realize how much the holiday has taken on its own light here in the city. “It's about personal experience, but also politics,” Rene says. The duo have crafted another year of homage to the dead around us -- and in so doing also reflect a shifting scene in San Francisco art.

No art event in the city reflects evolving tradition more than the Yañezs' yearly exhibit of Dia de los Muertos altars at SOMArts Cultural Center (opening Fri/8). As the three of us sit in Rene's office at SOMArts next to the cow brain in a mason jar on top of which the elder Yañez -- the center's director of special projects -- has stacked a pair of headphones and a plush Taco Bell chihuahua, Rene tells his son and myself about the first public Day of the Dead celebration in San Francisco. Read more »

Whoever said a cable car couldn't be operated on woman power alone clearly had never met the steam engine on this grandmother. Fannie Mae Barnes of Oakland, California was the first woman ever to operate a cable car grip – not because it was a higher paying position, or an easier gig, but because she was told that women didn't have the strength to do the job right.

Barnes started pumping iron, passed the 25-day grip operator training program notorious for its 80 percent drop out rate, and became a source of civic pride. She even drove the Olympic torch up the Hyde Street hill en route to the 2002 Winter Olympics. A documentary about her achievement, “Getting a Grip,” will be shown tonight at Lunafest, a traveling film festival that screens movies made by and about women to benefit the Breast Cancer Fund. We caught up with Barnes for a phone interview about knocking down one of the city's diehard gender divisions of labor.

Read more »