On a long BART ride to Oakland after a longer day at school, I thought I probably couldn’t stay awake at a punk show, much less an acoustic folk concert. When I arrived at the Fox and saw that the Tallest Man on Earth show was seated, I was sure that I was doomed.
The stage setup was minimal, with one chair, a circle of monitors, and one keyboard. I stifled a yawn as Kristian Matsson, a.k.a the Tallest Man on Earth, skipped onto the stage in a white tank top and black skinny jeans, looking ironically small on the large, sparse stage. Matsson picked up his guitar, strummed, and wailed out his first note, sending the audience into hysterics. Read more »
How much space does a person need to dance? If you’ve been to a packed, over-sold massive EDM show lately, the answer could be zero, as being rooted in place and fist-pumpin’ seems to be all the rage. Really, though, if you’re at least going to move your feet then a little more room* is required.
Which is why I was relieved to find that the Independent, while crowded, wasn’t packed to the walls last night. Because Portugal’s Buraka Som Sistema likes to get down in a very specific way. In that way that Tribe liked to get down – devoted to the art of moving butts.
With an arsenal of a dozen guitars and several amplifiers lined up behind him, Lindsey Buckingham wasted no time delving into his extensive catalog of songs Monday night at the Fillmore.
Striding up to a lone microphone stand wearing his signature blue jeans, v-neck t-shirt, and black leather jacket, the singer and guitarist launched into an hour and 15 minute set that spanned a broad spectrum of his career, covering a wide swath of solo material in addition to some of the mega hits he created as a member of Fleetwood Mac.Read more »
In case you hadn't noticed, Frankie Rose's got the Internet goin' nutz. The 33 year-old has served time in two super buzzy groups of girls (Dum Dum & Vivian) and NYC critical darlings the Crystal Stilts and is about to kick off a tour with Real Estate.
The blogosphere's thickest rims have been falling over themselves to praise her sparkling sophomore LP, Interstellar (Slumberland, 2012), and on Saturday night, Rose took herself and that buzz (I hear it needs its own van) to a sold-out Brick and Mortar Music Hall for an brief yet enthralling 10-song set. Read more »
There is nothing quite like hearing the song that’s been stuck in your head — persistently playing on repeat — finally materialize in front of you.
When the all-too-recognizable trickles of the xylophone and Gotye’s effortlessly poignant voice introduced “Someone That I Used To Know” last night at the Bill Graham Civic Auditorium, the crowd went ballistic; a collective jolt of ecstatic bliss took over, followed by a vigil of raised iPhones and Androids. Read more »
San Franciscans faced a sort of litmus test Wednesday night: which popular band would they see live when given copious quality options, what does that say about their whole being, and who among us chose best? Thanks to Coachella and just lucky circumstance, there were major acts playing sold out or close-to-it shows all around town last night: Godspeed, Gotye, Refused, and Wild Flag. Read more »
The first time I saw Radiohead, it was opening up for Belly, back when “Creep” was an exquisite oddball of a radio hit.
Actually, it wasn't so much opening for Belly as it was a double bill, but Radiohead played first and Thom Yorke had a platinum rock star hairdo and the band was touring on an unspectacular album with a title gleaned from a Jerky Boy’s joke. Read more »
Those sleazy, salacious scumdogs of the universe in GWAR wasted no time in unleashing their riotous brand of musical mayhem on Friday night before a packed audience at the Regency Ballroom, with fake blood spraying and splattering the audience as quickly as the first notes came screaming out of the amplifiers. Read more »
While the Magnetic Fields' newest album, Love at the Bottom of the Sea, recaptured the group’s love for synthesizers and electronics, Saturday night’s Fox Theater performance was a testament to the timeless quality of its stripped-down acoustic format. Read more »