SFIFF R. Buckminster Fuller was born before the turn of the last century, and died before the start of this one. But place his philosophical and practical output next to any contemporary thinker, and something seems a bit off.
"He was totally out of sync with his time," says SF-based documentarian Sam Green (2004's The Weather Underground). "He was talking about green building in the 1930s or '40s."Read more »
Guess how many movies are opening in the Bay Area Fri/13? Sixteen. Sixteen, y'all. That might be an all-time Ultimate Grand Supreme record. So in this saturated situation, what's worth seeing, considering this is your last weekend before the San Francisco International Film Festival sets up shop and dominates all your moviegoing brain cells?
First, check out Dennis Harvey's feature-length review of Applause, imported from Denmark and featuring "a flamboyant, arresting, faultless star turn" from Paprika Steen, a megastar in her home country.
Seeking more? Here are five (out of 16, remember — true fiends can check out our complete film listings if five ain't enough) to get you through the weekend.
A buzzed-about doc on the (unfortunately) hot topic of teen bullying:
FILM Jafar Panahi is no longer allowed to make films in Iran. So, with the help of documentarian Mojtaba Mirtahmasb, he made This Is Not a Film.
After arrests in 2009 and 2010, Panahi was sentenced to a 20-year ban from filmmaking and a six-year prison term for "assembly and colluding with the intention to commit crimes against the country's national security and propaganda against the Islamic Republic," as reported by the Green Voice of Freedom, a human rights website. He is also barred from leaving the country or giving interviews.Read more »
Of slightly more urgent, politically relevent, Celine Dion-less note, check out Sam Stander's review of This Is Not a Film, a movie by embattled filmmaker Jafar Panahi that was literally smuggled out of Iran on a flash drive hidden in a cake. It opens Fri/13 at the SF Film Society Cinema (a zone soon to be taken over by the upcoming San Francisco International Film Festival, kicking off April 19).
If you're an artist yourself, possibly one who looks spiffy in a pair of chaps, the Folsom Street Fair (which has a new date this year!) has put out a call to independent filmmakers interested in working on a planned documentary on "the grandaddy of all leather events." From the Folsom Street Events press release:
Today I wrote a story about my sexual initiation. I forwarded my story to my friends, we discussed, they wrote down theirs. Turns out one of my loved ones did the deed over half an ecstasy pill on Staten Island. Another's first time was with a boyfriend so unmemorable that she couldn't remember identifying characteristics. Apparently they had a hard time getting it in.
Is there a moment in life that is as important, yet less talked-about than the dismissal of one's virginity? Hardly. So few things equaled the cheap thrill I got from handing over my own story to local author turned filmmaker Laura Goode to publish on her film's new fundraising website. Read more »
FILM The phenomenon of grown children remaining under (or returning to) mom and dad's roof well after the customary sell-by date has been a regular topic of late in American entertainment and pop sociology.Read more »
FILM Iran is the kind of nation where political protest in public art has to be muted or disguised. It was well buried in recent hit A Separation, and is just slightly more apparent in Rafi Pitts' The Hunter. Shot and set during the contentious 2009 Presidential campaign — Pitts is a rare expat filmmaker allowed to shoot in the country his family left decades ago — it starts as a Kafka-esque portrait of quiet desperation in a cold, empty Tehran, then turns into a sort of existential thriller. Read more »
If you were the kind of kid who, when introduced to the concept of abstract art, would grab the fingerpaints and try to top Jackson Pollock’s “No. 11,” then chances are at some point you’ve harbored a desire to take on the movie industry with your own resources. After all, the tools are out there, within grasp of anyone with access to equipment as modest as a camera-phone or a web-cam. And just as the advent of the analog camcorder was hailed as a democratization of the cinematic art-form, so too can the current craze for digital gear be read not just as consumerist one-upmanship, but an earnest bid for creative parity.
Well, if it’s artistic inspiration you crave, and fingerpaints aren’t cutting it anymore, you need look no further than the Disposable Film Festival, which took place this past weekend, dedicated to screening the best of the no-budget brigade, for motivation. Lest the term “disposable” put you off, festival co-founder Carlton Evans is quick to amend: the technology is what’s considered disposable here, not the creative output.
The truth is, The Hunger Games will still be raking in mad dough this weekend. (Even Julia Roberts can't step to Katniss Everdeen, and if John Carter is any indication of moviegoers' fatigue of CG uber-spectacle, Wrath of the Titans is doomed. Though, to be fair, if anyone can step to Katniss Everdeen, it's Liam Neeson.)
So. Your weekend options include: The Hunger Games, round two; re-watching last week's zooby-zooby-zoo-tastic Mad Men season premiere over and over until episode two airs; or binging on all of Game of Thrones, season one, to prep for that show's return to HBO (praise to R'hllor!) Also: Sat/31 and Sun/1 screenings remain of 1927 masterpiece/cinema event of the season Napoleon at Oakland's Paramount. (Ain't cheap, but worth it.)
If you really, really want to take in a new movie, the rep and art houses are the place to be Fri/30. Tom "Loki" Hiddleston squeezes in some acting cred ahead of The Avengers' May 4 release, starring opposite Oscar winner Rachel Weisz in the new one from Terence Davies (2000's The House of Mirth):