What would it be like if a day of your life was filmed then released into the wilds of the web? Better yet, what if you and your brother were musicians, and you produced, directed, and released your first big, innovative music video – shot over a full day at Ocean Beach in San Francisco – and it ended up going viral on Youtube, before the release of a full-length album? Read more »
Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. To be considered, contact email@example.com.
What if the glory days of 1990s MTV beyond-video programming never faded into preggers teens and a never-ending onslaught of reality blech? Those days, the dial – and we still had dials then kids – remained fixed on the televised revolution when Liquid Television, Beavis and Butthead, and even Daria ruled space between vids. Read more »
The Great American Music Hall was at about half capacity for Patrick Watson’s Sunday night performance, but what the audience lacked in numbers they made up in energy. Before the Montreal-based singer even walked onto the stage, there was a buzz of excitement in the small crowd. Read more »
MUSIC "The record couldn't be called anything else," says Japandroids' Brian King of the band's sophomore LP, Celebration Rock, released last Tuesday on Polyvinyl Records. "It just seemed to sum up — not just the album, but the sound of the band as a whole."Read more »
Important bits and pieces, odds and ends of Bay Area music news. Or, what's in my inbox?
Return to the misty grove with Anita Baker
TheStern Grove Festival kicks off its 75th season in less than two weeks (Sunday, June 24) with a free Anita Baker, Family Stone, and Glide Ensemble concert at 2pm. How lucky, that we have both the free Hardly Strictly Bluegrass Fest and (unrelated, but akin in spirit) Stern Grove; that combination helps with sailing gracefully through the cruel, cruel summer and into the likewise gray fall. Read more »
How can a week go wrong with a Big Freedia show on the horizon? Knock on wood. Especially since this is a makeup show (she had to cancel her Noise Pop appearance due to an emergency surgery). The return alone would be cause for celebration. And yet, this week there's also a night of gritty Canadian punk, an exotic R&B dream, and some club time with Brooklyn's Day-Glo neo-gothsters. Read more »
For a smallish setup with little fuss, few musicians, and a minimalist sound, there was a lot to take in last night at Advance Base's Cafe Du Nord appearance; a night otherwise known as Owen Ashworth's (Casiotone for the Painfully Alone) first time playing SF in this new incarnation as Advance Base, since he essentially broke up with himself. And no, he would not be playing CFTPA songs. Read more »
Carletta Sue Kay is the female alter-ego of SF musician Randy Walker, and this identity shift pushes his art in some astonishing directions. (Walker's previous band Mon Cousin Belge was notorious for its onstage performance art antics). Androgynous to its core, and loaded with overtones, his vocal delivery as Carletta Sue Kay can recall Annie Lennox, Gene Ween, and Joanna Newsom, all in the same breath. Normally, a voice this powerful is cultivated over years of recording, so it's hard to believe that Incongruent is this former Amoeba employee's debut full-length. Read more »
Disappointing news for High on Fire fans today — a press release from the veteran Oakland metal trio's PR firm announces that the band will be dropping out of this summer's Rockstar Energy Drink Mayhem Festival.
Here's the deets from the release:
"High on Fire has announced that it will be forced to miss this summer's Rockstar Energy Drink Mayhem Festival as front man and guitarist Matt Pike enters treatment for alcohol rehabilitation. The award winning power trio (also featuring drummer Des Kensel and bassist Jeff Matz) will put its scheduled touring plans on hold indefinitely as Pike takes the necessary steps towards regaining his health."
Owen Ashworth has this way of making you feel like you've long known him personally. The singer-songwriter-keys aficionado seems an open book, his gold-tipped pages filled with relatable angst, longform stories, and witty musings. Casiotone for the Painfully Alone – the project he started in his 20s in the Bay Area and retired some 13 years later in Chicago, 2010 – was something you wanted to curl up with and have a good melancholy moment, a tête-à-tête with the sound in the machine.
But Ashworth was tired of rehashing the songs he wrote a decade ago, so he broke sonic ties and started anew, with Advance Base. Its tone is similar (hence, comforting), veiled quasi-autobiographical stories pumped out of keyboards and vintage electronic equipment (electric piano, autoharp, Omnichord, old rhythm boxes), with Ashworth's familiar talk-singing sparingly backed by female counterparts. Read more »