It’s a long journey from Nigeria to Nas and Damian Marley’s side onstage at the Fox Theater (Tues/25). But 28 year old singer Nneka makes the road seem eminently walkable. Born to a father from the Nigerian Igbo tribe, and a German mother, her Erykah Badu like vocalizations didn’t really take off until she moved to Hamburg at 18. Since then, she’s risen to European fame on the verve of lyrics that reposition Africa as it’s own narrator, and are set to driving R&B and hip hop beats. And now the States are taking note of her song. Read more »

Miniature scrunchies, neon-colored jumpers and babysitters who insisted the tube stay tuned to MTV— awwwww, weren’t ‘80s babies the coolest? I may be partial, due to the fact that I was born in said decade, but so was Alan Palomo, a.k.a. the synth-wizard behind Neon Indian— playing Fri/26 at Mezzanine— and he’s an ’88 boy whose cheeks and beats I always wanna squeeze. 

Read more »

The deep piles of used goods can be a bit daunting at some of the best thrift stores, but when you find that shimmering prize, the fuzzy feeling is relative to winning a race or seeing your worst enemy trip into a puddle. For the sole member of tUnE-yArDs, musician Merrill Garbus— playing Sat/20 at Bottom of the Hill— her ultimate find was a white purse with row after row of luscious beads.

“I was in high school, living in Connecticut and we’d take trips into New York City to shop at thrift stores,” she recalls, talking to me over the phone while walking in her Oakland neighborhood. “I used to collect purses, even though I never used them.” Read more »

Big blonde hair, rosy cheeks, and an adorable little frame ... folk-pop songstress Camaron Ochs -- who'll be performing Wed/17 at Cafe Du Nord -- is a doll. Coincidentally, she is also being stalked by one— the Oakland singer-songwriter has seen quite a lot of Barbie in the past year, the long plastic limbs have been spotted at two East Bay venues where Ochs took the stage: the Stork Club, where the bar is decorated with stacks of cased holiday Barbies and Mama Buzz, the coffee shop/art gallery that hosted an art exhibit of the dolls in adult-style dioramas.

“There’s a Bat Girl Barbie at the Stork Club and I want it,” she says with a warm smile. “And I really liked the Barbie on the unicorn at Mama Buzz.”

Read more »

Classic finger-picking and Laura Veirs' girly vocals characterize the feather-light songs she's written about sweet summer days on her seventh album, July Flame. The songs explore desire and happiness in stripped-down folk form, caressing questionable emotions with scents of firewood smoke, extended sunshine, and humid mid-summer evenings - all named after a variety of peach Veirs spied at her local farmer's market. After 10 years in the music business, touring is nothing new to the Portland artist, but the trip supporting this album is different for two reasons: first, this album is being called her best; and second, Veirs is eight months pregnant. I caught Veirs on the phone on a Sunday afternoon, when she was taking a break at her parents' place in Colorado, to chat about the album and the experience of touring while expecting. Read more »

It’s been 12 years and the two adorable Canadian Twins are still making perfectly pleasant, political pop. Their latest album, Sainthood, is a stellar collection of matured, electronically hinged tracks that never fail to get stuck in your head. The sassy duo plays at the Fox in Oakland Friday and are sure to reign in a full crowd of Bay Area queer ladies.

It’s hard not to fall for Tegan and Sara, their cute haircuts, charming smirks, and songs that seem to nuzzle up to any mood. And these ladies put on an awesome show with mouthfuls of quirky conversation and honest, adorable blabbing about all sorts of intelligent topics.

Before setting up shop at venue in Austin, Sara took a few minutes to let me in a few tour secrets and proved that her hilariously eccentric stage presence isn’t an act in the slightest.
Read more »

DJ Similak Chyld doesn’t mess with inspiration. When asked how she came up with the idea for Afro Chico Electro, her dance party that hits the floor at Triple Crown on Wed/10, she’s narrowed the concept down to a single visual. It’s a purple pencil drawing by graffitist Mode 2 that shows a swath of party people intertwined, their arms thrown in the air, eyes closed, smiles open. There’s a bald girl, a blonde girl, some b-boys, a cool guy in a hat- but they’re all dancing to the same beat. Quote the pint sized Similak, “the idea is basically merging all the genres that I love, to bridge the gap between different crews, djs, artists, etcetera. I figure it makes sense to me- why not throw a party that represents who I am at the core?”

Read more »

I hate to be objectifying, but journalistic integrity be damned- Orchid and Hound are damn good looking. The queer pop duo, comprised of satyr-esque John Constantine and the coyly shaggy Lawrence Alarcon, were also charming and beautifully turned out when I met them for drinks the other night- and, of course, they are brilliant onstage. Their upcoming show at The Blue Macaw (Thur/11) promises to look a lot like what would happen if High School Musical came out of the closet, hired a better stylist and started partying. So you’re going to have to excuse me if the following article starts to sound like Tiger Beat at times. I’m a little smitten, so shoot me.

This is what you will see at an Orchid and Hound show. Lawrence Alarcon will bang out lovely up and down tunes on his piano, while John Constantine provides jazzy vocals that ease over here to a sound reminiscent of Broadway, then smooth down there to recall a smoky lounge somewhere in Vegas. They’ve dubbed it “queer pop”- a highly listenable, intimate little cabaret. "We like to think of 'queer' as 'different,' like melodrama," says Constantine of their sound.

Read more »

“The classical composers we know so well, Beethoven and Bach and Vivaldi, they were improvisers. So really, we’re carrying on that legacy,” says Real Vocal String Quartet founder Irene Sazer. I’d love to know what the old masters would think of a RVSQ gig- would they throw down their powdered wig and get down when the women launch their cellos into “Fontana Abandonada-Passatempo,” their Afro-Brazilian jam? Get their britches in a twist over “Kothbiro,” a nyatiti song by Kenyan artist Ayub Ogada?

I reckon they’d have dug the tunes. After all, RVSQ, performing this Thursday at Freight and Salvage, attributes their freedom to perform such divergent genres to their traditional classical training. The band members- Dina Maccabee and Sazer on the violin, Alisa Rose on the violin and fiddle and cellist Jessica Ivry- were all band kids, many raised in families of classical musicians and most recipients of college degrees in their respective axes.

Some started careers in orchestras and the like. But there was always something beyond the Bach that beckoned.

Read more »