In the end, it was the women who saved us -- and we, in turn, helped save them.
As a gay man, this was one of the lessons I took from Jim Hubbard and Sarah Schulman's brilliant, sometimes harrowing film, United in Anger: A History of ACT-UP, which I caught yesterday at the GLBT History Museum in the Castro, and which screens again tonight Fri/1 at 6pm at the San Francisco Art Institute. The 93-minute movie, bristling with mindblowing archival footage, swiftly but effectively traces the AIDS Coalition to Unleash Power movement from its rambunctious beginnings in 1987 in New York, through its major actions like the die-in inside St. Patrick's Cathedral and the storming of the NIH headquarters in Maryland, to its eventual, sad dissipation under the weight of endless death in the mid-1990s. There is a lot of great retro fashion in this, btw.
FILM Film editor Sari Gilman — her resume includes 2007's Ghosts of Abu Ghraib and 2002's Blue Vinyl — made her directorial debut with the 30-minute documentary Kings Point, a bittersweet exploration of a Florida retirement community. The film first screened locally as part of the 2012 San Francisco Jewish Film Festival, and will air on HBO in March. In the meantime, it's been nominated for an Oscar for Best Documentary Short. I caught up with Gilman to talk about her film — and little gold men.Read more »
FILM Every year there's at least one: the adorable-old-coot fest, usually British, that proves harmless and reassuring and lightly tear/laughter producing enough to convince a certain demographic that it's safe to go to the movies again, just this once. The last months have seen two, both starring Maggie Smith (who's also queen of that audience's home viewing via Downton Abbey), and in this case more is probably less.Read more »
FILM It's a peculiarity of our moment that the worse things get, the more people seem inclined to think everyone else is going to hell. Their interpretation of the Bible (or Quran, or whatever) is seemingly absolute, yet God seems to stay on their side no matter which way the worldly wind might blow. Righteous judgment of others has practically become the American way, not that we were ever less than an opinionated bunch.Read more »
FILM "In Somalia there are no such things as kid actors and stage moms," explains the trailer for Asad, an 18-minute film about a Somali boy forced to choose between fishing and piracy. "There are just survivors telling a story."Read more »
FILM Though it's much more a Southern than a Western — closer to Mandingo (1975) than Red River (1948), that's for sure — Quentin Tarantino's Django Unchained nonetheless pays specific homage to spaghetti westerns in its title and some stylistic fillips.Read more »
FILM With Django Unchained-related posts currently filling up your Facebook feed (and box-office receipts stuffing Quentin Tarantino's pockets), now seems the perfect time to amble over to Berkeley for the Pacific Film Archive's spaghetti western series.Read more »
FILM Robert Carlyle is the kind of actor who usually elicits a slow-dawning response in realm of "Oh, right ... that guy. What was he in again?" Well, a lot, but if you're not British (let alone Scottish), his visibility has probably been erratic and infrequent — plus he does that exasperating English thing of taking TV assignments like they're perfectly OK, as opposed to the US approach of doing series work only when your big-screen career is in the toilet.Read more »
FILM One of the few upbeat by-products of the increasing infantilization of popular movies is that the same impulse to dumb down live action for permanently adolescent tastes also raises the bar for animation, which no longer has to target grade schoolers as its primary audience. Even not-so-special 2012 had more sophisticated and interesting animated features than you'd find in any given year a couple decades or more ago. Wreck-It Ralph won't win the Best Picture Oscar. But it will almost certainly be better than whatever movie does.Read more »