Rafi Pitts

Mister Vengeance


FILM Iran is the kind of nation where political protest in public art has to be muted or disguised. It was well buried in recent hit A Separation, and is just slightly more apparent in Rafi Pitts' The Hunter. Shot and set during the contentious 2009 Presidential campaign — Pitts is a rare expat filmmaker allowed to shoot in the country his family left decades ago — it starts as a Kafka-esque portrait of quiet desperation in a cold, empty Tehran, then turns into a sort of existential thriller. Read more »