Three decades after its initial release, New Order's Power, Corruption, & Lies (1982) might sound deceptively ordinary. From the early '90s successes of Happy Mondays and the Stone Roses, to more recent outfits like LCD Soundsystem and Cut Copy, it's easy to take for granted just how completely the Manchester band's hybrid of guitar rock and sequenced dance music has permeated the modern musical landscape. Yet, as bassist and co-songwriter Peter Hook would have you believe, that fateful LP was the moment that started it all.
"New Order [was] one of the first rock bands that used dance elements, and now everybody does it," Hook tells the Bay Guardian over the phone from a hotel room in Vancouver.
In continuation of a recent tour that featured song-for-song replications of both Unknown Pleasures (1979) and Closer (1980) by Hook's previous band, the equally revelatory post-punk outfit Joy Division, his current ensemble, Peter Hook & the Light, is set to grace the Mezzanine stage on Fri/27 with front-to-back covers of New Order's first two LPs, 1981's Movement, and of course, Power, Corruption, & Lies. Read more »
The night started with shrieks. Well, back up. It actually started sedate. Opener Still Corners had cancelled at the last minute, due to visa issues*,” so we knew it would be a bit of a wait before headliner Chvrches came to the stage at Mezzanine. In the meantime, we stood around commenting how nice it was that there was no one under 21.
The show had originally been scheduled at the Rickshaw Stop, but when it sold out quickly, it was moved to Mezzanine, and anyone under drinking age was issued a refund. This meant there wasn’t the early crush of teenagers permanently camped out at the front of the stage.** I know, I know, it’s not nice to gloat over someone else’s exclusion. Maybe I forget about being that age and not understanding how I wouldn’t get to see my newest musical obsession live, just because the venue was 21+. I remember now, though, because twenty minutes before start time the other side of the spectrum arrived: the banshees.*** Read more »
Like a microcosm of our ever-morphing music culture, electronic duo TNGHT stands squarely between the traditions of EDM and hip-hop, reaping the benefits of both musical forms, and generating something new in the process. Comprised of Lunice (from Montreal), and Hudson Mohawke (from Glasgow), the pair stopped by the Mezzanine this past Saturday after a two-weekend Coachella run, bringing their shiny, brassy, bass-loaded grooves to a sold-out crowd of ecstatic 420ers. Read more »
"Dude, a satchel? That's the gayest shit I've ever seen." "What?" I asked. "Your purse," he said, pointing to my camera bag, as his apparent girlfriend giggled and tried to cover his mouth. "That's so fucking gay. Are you from America?" "Thank you," I said, as I finished putting in my ear plugs, mostly disinterested but half curious what he made of the two guys making out 10 feet across the dance floor.
Given that the last time I was in this situation, at Mezzanine to see NYC's disco band the Crystal Ark supported by "San Francisco's coveted queer DJ collective" Honey Soundsystem, was during Pride weekend, this was an odd encounter. But I'd already expected the crowd to be a little off, given that it was seemingly a late addition to the Noise Pop Festival and had to compete with packed, sold-out events in the vicinity. Read more »
The Wu-Tang Clan’s RZA, and his highly influential production sound, are much too easily taken for granted. You’ve got his Minnie-Ripperton-on-helium tape speeding methods, to which Kanye will forever be indebted; the filthy, resinous 36 Chambers aesthetic that’s informed everyone from MF Doom to Portishead; his prophetic, narrative skits that have irreversibly shaped the dynamics of the hip-hop album.
Even after 20 years in the biz, the Staten Island icon and famed kung-fu fetishist continues to shepherd the hip-hop form in bold, new directions. Expect RZA to reinforce his prestige when he takes the Mezzanine stage this Thursday, with a full live band in tow. Read more »