“It’s about writing. We should start the interview with that.” Todd Tholke leans forward across the greasy café table. “The whole reason I came all the way over here today to meet with you is to tell you about this thing that we do that has to do with free speech.”
Tholke emcees open mics, which is something he’s been doing in San Francisco for over 15 years to showcase the works of local artists in a free venue. At present, Tholke is hosting acoustic nights every Thursday at Sacred Grounds Café, which lies north of the Panhandle. Read more »
Few living composers can claim more influence over the landscape of modern classical music than Philip Glass. A glance at his expansive discography — comprised of symphonies, operas, ballets, film scores, and a broad range of collaborative efforts — reveals a restlessly creative artist, with little regard for categorization. Even after turning 75 earlier this year, Glass continues to work as prolifically as ever.
The latest installment in Glass' storied career finds the composer joining forces with acclaimed singer-songwriter-harpist Joanna Newsom, for an exclusive, one-off performance Mon/25 to benefit Big Sur's Henry Miller Memorial Library.
In a phone conversation with the Guardian last week, from his home in Manhattan, Glass detailed the evolution of his creative alliance with Newsom, his burning desire to work with Ornette Coleman and Wynton Marsalis, his likeness to Brian Eno, and his refusal to be labeled a "minimalist", among a host of other topics.
Our interview was much too extensive for Wednesday's feature to contain, so read on for more words of wisdom from Glass.
The Grannies know how to have fun. After over a decade of raucous good times, including two European tours and years of stage antics, the six remaining members of the local punk band are back, playing in Oakland Fri/22 with Midnight Bombers and the Ardent Sons.
Yet this show extends past the chaotic atmospheres of a typical Grannies show. This show is a benefit for the son of founder and lead guitarist Sluggo Cawley. Read more »
KC Turner’s House Concert series gets up close and personal
When did the home become a fortress? It’s as if each city block were comprised of hundreds of tiny sovereign states squeezed in next to each other, doors locked and shades drawn, the notion of running next door for a cup of sugar all but lost. Who even uses sugar anymore, let alone pesters their neighbors for an emergency ration of it? It must be this entrenched reclusiveness that makes the idea of a house concert especially appealing. When just the act of opening your home to a group of strangers feels subversive, the act of accepting the invitation can feel downright revolutionary—a banner waved against the forces of encroaching isolationism.
Cat Harris-White and bandmate Stasia Irons know how to write a memorable lyric. “Queens of the Stoned Age/and princess of time/feel our energy/floating through your mind.”
The totally DIY hip-hop duo, which makes up THEESatisfaction, earlier this year released groundbreaking, 30-minute debut LP awE NaturalE. But they've long been a part of the emerging Seattle art scene. In it, they've been creating a nearly incomparable sound, at least, galaxies away from swag, with roots in soul and jazz overlaid by spacey electronic beats, cosmic funk zaps, and unexpected twists, along with eloquent sing-rapped verses. Read more »
Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. To be considered, contact email@example.com.
Drop Lemmy Kilmister in a whirling vat of hallucinogenic acid, and you may start to hear San Francisco's Pins of Light emerge. The Alternative Tentacles band is made up of hard rocking, black metal-dipped cogs: scratchy-throated singer-bassist Shane Baker, brutal guitarists Jake Palladino and Ravi Durbeej, and pummeling drummer Phil Becker, who are also current and former members of Dead and Gone, Hightower, and Triclops. Read more »
There are some thrilling Pride events heading your way this weekend, and trust me, that thorough events list is a-coming.
But before all that, a friendly reminder about the other glitzy-grimy concerts and shows this week and weekend that’ll get your motor running: cosmic hip-hop extraterrestrial wordsmiths, Grass Widow for charity, your DAD, hardcore-with-horns, supersexy beatmakers, and more. Read more »
Jazz singer Jacqui Naylor — Buddhist, Hayes Valley resident, mash-up innovator — premieres her new doc, Lucky Girl: A Portrait of Jacqui Naylor, with a live concert at the Palace of Fine Arts Sat/16 (the DVD will be available in stores Tue/19).
The film, produced by the Bay Area's ARTiDOCs, is about as far from Behind the Music-style tell-all as you could get; Naylor seems blissfully happy with her life, being completely creatively and personally fulfilled (see also: the film's title, named for her 2011 CD). No scandals or dark secrets revealed here; this is a straightforward look at a working artist, briefly touching on her career beginnings (at the suggestion of teachers at American Conservatory Theater, she chose music over acting) and including mini-profiles on the artists she collaborates with, including husband Art Khu.