Noise Pop

Young love is war for Blackbird Blackbird

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Our own Blackbird Blackbird makes us feel funny with a grainy new video for "It's a War" off his 2012 EP, Boracay Planet (Lavish Habits). Read more »

Which Noise Pop show is right for you?

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It’s all about choice, people. Noise Pop is a well-oiled festival machine at this point — now in its 21st year — cranking out dozens of concerts, nightlife happenings, film screenings, culture club events, photography showings, and all that good stuff we’ve come to expect from the homegrown indie fest. But given all those choices for the week of Feb. 26 through March 3, restless souls such as myself always tend to feel a bit well, overwhelmed. Read more »

Noise Pop Roundup 3: Flaming Lips, Veronica Falls, Matthew Dear, Archers of Loaf

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MVP for Noise Pop coverage this year goes to Ryan Prendiville. See below to find out why – Ed.

TUESDAY: The Flaming Lips at Bimbo's

Time, for the Flaming Lips, is important. Because as a band — one that has been through all sorts of well documented shit — the Flaming Lips know the value of time (particularly borrowed) and have made it their work to not just create music but get into the complete manufacture of moments. Which is a tricky business, because moments are bastards.

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Noise Pop Roundup 2: Cursive, Budos Band, Emily Jane White, DRMS, Atlas Sound

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My personal strategy for Noise Pop 2012 was to pack in as diverse a personal schedule as possible, taking into account old obsessions (Cursive, Bradford Cox) and favored newer acts (Allah-Las, DRMS), national and local bands and musicians, weird and precious live indie music.Read more »

Noise Pop Roundup 1: Shannon and the Clams, Die Antwoord, Glass Candy, last-minute parties

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May I first say thanks to Noise Pop for bringing a sense of urgency to my concert-going behavior. I am nothing if not a festival junkie, and the sheer mass of shows that this particular festival coordinated was awe-inspiring and more than a little anxiety-provoking for those of us who feel the need to go to everything, always. Plus: badges. There is nothing like walking around feeling like you have special access to an entire city, at 24 venues in total from Bimbo's up in North Beach to the Golden Gate Park-clad California Academy of Science. Read more »

Promising newish acts at Noise Pop 2012: Surf Club and FIDLAR

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He asked if there were drink tickets. The bartender nodded, saying that the band could have wine now, and then beers on stage. Neither of those options would work for Stockton’s Surf Club, whose members were all sporting big black X’s — the mark of the underaged — at their Café Du Nord Noise Pop appearance. Read more »

From California to Ethiopia with Allah-Las and the Budos Band

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If you could handpick its most redeeming qualities and inhabitants from any time period in the past half century, Los Angeles could actually be a rather magical place. Pluck the psychedelic guitar strains reverberating through Laurel Canyon, scoop a fistful of bronzed sun-kissed surfers and sparkling waves from the coast, add two shakes of downtown weirdness, and you'd likely come up with something along the lines of Allah-Las, the quartet that opened for Budos Band during the Noise Pop lineup at the Independent Thursday. Read more »

Live Shots: Grimes, Born Gold, oOoOO, and Yalls at Rickshaw Stop

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Cecil Frena described the lineup at Rickshaw Stop last night simply as "weird music." He should know. Performing with his synth-fueled electronic dance trio, Born Gold (formerly Gobble Gobble,) Frena stood in front of a camera-slash-iPad pulpit, singing and conducting a third of the group’s sound via a motion-captured, clearly homemade, Janet Jackson Rhythm Nation era-esque military jacket. Read more »

Cursive gets candid during Noise Pop

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Tears, booze, sex, pain, martyrdom, regret. Against my better judgment, I was singing along with the band. I was singing carefully, with my eyes closed and likely a smile creeping up in the corners of my mouth. I couldn't help it, it came from within, as much as that particular act generally annoys me in packed settings. The swell of angular guitar and thundering drums pulled back mostly leaving higher octave vocals from a scale that slides to and fro: "Your tears are only alibis/To prove you still feel/You only feel sorry for yourself/Well get on that cross/That's all you're good for." Read more »

Die Antwoord's athletic use of the F-word

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When South African hip-hop duo Die Antwoord played "Fok Juule Naaiers," the first single off latest album Ten$ion -- the track that opened the group's Noise Pop gig last night at the Regency Ballroom -- for its LA manager, they were told it had some problems. The problem's name was homophobia, their manager ventured. US audiences, he said, don't take kindly to the F-word (I wish that were consistently true).

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