Movies

Living the green dream

Conservation (and good storytelling) inspire Ann and Steve Dunsky

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FILM Bay Area filmmakers Steve and Ann Dunsky (2005's The Greatest Good) have a pair of documentaries making waves right now: Green Fire, about conservationist Aldo Leopold, which plays at the upcoming San Francisco Green Film Festival; and Butterflies and Bulldozers, an exploration of the decades-long fight to save San Bruno Mountain. Bulldozers screened at the 2011 Green Film Festival, and has a coveted slot amid the 20th anniversary programming at Washington, D.C.'s Environmental Film Festival later this spring. Read more »

Success in excess

Is Ken Russell's awesome "The Devils" Satan's favorite movie? Sure, why the hell not.

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FILM The demise of Ken Russell late last year at age 84 blew a few cobwebs off appreciation of his career, which had ever been beloved by cult-minded buffs but forgotten by most everyone else for some years. He hadn't had a theatrical feature for two decades, and in his last years had been reduced to glorified home movies with titles like Revenge of the Elephant Man (2004) and The Fall of the Louse of Usher (2002). Read more »

No country

"Bros Before Hos" tackles the rough business of being a man

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arts@sfbg.com

FILM "The male stereotype makes masculinity not just a fact of biology but something that must be proved and re-proved, a continual quest for an ever-receding Holy Grail," wrote Marc Feigen Fasteau in The Male Machine, a 1975 Gloria Steinem-approved polemic (she wrote the introduction) that attempted to catalyze American men into joining their sisters in the women's movement in reexamining and casting off traditional gender roles.Read more »

The Performant: Strangelove

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“City of Lost Souls” at ATA, and “Awkward Dinner Party” at the EXIT Theatre, subverted the Valentine spirit.

Talk about a hot mess. The florid, fluid, City of Lost Souls (1983), Rosa von Praunheim’s seldom-screened, "transgendered ex-pat food-fight sex-circus musical extravaganza" begins with a motley cast of unapologetic misfits sweeping up a trashed-out Berlin burger joint, the “Hamburger Königin” (Burger Queen). Shimmying on the counter, falling out of her lingerie, punk rock’s first transwoman cult darling, Jayne County, belts out “The Burger Queen Blues” while her fellow wage slaves, Loretta (Lorraine Muthke), Gary (Gary Miller), and Joaquin (Joaquin La Habana) gyrate suggestively across the linoleum until the boss-lady, Angie Stardust (as herself), a regal, “old school” transsexual wrapped in an enormous fur coat, curtails their goofy antics with a whistle and megaphone.

In stern German she orders them back to work—preparing for the next round of abusive food fights, which characterize the “service” at her uniquely unappetizing restaurant. A Theatre of the Ridiculous-style foray into the secret lives of gender outlaw ex-pats in flirty, dirty Berlin, “Lost Souls” isn’t your typical romance—but it’s a love story all the same.

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Hello, Carol!

Carol Channing: Larger Than Life celebrates a legend

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FILM It is close to impossible not to love Carol Channing; those who would protest otherwise are simply heartless. The only adequate response to her is unconditional surrender, as if standing before an oncoming cyclone filled with puppies.Read more »

Cheers, puppeteers!

Gelfling classic The Dark Crystal is 30 years old -- join the celebration at Castro Theatre, but watch out for Skeksis

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Showcasing the boldly imaginative and innovative talents of the artisans at the Jim Henson Company, the 1982 fantasy film The Dark Crystal broke new ground when it came to visual special effects and believable creature creations.Read more »

Have you heard the good news?

Marjoe (and other praise-worthy oddities) at "The Second Coming of the Vortex Room"

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arts@sfbg.com

FILM Today, seeing high-profile evangelical Christians reveal themselves to be charlatans or hypocrites is old news. Even the spectacle of homophobic mega church prig Ted Haggard, outed as a fan of male hustlers and crystal meth, resurfacing on Celebrity Wife Swap induced a few shudders but no real surprise. The plunge from public sanctimoniousness to scandal and newly angled self-promotion is by now too familiar to shock. Read more »

Ding dong, you're dead

Horrors await all who enter Lucio Fulci's The House By the Cemetery

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TRASH It takes a certain kind of sicko to fall in love with Italian horror, what with all the oozing maggots, spurting jugulars, WTF plot twists, weird zooms, jarring musical cues, and supporting characters who do completely bizarre things that are never explained.Read more »

Female trouble

Noir City X raises a glass to cinematic bad girls

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arts@sfbg.com

FILM Rooney Mara's chalk-complected cyberpunk Lisbeth Salander is one of the more fearsome and curious creatures to stalk across movie screens in recent memory, her freak genius and impassive veneer concealing deep reservoirs of pain and rage — and also desire. Cold and distant to the extreme, Salander makes for an odd duck of a femme fatale to disgraced journalist Mikael Blomkvist's accidental gumshoe.Read more »

Frame missing

The unorthodox visions of "Not Necessarily Noir"

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arts@sfbg.com

FILM Of all Elliot Lavine's noir programs for the Roxie, "Not Necessarily Noir" is both the toughest sell and the most creative from a curatorial perspective. There are two programs in this abbreviated "Not Necessarily Noir" run that should have built-in audiences — a slam dunk Joan Crawford double bill of Johnny Guitar (1954) and Female on the Beach (1955), and a full course of Ed Wood — but the terrifically nervous movies at the start of the series do the most to stake out its intuitive terrain.Read more »