Some people look to surf pop as their go to summer soundtrack. But what if, for once, you were to venture off the shore and in to the deep blue sea? You will need a sailboat and a perfectly warm, hazy breeze to put wind to your nautical journey.
Tennis — made up of husband and wife duo Alaina Moore and Patrick Riley along with drummer James Barone — is an indie-rock band from Denver that began on board during the couple’s eight-month sailing expedition. Read more »
This week, most of the crucial shows are hella local (as is that faux pas slang). What can you do? We're all cogs in the Bay Area machine. And we happen to have a lot of impressive musicians within spitting distance. There are cheap shows spread across the hyper-local map starring Religious Girls, French Cassettes, Midnite Snaxxx, Thee Oh Sees, and Il Gato. Read more »
Ask the initially shy New Zealander Bachelorette how she makes music, and you'll get a fascinating mouthful.
“Some of the stuff I make, it's almost psychedelic disco, other times I think the music is quite folky,” she begins, “in that kind of computer-based way.” Pausing she then adds, “Lately people have asked me to describe the style and I describe it as computer folk. The computer is my folk instrument. It's just me on stage and I have a couple of computers and samples and a guitar, a lot of sampling and looping live – I construct the songs differently every time I play, so there's an element of improvisation." Read more »
If you're planning to hit the Fillmore tonight, I can only guess tickets were carefully debated then purchased mainly in order to see fantastical live sets by the magic indie sprites of Deerhoof and/or headliners of Montreal. But might I suggest getting there early for opener Kishi Bashi?Read more »
Ed. note – Ahead of Sharon Van Etten's long-sold out show in SF this week, Ryan Prendiville had the chance to catch up with the rising indie folk singer-songwriter (who recently released critically lauded third album 'Tramp') to discuss her songwriting process, lessons of South by Southwest pasts, and the influence of Nick Cave:
SFBG:How many shows are you playing at SXSW? Sharon Van Etten: Just two. Last year we did eight in three days. It was really stupid. I burnt out and lost my voice for three days when we had just started a tour. I decided this year it just wasn’t worth it. Read more »
It's unsettling how the first track off Cloud Nothings' new LP makes one want to drop everything and flop on the ground in an arrested development expression of perma-teen angst. It's hard to even type these words when the song is playing. It's hard to lift my hands. I just want to listen to the melancholic chug-chug of dangling chords, bursts of crashing cymbals, and singer-guitarist Dylan Baldi's stretched-out moan, “No Future/No Past.” I don't want to do anything. Read more »
Maybe it’s the dreamy, celestial quality of their ethereal beats, or the cloud of weed smoke that seems to float from the speakers whenever Squadda B or MondreMAN spit one of their sky-high verses. While the origin of the term “cloud rap” may be up for debate, it’s undeniable that Main Attrakionz is carving out its own place in hip-hop by pioneering a new sub-genre. Read more »
The final album to Madlib’s 13-part Medicine Show is scheduled to be released this month, capping a series that may prove to be the producer’s magnum opus. Through 12 albums, already he has journeyed through genres – hip-hop, dub, soundtrack music, free jazz, soul, psychedelic rock. He sampled music from around the world – Brazil, Africa, Jamaica. He culled work from different eras – records from the 1970s, his own unreleased tracks from the '90s, new productions from today. Read more »
While her earlier image and sound were more pointed toward the retro, with new album Lollipops and Politics, V V Brown is hopping towards the future. No longer sporting the vintage pin-up bang roll, she seems comfortable in herself, rocking a more laid-back look in the video for "Children" (released last week) off the new record, which comes out February 2012. Read more »
Back in 2010, when the members of Wild Flag initially started playing music with one another, whether a band would be forged or not wasn’t altogether clear. Carrie Brownstein, Rebecca Cole, and Janet Weiss (all from Portland, Ore.) had been writing the score for art documentary !Women Art Revolution when they tapped Mary Timony, who lived in Washington D.C., to record vocals. One project naturally led to the other. Read more »