Foodies filled Omnivore Books in Noe Valley on Thursday night, some to compete and some to eat, for the first Edible Art Contest. The competitors were judged on taste and creativity and the mix of entries were quite impressive.
It was the first time I traveled by myself. I was exploring Boston, meandering along the red line that winds its way from one historical site to another, while the discman in my purse blasted Air. The red line (aka The Freedom Trail) ends at Bunker Hill. The sun was brilliant on that June day and I lay in the grass, squinting up at the clouds. Cherry Blossom Girl started playing. I watched a little girl do somersaults in the grass and dance. Her tumbles were in perfect time with the soft rhythm of the song. The little girl was pure joyfulness. She found a feather in the grass and for some reason brought it over to me and said "This is for you." Then her dad called to her, telling her it was time to go home.
In honor of the upcoming installment of the Bay's wondrous Literary Death Match -- Fri/12, 6:30, $10 at Elbo Room, 647 Valencia, SF. -- here are some pics from last month's raucous Valentine's Day edition. It was a fight for love ... to the death!
Back in the early '90s, when MTV played video after video and I was still a kid, I remember seeing tall, hot chicks like Sarah Assbring, the sole member of El Perro Del Mar, flash across the screen, dancing to Axl Rose and Aerosmith. Taking the stage, Assbring immediately struck me as a rock video model, her bright blonde hair chopped off with a stiff asymmetrical edge, lips dark with black-red lipstick, and lids full of smoky shadow. I was immediately envious of her black silky jumper, stitched with an oversupply of fabric under the sleeves that made for the perfect raven wings whenever she lifted her arms.
The sounds of El Perro Del Mar are always sweet and shy, much like the musician herself. She said very little and smiled even less, and yet had me wrapped around her every breath. When she sang, her eyes focused intently on an unknown object in the back of the room, with her eyebrows at a constant downward angle. Often she would raise her hands into the air or send them straight out in front of the mic, nearly reaching the fans in front. She was intense. Read more »
That beat. It was all about that beat. And everyone had filled up the Independent theater on February 26 to hear Four Tet's hypnotic beats all night long. His new album, There Is Love in You, was released last month and Four Tet joined several other electronic groups last Friday on one of the closing nights of the SF Noise Pop festival. Read more »
For the 3rd night of the SF Noise Pop festival, three bands shared the stage with Zee Avi at Rickshaw Stop. Noise Pop is such a marathon of music, with each band rushing on stage, setting up their equipment, rocking out for about eight songs and moving aside to make room for the subsequent performers. Luckily through all this movement and music, each group really held their own and the audience kept begging for encores that were never possible. Read more »
After braving crummy weather and the odd timing of her Sunday night show, I finally got to see my new favorite female rapper K.Flay live. To be honest, K.Flay a San Franciscan by way of Illinois, is way more than just a rapper. She makes her own beats, mash-ups, and plays guitar, in addition to rocking a mic and a party.