Who dares to challenge the box-office supremacy of Vin Diesel, who returns yet again to play the titular night vision-gifted (but really socially awkward) escaped con in sci-fi actioner Riddick?
For masochists, there's Brian De Palma's latest, Passion, which checks in for a brief Castro run (Dennis Harvey gets bored talking about it here); there are also a couple of docs, a MILF drama, and a South Korean disaster-by-numbers flick about a disease that, shockingly, doesn't spawn zombies, just bloody coughs and rapid death. Read on for our short takes (and take note of your best-bet new flick: "charming seriocomedy" Afternoon Delight). Read more »
Let's Boo-Boo! Edgar Wright's latest bromance-in-genre-clothing, The World's End, opens today, and it's a riot. Elsewhere, there's a rom-com about Jane Austen obsessives, Hollywood's latest supernatural-teen fantasy, and an indie horror flick critic Dennis Harvey calls "a very bloody good ride." (Check out those reviews below).
Remember that brief, exciting period last year when Woody Allen sightings were being breathlessly reportedon 'round town, particularly in the Mission? Here's your chance to see Allen's take on San Francisco (it ain't exactly glossy) in Blue Jasmine, which boasts a stellar performance by likely Oscar nominee Cate Blanchett as someone you would not want to have as a houseguest. Dennis Harvey's take on the film here.
Also opening today: a doc about Napster, a so-so biopic of political theorist Hannah "Banality of Evil" Arendt, an action flick for Denzel Washington completists, and likely Oscar nominee (um...) Smurfs 2. What can I say...if you're not a Woody Allen fan, it's kind of a slower week. Read on for short reviews.
I will say it and I will say it loudly: Gore Verbinski's The Lone Ranger is perhaps the most subversive Hollywood film since Paul Verhoeven's still misunderstood sci-fi masterpiece, Starship Troopers (1997).
Not only does this sneaky, revisionist epic attempt to recontextualize the history of Western films, screenwriters Justin Haythe, Ted Elliott, and Terry Rossio — working directly from Zane Grey's 1915 novel The Lone Star Ranger — have designed an ambitious journey through America's tainted, tattered history. And like Starship Troopers, the combination of ruthless "all-American" violence, ironic historical references, and off-beat slapstick comedy give The Lone Ranger legs that audiences will get to uncover for decades to come. (Sadly it will have to happen after the film leaves US theaters this week.) Read more »
This week: the 33rd San Francisco Jewish Film Festival takes off with screenings all over the Bay Area; check out my take on some of the documentary selections here. Also, the harrowing documentary Blackfish opens, a film that will make you never want to visit SeaWorld again (with good reason). My interview with the film's director, Gabriela Cowperthwaite, here.
Elsewhere, Hollywood hopes you're ready for yet more claw-bearing Hugh Jackman (in The Wolverine), Danish actor Mads Mikklesen shines as a falsely-accused man in The Hunt; indie darling Andrew Bujalski delivers what may be his finest film to date with Computer Chess; a majorly great/bad/quotable/mind-blowing cult film plays the Clay's midnight series; and more. Read on for our short takes.
Those long, well-dressed lines wrapping around the Castro Theatre signal the advent of the annual San Francisco Silent Film Festival, now in its 18th year and popular as ever. Though the fest opened last night, programming continues through the weekend; check out my take on some of the films (including one of tonight's selections, 1928 rom-com The Patsy) here.
Elsewhere, in first-run and rep theaters, it's a robust week for openings. There's something for nearly every age and appetite (plus a few recommendations on what to avoid) in the short reviews below.
This week marks the opening of Ryan Coogler's Fruitvale Station, a moving look at Oscar Grant's final hours; it's an especially important film for Bay Area residents, but will likely have nationwide impact. Check out my interview with rookie writer-director Ryan Coogler here.
And, as always, there's more. SO MUCH MORE. Emily Savage writes about Peaches Christ's campy, vampy, celeb-filled tribute (Sat/13 at the Castro!) to 1996 cult classic The Crafthere.