The two females in Future Twin (www.futuretwin.com) — Jean Yaste and Stephanie Rose — met one another in a moped gang called the Lockits, another member of the band was in a moped crew called Treats of the Loin; I'm not sure if you can concoct a greater back-story than that but I'd be hard-pressed to find one. Read more »
Jhameel (www.jhameel.com) once said to me, "I only have one life to do this." As cliché as it might seem, it feels like the Oakland-based classical pop virtuoso is living his dream. Near the end of last year he began releasing a new song a week on his site in a series dubbed Waves (available now on Spotify). In the next couple of months, he'll release another wave, this time of collaborations, and there is a super-secret major release coming in the spring.Read more »
Seventeen Evergreen (www.seventeenevergreen.com) occasionally sounds like evil video game music to me. The San Francisco band consists of Caleb Pate and Nephi Evans, both writers-producers who sing and play drums, synths, and Asiatic stringed instruments among other contraptions. Read more »
Why is Oakland's Main Attrakionz (www.mainattrakionz.com) on the rise? It's because everybody's talking about it, and with good reason. Last year's massive 808s & Dark Grapes II mixtape wowed the underground hip-hop world, and with every passing month the act — rapper-producer Squadda B and rapper Mondre M.A.N. — catches the attention of yet another publication, and yet another rising producer — there have been collaborations with A$AP Rocky, Clams Casino, Kool A.D. of Das Racist and Danny Brown, among others.Read more »
Like some sort of neon, acid-drenched wood nymph, Metal Mother's (metalmother.bandcamp.com) Tara Tati wanders through the leafy, NSFW video for the haunting art-pop "Shake" off last year's Bonfire Diaries and into the mind's eye. In 2012, there will be a first trip to SXSW, more videos (yay!), a few remixes, and, fingers crossed, another full length out toward the end of this year. And as the shimmering Tati says, she'll "Continue dismantling the mundane and mediocre thought systems that are ruling the planet."Read more »
Tropical sounds are once again moving crowds. Moombahton — the curious new dance music genre that started when DJs slowed hyperactive Dutch house music down to a reggaeton-like groove — is definitely having a moment, and steel drums are skittering high atop whomp-whomp beats. DJ Theory (www.facebook.com/deejaytheory) is one of the Bay's main proponents of this tropical bass movement, but his unflagging energy and genre versatility placed him firmly on our 2012 breakthrough list. Read more »
After her other bands naturally fizzled, Allyson Baker was done. "I was burnt," says the hard-rocking guitarist, clad in her signature black leather jacket, with a rocker's fringe of black bangs framing her face. Luckily for us, she got the rock'n'roll bug again around 2006, and picked up the pieces for a new project — Dirty Ghosts (www.dirtyghosts.com). Since then the act has gone through a dozen formations, with even more drummers, but one thing remains consistent: Baker herself, a Joan Jett-esque force on stage and off.Read more »
Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. To be considered, contact email@example.com.
Call it youthful summer abandon or fresh-baked pop, but there's something about Ash Reiter's song and Perez Bros-directed video “Heatwave” that melts the ice of a chilled and cubed SF day. Whether it's the the lilting melody, surfy plucking, stoop sing-along, or the perfectly-cast ice cream man offering up too many dripping frozen treats, it's hard to wipe that sticky grin off your face. That is, until you see the ice cream man's crestfallen face, realizing it's just too much sugar. Read more »
There's something undeniably envy-inducing about a music collective. Everyone lives their separate lives yet they have continuing influence on one another; they hover nearby for comfort and camaraderie, maintain a steadfast family, and encourage a breeding ground for creatives. The emcees, DJs, lyricists, and producers in the Twin Cities-based DIY hip-hop collective/label Doomtree seem to have that system down pat. Under their own monikers, they create praise-worthy individual records. Together, the group carves out quality time and records masterpieces. Read more »
When Sam Love and I finally arrived at Union Square on Fri/27 night, we were surprised by the mass of boomboxes perched on peoples' shoulders, like a thousand John Cusacks in Say Anything, heading down Powell Street. Somehow, we found our friends (Ickles and Eckles) when the party descended at the Powell Street BART station. The music blared and tourists careened their heads over the banisters of the station to see what the heck was going on. It was a Decentralized Dance Party (DDP), where strangers get dressed up, gather with their old boomboxes, and wait for the organizers to hijack a radio frequency, where they send out the jams on long antennas, for some major noise and wild Friday night dancing.