In this week's issue Landon Moblad profiles retro rock purveyor Nick Waterhouse. Here are a few audio clips from Nick's shoot at the Swedish American Hall with photographer Matthew Reamer. Nick talks about why he's excited to play San Francisco's Verdi Club (tonight), and sums up how he's usually summed up by the press.
This week, the Guardian examines the issue of whether San Francisco is experiencing a cultural and economic exodus to the East Bay, especially Oakland. Our cover features creative folks from all over Oakland proper. They were asked the question "Is Oakland cooler than San Francisco?" and in return we got some pretty surprising answers (though, spoiler alert: the general consensus was "Hell Yes!"). Have a listen to their responses...
Shot in the Pacific Northwest and featured on the cover of the Guardian's Green Issue this week, David Hall's 'Beneath Cold Seas' is the first photographic book to show the colorful and exotic sea life of North America's cold waters. Read more »
HERBWISE I remember the first time I saw photographer Robyn Twomey's work — talk about simpatico. It was a huge print of a photo of an elderly woman sitting in front of a piano and a mirror with an immense Persian cat, lighting a joint firmly held between her lips. I'd never seen anything like it — documented in a gallery, that is.Read more »
Images of homelessness are not hard to come by. These scenes are often pathetic, clichéd. In the worst cases, the homeless are portrayed as inhuman heaps of blanket and facial disfigurement, people reduced to their time spent sleeping on the streets or begging for money. But in “Acknowledged,” photographer Joe Ramos’ exhibit at the Main Library that opens Sat/28, unhoused subjects are shown in a way that’s truly radical: as people just like us. Read more »
Year in Music "This is not a definitive history book," Murder in the Front Row author-photographer Brian Lew is careful to point out. "We wanted it to be more like a time machine."
Lew and his co-author, photographer Harald Oimoen, are not household names. Their photographs, on the other hand, are world famous. That's Oimoen's shot of Slayer, wreathed in smoke, on the back of Hell Awaits. Cliff Burton bending a string to the breaking point on the back of Metallica's Ride the Lightning? Oimoen again.Read more »
Incredibly, considering what a visual people my lavender tribe are, there has been no major photographic survey of gay men in America until now. (Well, at least in book form. I'm not counting Manhunt, here.) Author-photographer Scott Pasfield journeyed around the country for three years, taking some wonderfully enlightening shots of gay men, couples, and more who had responded to his online ads for photographic subjects who were willing to tell their stories. The tally for his "Gay in America" book: 224 pages, 140 men, 50 states.
Scott will be narrating a slideshow presentation of the book ("Not boring like a travel slideshow!" he says) on Sat/5 at 7 p.m. at Magnet in the Castro. I chatted with him over the phone about the project, the men, and the concept of gay "normalization."
Photographer Trevor Traynor is moved by lowriders. And he says he's not the only one.
"Lowriders move people," he wrote to the Guardian in an email interview. "Literally and figuratively. When you're cruising people smile, wave, they take pictures. The cars connect people of all walks of life and the clubs enjoy it as well. It keeps people productive with a strong passion in cars."