Photographer Allen David was front and center for Aerosmith and Cheap Trick's joint concert at the Oracle Arena. Check out his photos and read his thoughts on all the good time rock'n'roll -- and action in the pit -- in the story below. Read more »
How much space does a person need to dance? If you’ve been to a packed, over-sold massive EDM show lately, the answer could be zero, as being rooted in place and fist-pumpin’ seems to be all the rage. Really, though, if you’re at least going to move your feet then a little more room* is required.
Which is why I was relieved to find that the Independent, while crowded, wasn’t packed to the walls last night. Because Portugal’s Buraka Som Sistema likes to get down in a very specific way. In that way that Tribe liked to get down – devoted to the art of moving butts.
The SF Street Food Festival has become such a delight in the summertime. (This year's takes place on Saturday, August 18.) A chance to sample wonderful treats from the around the world (many developed in the test kitchens of entrepeneurial incubator La Cocina), transporting your taste buds to the far reaches of yumminess. The festival can get crazy crowded, so to help you out, here's a list of some fave vendors to make a beeline for:
Last week I decided it would be fun to check out Reggae on the River for the first time. I called up my brother DJ Guacamole to see if he'd like to come along, only to discover that he was DJing the late-night dancehall dome at Cooks Valley Campground. Without any further hesitation I jumped in my vintage Beemer and headed up to Sebastopol to meet up with him and his DJ buddy, Jacques of WBLK. Luckily for me, Jacques and Guac are well-connected in the NorCal reggae scene. We piled our stuff in Guac's van, I stuffed myself into the rear seat between sleeping bags and coolers full of Guinness. Three hours later we were greeted by Guac's dreaded friend in charge, Chris Tafari. He set us up with an awesome campsite just behind the dome stage. Read more »
Fountains of Wayne was exhausted, its effects pedals weren't working, and the crowd was only half full at the Great American Music Hall last Thursday night. But for some reason, despite the band's jet lag and the shortcomings of its borrowed equipment, the show sounded good. In fact, it sounded fantastic. Read more »
Hosting an all-day outdoor festival in the middle of a chilly SF summer was a crapshoot, but the Bay Bridged bet well. The sun sizzled so strongly over Phono Del Sol attendees and bands last Saturday that one musician had to call out into the crowd for coverage. Read more »
Add a disco ball to any situation and you will not decrease its likelihood of becoming a party. When I stopped by ODC Theater earlier this week to snap some photos of the Alyce Finwall Dance Theater's rehearsals for the upcoming three-day dance festival Werk It Out!, it appeared that the dancers were in a festive mood. Read more »
Peer pressure is the key to any good party. “Don’t leave, don’t leave,” Miss Pussycat called out from the stage Friday night at New Parish, not so much begging or pleading, but in a tone that suggested the couple heading towards the door with their coats were crazy. Read more »
“Oh god, I’m not remembering the third verse,” John Darnielle of the Mountain Goats said Wednesday at the Swedish American Hall, and continued to play familiar chords as someone from the second row shouted out the next line. His memory jogged, the singer finished “Isaiah 45:23” from 2009’s The Life of the World to Come and asked the woman he apparently recognized, “was that you?” She nodded, and he smiled, saying how great it was when someone who has been a fan from the beginning knows the words to one of the newer songs. Read more »
Amid the reign of Kanye, it can be easy to overlook the humble beginnings of hip-hop: a populist genre designed to be executed with minimal resources. Seattle duo THEESatisfaction’s reverence for this history was on full display at the Independent last Friday night, as they “turned off the swag” to deliver a remarkably unadorned performance, in support of the acclaimed awE naturalE, released earlier this year. Two microphones and a MacBook were all Catherine Harris-White and Stasia Irons needed to communicate their boldly cosmic agenda. Read more »