Music

Fanboy ruminations on the new My Bloody Valentine

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Here I am, listening to m b v for the umpteenth time since Saturday night, and I still can’t believe it exists. Up until last week, I had grown used to “the Loveless follow-up” as a punchline in hipster water-cooler conversation, a tall tale in the canon of guitar-rock mythology. But now, after two decades of broken promises, My Bloody Valentine’s fabled third LP is here. And I can dance to it. And it shows up on iTunes like everything else. This can’t be happening. Read more »

Freak show

The Residents talk eyeball masks, $100,000 box sets, and their 40 anniversary tour. Meanwhile, Beak> gets weird(er)

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emilysavage@sfbg.com

TOFU AND WHISKEY As Homer Flynn describes to me the Bay Area musical landscape during the time when iconic, experimental music-arts collective the Residents first rolled into town in 1966, I can't help but picture a tiny gold hammer cracking the earth wide open like it was a piñata, with glitter, powdered wigs, freakish masks, oversized eyeballs, and gingerbread men spewing out in a magnificent tangle.Read more »

Live Shots: Wovenhand at Bottom of the Hill

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Although the notoriously devout David Eugene Edwards would probably be appalled to hear it, attending his shows is about as close to a religious experience as I ever get.

The ferociously intense frontperson of Wovenhand (as well as the former 16 Horsepower), Edwards was instrumental in the foundation of the hyper-localized alt-Americana/gothic-folk genre known as the Denver Sound, a category filled with moody ballads of shaken faith and raucous, C&W-tinged fire-and-brimstone.

And there’s just something about the sheer unapologetic bombast of his live presence that makes me want to don sackcloth and ashes on the spot and follow the path of the righteous — a feeling which lasts at least until I manage to break away from his sermon on the mount (or any rate, the Bottom of the Hill) to stumble home, still a sinner. Read more »

Who are you?

Appreciating the legendary band's deeper cuts in advance of its live show

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arts@sfbg.com

MUSIC Can dreams come true or is it all a teenage wasteland? The remains of British mod band (some prefer to call them rockers) the Who are being scraped together for the latest round of nostalgia when original members Pete Townshend and Roger Daltrey perform their second rock opera, 1973's Quadrophenia, in its entirety at Oakland's Oracle Arena this Fri/1.Read more »

Heads Up: 7 must-see concerts this week

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This week holds big, anticipated-return shows like Local Natives at the Fox and Cody ChesnuTT at the Independent, new pairings like Adam Green and Binki Shapiro at the Chapel, an anniversary celebration at BAGel Radio's locally curated Bottom of the Hill night with Mister Loveless and CHURCHES, legendary Malian offspring Vieux Farka Touré at Yoshi's, and a possible faux listing (Jackie-O Motherfucker is supposedly playing Casa Sanchez). Read more »

Live Shots: Jessie Ware at the Rickshaw Stop

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It’s only a matter of time before British R&B-pop sensation Jessie Ware outgrows the small, cozy Rickshaw Stops of the music world. Last Thursday, at her first-ever SF show, Ware’s commanding, poised performance showed massive potential, more befitting of a full-on diva for the 21st century than a blog-popster du jour.

While her stateside popularity hasn’t yet caught up to her reputation across the pond, Ware captured the full attention of the indie-music press with her debut LP, Devotion, released last year. Influenced by her earlier work with producers like SBTRKT, the album demonstrated a level of artfulness and musical nuance, atypical of your average vocal pop album. Much like Katy B and AlunaGeorge, Ware has raised eyebrows by integrating big, upfront, Sade-esque vocals into the music-first world of bloggy electronica.

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Pinback delights fans at annual Bimbo's show

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The audience at Pinback’s sold-out show this Saturday night filled Bimbo’s with a pleasant air of mellow enthusiasm. The eclectic (albeit extremely white) crowd was excited without being obnoxious, and its quiet, genuine appreciation was the perfect match for Pinback’s own casual expertise.Read more »

Rebel girls

Bikini Kill's Kathi Wilcox, the Lady Gaga experience, a soul troubadour, and the demise of a local punk band

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emilysavage@sfbg.com

TOFU AND WHISKEY You should know how significant the forthcoming sentence is for me. Like, when I think about it, my heart speeds up a tick. I get that fluttery, crush-style, first-discovering-feminism blood pumping something fierce. Here it is: so, I was talking to Kathi Wilcox, of Bikini Kill, the Frumpies, the Casual Dots, and Julie Ruin...that's about as far into it as I can get for now.Read more »

Heads Up: 7 must-see concerts this week

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What a momentous way to kick off the week: Barack Obama's second inauguration falling on MLK Jr. Day, and with tear-inducing performances by Beyonce and James Taylor, to boot. It doesn't get much more U-S-A than that. Oh, and there was that whole SF football win on Sunday.

Celebrate your fleeting pride swell with a week-long journey through challenging live music; stop by former local Jhameel's return concert, the annual SF Tape Music Festival, Luke Sweeney's Wet Dreams Dry Magic at Mission Creek Oakland, Blond:ish at Monarch, and Gaucho at Cyprian's, as the group recognizes Django Reinhardt's birthday. Read more »

Telegenic Band Check: Roem Baur

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See video

Roem Baur performed for SFBG videographer Ariel Soto-Suver at St. Luke's Church on Van Ness, where he also does an open mic event.