Is everyone else emotionally and physically exhausted from the Easter/Passover-torrential hailing downpour-April Fool's Day (who can you trust on the Internet?) mess of the last few days? I certainly am, and I only participated in a few of those spiritual debacles.
No mind, I'm ready to strap on my wellies and/or sunglasses and embark on a week of Esben and the Witch, Mac DeMarco, Babysitter, Glam.I.Rock, Portland Cello Project, Future Twin, and Polkacide with Fuxedos.
Here are your must-see Bay Area concerts this week/end: Read more »
Texas is the Reason’s show at Bimbo’s was not sold out, but it sure seemed packed as I struggled to find a good vantage point on Friday night. When I eventually got a clear view, I saw that the stage was hazily lit by dark blue-purple lights. The amplifiers and drum kit on stage were glowing, heavily draped with white Christmas lights. The visual, in its stark simplicity, was stunning.
This perfect, quiet kickoff was the reassurance I needed to prove that this wouldn’t be the gaudy, overwrought reunion that I had feared, but the graceful, tasteful gathering that I had hoped for. Read more »
It comes as a surprise to me that Diplo didn’t at least have a cameo in Spring Breakers — the film that takes place in his home state of Florida – considering his penchant for egregious hedonism.
His quest for indulgent nirvana was on full display last Thursday at the Independent, when he and his Major Lazer crew lead a 90-minute uber-bash of trap, electro, dancehall, moombahton, and dubstep. Read more »
I experienced a strange phenomenon in the few days leading up to Tuesday’s sold out concert at Brick and Mortar Music Hall. The first in a series of strange events occurred in a coffee shop. I overheard one barista say to another, “Put on that Foxygen song.”
“Who?” she asked.
“It’s like ‘oxygen’ but with an ‘F.’”
The next day, one of my favorite websites listed Foxygen’s “Shuggie” as the “Song of the Day,” and later that evening, a friend mentioned the band in a conversation that had very little to do with music. Read more »
It seems like the Austin-based Heartless Bastards have made some drastic changes since the release of their debut album, Stairs and Elevators, shedding their punkish irreverence in favor of more candid Americana as illustrated in Arrow, their 2012 Jim Eno-produced release.
I caught up with frontperson Erika Wennerstrom before the band’s Great American Music Hall show this weekend, amid a van ride from Tucson to California to chat about her quartet’s ever-changing sound, her favorite SF food, Neil Young, and Arrow’s traveling backstory: Read more »
Feast your eyes on the latest offering from San Francisco electro-hop duo Double Duchess – a gritty, glammy, pulsing new video for the single, “Deviant,” off its forthcoming EP, due out this summer on Oakland's Le Heat Records. There may or may not be a purple dildo in there somewhere. Read more »
Sometimes, “world music” takes on an entirely different meaning. This week, the bands and musicians and producers will come from all over the (European) map: there's Grecian psych punk, UK goth pop, Irish deep house and space disco, plus one-half of the first all-female electronic DJ group of Chicago, a KUSF-in-Exile benefit, and a soul clap dance-off.
I'm exhausted just thinking about the travel time it'll take all those acts – Acid Baby Jesus, Veronica Falls, Mano Le Tough, Jonathan Toubin, Texas is the Reason, Colette and DJ Heather, and so many more – to arrive in our foggy city by the bay. Read more »
The Great American Music Hall was a soupy, sweaty mess of swamp-like proportions before the Black Lips had even taken the stage Monday night. The crowd, buzzing with the combined excitement of intoxication and anticipation, erupted into howls and screeches as the band took the stage in a puff of fog-machine smoke. From behind the mist, one of the Black Lips yelled into the mic, “If you wanna be smart, read a goddamn book. If you wanna have fun, you’re in the right goddamn place!” And so it began. Read more »