Ask the initially shy New Zealander Bachelorette how she makes music, and you'll get a fascinating mouthful.
“Some of the stuff I make, it's almost psychedelic disco, other times I think the music is quite folky,” she begins, “in that kind of computer-based way.” Pausing she then adds, “Lately people have asked me to describe the style and I describe it as computer folk. The computer is my folk instrument. It's just me on stage and I have a couple of computers and samples and a guitar, a lot of sampling and looping live – I construct the songs differently every time I play, so there's an element of improvisation." Read more »
If you're planning to hit the Fillmore tonight, I can only guess tickets were carefully debated then purchased mainly in order to see fantastical live sets by the magic indie sprites of Deerhoof and/or headliners of Montreal. But might I suggest getting there early for opener Kishi Bashi?Read more »
“When I hear instrumental music, I often see how it’s designed – the movement of the different shapes in space; the changing of colors,” says Peter Whitehead, a San Francisco-based musician-visual artist who makes instruments out of found materials and visual art that represents his world of sound. Read more »
MUSIC In San Antonio last week, waking up on a living room floor with assorted Burger Records crew members and friends, record label and brick-and-mortar record shop owner Sean Bohrman, 30, was already thinking three steps ahead.Read more »
MUSIC To be at SXSW is to know you're missing out on a lot of good music. Fortunately the music you do see makes up for the difference, and very often it's the unexpected showcases, the things that weren't on your radar until that very moment, that end up being the highlights of your experience. That said, here are some of my impressions from this year's slate:
SF Flower and Garden Show, San Mateo Event Center, 495 S. Delaware, San Mateo. (415) 684-7278, www.sfgardenshow.com. March 21-25, 10am-6pm, $15–$65, free for 16 and under. This year's theme is "Gardens for a Green Earth," and features a display garden demonstrating conservation practices and green design. Plant yourself here for thriving leafy greens, food, and fun in the sun.Read more »
Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. To be considered, contact firstname.lastname@example.org.
Doe Eye, aka Maryam Qudus, is perhaps the most local of Localized Appreeshers. (That is, despite her current traveler status while studying at Berklee College of Music in Boston.) The lady with the big brown eyes and soulful voice is a true blue, born-and-raised San Franciscan. And she often uses the city as her muse. Read more »
Ed. note – Ahead of Sharon Van Etten's long-sold out show in SF this week, Ryan Prendiville had the chance to catch up with the rising indie folk singer-songwriter (who recently released critically lauded third album 'Tramp') to discuss her songwriting process, lessons of South by Southwest pasts, and the influence of Nick Cave:
SFBG:How many shows are you playing at SXSW? Sharon Van Etten: Just two. Last year we did eight in three days. It was really stupid. I burnt out and lost my voice for three days when we had just started a tour. I decided this year it just wasn’t worth it. Read more »
So let’s just pretend I made a clever joke about Napoleon invading and just skip to the point: Bonaparte, an electro rock'n'roll circus led by an inspired madman, is hitting San Francisco for the first time next week (after playing SXSW and Dim Mak Studios in LA). Read more »