Swedish auteur Lukas Moodysson is back and he may have just created one of the most riotous punk rock extravaganzas ever. We Are the Best!(Sweden/Denmark) played to packed houses throughout the entire Toronto International Film Festival, creating an astounding word of mouth buzz.
The surprise crowd-pleaser of TIFF 2013 was John Turturro's Fading Gigolo (US). Showcasing Woody Allen in a rare acting-only role, this surprisingly romantic tale about a man in his mid-50s (played by writer-director Turturro) is as charmingly hilarious as it is deftly dramatic.
Mike Flanagan's evil-mirror flick Oculus (US) received first runner-up for "Best Midnight Movie," which now seems appropriate since James Wan's recent Insidious: Chapter 2 basically uses the same flashback structure (to much stronger effect.) Still, Flanagan (2011's Absentia) is a young director worth keeping an eye on.
Eli Roth's latest direct-to-streaming effort The Green Inferno (US) pays homage to Ruggero Deodato's Cannibal Holocaust (1980) with some of the most deliciously disgusting violence seen onscreen in quite some time. Like Nicolás López's Aftershock (2012), which Roth wrote, produced, and starred in, Inferno has a wonderful B-movie quality that will probably prevent it from achieving mainstream success. (Splatter fiends, however, are in for a treat.)
A Touch of Sin (China/Japan) is the latest thoughtful triumph for Jia Zhangke, the king of China's sixth-generation filmmaking. This time around, his suffering, disaffected characters are entangled in an even more violent environment than in previous outings Unknown Pleasures (2002), The World (2004), and Still Life (2006).
All Cheerleaders Die (USA) is the follow up to Lucky McKee's attention-grabbing The Woman (2011), which stunned Sundance audiences with both its subversive take on gender issues and its violent brutality.
Taking a much lighter tone with co-director Chris Sivertson, Cheerleaders (an expanded remake of his 2001 short by the same name) nicely echoes the ironic horror-comedy vibe of Joss Whedon's Cabin in the Woods (2012) while still managing to deliver a genre entry for text-crazed teenyboppers. Goths, jocks, some faux feminism, and a bevy of ass and crotch shots should make fans of Harmony Korine's Spring Breakers quite satisfied.
While many of the following films might not receive major releases, I have compiled a spoiler-free overview of films — presented here as a series of blog posts — to keep your eyes and ears out for in the coming months (and perhaps years) at your local theaters and online resources.
Naturally, there's at least one horror movie, Insidious: Chapter 2, opening in honor of Friday the 13th — two if you count Our Nixon — as well as a new series paying tribute to the singular Pier Paolo Pasolini (check out Dennis Harvey's round-up here). Read on for more new reviews and one special holiday recommendation.
Who dares to challenge the box-office supremacy of Vin Diesel, who returns yet again to play the titular night vision-gifted (but really socially awkward) escaped con in sci-fi actioner Riddick?
For masochists, there's Brian De Palma's latest, Passion, which checks in for a brief Castro run (Dennis Harvey gets bored talking about it here); there are also a couple of docs, a MILF drama, and a South Korean disaster-by-numbers flick about a disease that, shockingly, doesn't spawn zombies, just bloody coughs and rapid death. Read on for our short takes (and take note of your best-bet new flick: "charming seriocomedy" Afternoon Delight). Read more »