This is not a drill, film fans: Paul Thomas Anderson's highly anticipated new film, The Master, will be screening at the Castro tomorrow night. In 70mm. Not gonna lie: as soon as word of similar "surprise" screenings in other cities (Chicago, Los Angeles), I was crossing my fingers and toes that we'd get one here. Especially since not everyone can make it to the various film festivals where it's been programmed (Venice, Toronto) ... and The Master's theatrical release isn't until Sept. 21 in the Bay Area.
Get thee to TicketWeb now and spend $10 (plus the expected fees and whatnot) to benefit the Film Foundation. The Castro is a huge theater, but film nerds are gonna be all over this one. Like me, for instance. There will be popcorn!
Though he never achieved the critical-darling status of his Oscar-nominated brother Ridley, Tony Scott's contributions to that most entertaining of movie genres, the popcorn blockbuster, cannot be overstated (unsuprisingly, many of his films were produced by the like-minded Jerry Bruckheimer). Herewith, a tribute in trailers. Explosions ahoy!
“At this San Francisco sex party, service comes with a smile”
I watched his engorged, throbbing penis emerge at the opening of the glory hole. Staring felt awkward, but I couldn’t peel my eyes away. Men were all over the room, some casually looking on, some men lounging naked on the couch. One guy was doing a nude figure drawing of his next conquest. Read more »
Big news this week out of the San Francisco Film Society: the Executive Director post, empty since the January passing of Bingham Ray (himself a replacement for the late Graham Leggat), has been filled. According to the organization's official press release:
"Ted Hope, one of the film industry's most respected and prolific figures, has been named executive director of the San Francisco Film Society (SFFS), effective September 1, 2012. In a surprise move, the veteran film producer and one of the most influential individuals in independent film will embark upon a new chapter in his professional life, leaving New York City, where he produced independent films through his companies Good Machine, This is that corporation and Double Hope Films, to lead the Film Society into the future."
This happy announcement comes on the heels of two pretty depressing ones: longtime SFFS publicity head Hilary Hart, one of the most beloved film PR figures in San Francisco (or any film community, I'd wager), was let go; and the organization opted not to renew its SF Film Society Cinema lease at Japantown's New People. However, "We'll still have plenty of one-off screenings and events at various locations, and our Fall Season festival programming is completely unaffected," says publicity manager Bill Proctor. (Speaking of, hot tip: killer-kid classic Battle Royale is up at SF Film Society Cinema through August 16.)
New movies? We got 'em. One more oldie-but-oh-so-goodie recommendation, plus, yeah, The Bourne Legacy and the rest, after the jump.
This weekend, it's all about the Women's Marathon at the London Olympics! If my calculations are correct, I will have to basically stay up all night Saturday to catch the race (11am London time is uggghhhh our time), or descend into a spoiler-free cave where no NBC-borne spoilers can find me before the highlight reel.
Anyone needing a break from gorging on Olympic track and field coverage, however, has an array of options at the movie theater, including two standout docs about mystery men (The Imposterand Searching for Sugar Man) and William Friedkin's rip-roaring (and NC-17) latest, Killer Joe. Plus, Lovecraft!
Hollywood's big money is on the Total Recall remake, which stars an agreeable Colin Farrell and is directed with reasonable amounts of style by Len Wiseman (of Underworld series fame; naturally, wife Kate Beckinsale has a juicy part). But if you really want to see Total Recall, stick with the 1990 Verhoeven-Schwarzenegger version. The do-over adds nothing and contains zero quotable lines on par with "Get your AHH-SS to Mars!"
Short takes on other notable releases this week (including a Bresson revival, ooh la la) after the jump.
My pick for movie of the week is The Queen of Versailles, a likely (I'm callin' it in July) inclusion on my top 10 list for 2012. Seriously, this doc is revealing, timely, surprising, beautifully lensed (by photographer-turned-director Lauren Greenfield), and affords an insidery peek into the mysterious borderlands between extreme weath and excessive tackiness.
Hollywood would like you to see either an alien-invasion comedy with Ben Stiller or the fourth Step Up entry ... you could do worse, but you could do better. Frankly, I'd pencil in The Queen of Versailles for your Saturday night, and settle in tonight for the 2012 Summer Olympics Opening Ceremony, which comes complete with the amusement park-ish title "Isles of Wonder." All the buzz indicates that the extravaganza, directed by Danny Boyle (not known for his subtlety), will be one for the ages, or at least supply some juicy fodder for the meme generation.
Reviews of everything opening this week (spoiler: there's a lot) below the jump.
The pre-screening wine bar won't erase the sinister implications of tomorrow's Artist's Television Access showing of Reconnect. On Sat/28, filmmaker Kevin Kunze will show a rough cut of the film that will make you think twice about answering your next phone call. Read more »