The Hunger Games: Catching Fire

Chocolate + 'The Hunger Games: Catching Fire' = irony that tastes gooooood


When I got to work Friday morning, I found the Arts and Culture editors, along with our publisher, huddled outside a cubicle, mouths agape. I joined them. A large rectangular box sat on the desk. Reminiscent of the strange stone tablet from 2001: A Space Odyssey (1968), it rose up from the desk, black, and ominous, only this one gleamed with golden letters, spelling out “Catching Fire.” Inside, I found chocolate.

(Here’s a quick rule of thumb in the newsroom: You will get promotional gifts. Another one: rarely will a promo grab your attention. But my favorite is: Do not let thy promo go to waste.)

I did what any food writer would do. I tasted each and every last chocolate bar — a total of 12, one for each “District” inside the post-apocalyptic world of Suzanne Collins’ trilogy The Hunger Games. (The timing of this delivery, of course, is to whet one's appetite for The Hunger Games: Catching Fire, out Nov 22). Crafted by chocolate makers Vosges through their American farmer-sourced Wild Ophelia line, each chocolate bar incorporated aspects of American geography, on which Panem, the segregated, classist country where heroine Katniss lives, was based.

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