FILM "In Somalia there are no such things as kid actors and stage moms," explains the trailer for Asad, an 18-minute film about a Somali boy forced to choose between fishing and piracy. "There are just survivors telling a story."Read more »
FILM Though it's much more a Southern than a Western — closer to Mandingo (1975) than Red River (1948), that's for sure — Quentin Tarantino's Django Unchained nonetheless pays specific homage to spaghetti westerns in its title and some stylistic fillips.Read more »
Well, they announced the Oscar nominations yesterday, and much-lauded import Amour is opening today (review below the jump), so if you're curious about the hype and don't mind having a downer of a Friday night ... you're set. Other films opening this week include the Robert Carlyle drama California Solo (Dennis Harvey's review here), Marlon Wayans horror spoof A Haunted House, Ryan Gosling-in-a-fedora cop flick Gangster Squad, and (at the Roxie), teen-skater doc Only the Young.
Congratulations, Mr. President. Better luck next time, Ms. Bigelow, Mr. Affleck, and Mr. Anderson.
Yep, as you already know, the Oscar nominations were handed down this AM. Like every year, there were some predictable picks and some shocks, snubs, and head-scratchers. The ceremony is Feb. 24; I predict it'll be a three-way tie for Best Dressed among Jennifer Lawrence, Denzel Washington, and Quvenzhané Wallis. As for the big five categories ... let's discuss. (Full list of nominees here!)
Best Picture: Nine nominees but no spot for The Master or dark horse The Dark Knight Rises. Lincoln, which raked in the highest number of nominations overall, is a shoo-in. Second place: Silver Linings Playbook, followed by upstart indie Beasts of the Southern Wild.
The rest: Amour (will win Best Foreign Language Film); Argo, Django Unchained, Les Miserables, and my original pick to win, Zero Dark Thirty (these all have lesser chances, since their directors weren't nominated); and Life of Pi (likely to clean up in the technical categories).
FILM With Django Unchained-related posts currently filling up your Facebook feed (and box-office receipts stuffing Quentin Tarantino's pockets), now seems the perfect time to amble over to Berkeley for the Pacific Film Archive's spaghetti western series.Read more »
FILM Robert Carlyle is the kind of actor who usually elicits a slow-dawning response in realm of "Oh, right ... that guy. What was he in again?" Well, a lot, but if you're not British (let alone Scottish), his visibility has probably been erratic and infrequent — plus he does that exasperating English thing of taking TV assignments like they're perfectly OK, as opposed to the US approach of doing series work only when your big-screen career is in the toilet.Read more »
At last, the movie most likely to challenge Lincoln for Best Picture opens in San Francisco, with an even wider release coming next week. Check out my review of Zero Dark Thirtyhere. Highly recommended, and even if it doesn't snag the top trophy, look for Jessica Chastain to win Best Actress. (More Oscar predictions here, in case you're getting your pool in order extra-early.)
Also this week: Texas Chainsaw 3D (the first two films in this series, I'll defend to the death ... no interest in seeing this one, frankly), a re-release of Luis Buñuel's 1970 drama Tristana, and freewheeling New Orleans doc Tchoupitoulas (reviews of the latter two after the jump).
FILM One of the few upbeat by-products of the increasing infantilization of popular movies is that the same impulse to dumb down live action for permanently adolescent tastes also raises the bar for animation, which no longer has to target grade schoolers as its primary audience. Even not-so-special 2012 had more sophisticated and interesting animated features than you'd find in any given year a couple decades or more ago. Wreck-It Ralph won't win the Best Picture Oscar. But it will almost certainly be better than whatever movie does.Read more »
FILM There was hella hoopla over Kathryn Bigelow being the first woman to win an Oscar for Best Director, for 2010's The Hurt Locker. It's a good possibility she'll soon be the first woman to win two directing Oscars, if Zero Dark Thirty's remarkable haul of critical kudos continues into statuette season.Read more »