Elise-Marie Franklin, a.k.a. Tiny Bones, breezes into Four Barrel Coffee in the Mission, turning several heads in her wake, and it's like, "Wow, dayum, star power!" (She declines a cup of slow-drip because, "I have so much natural energy, I'd probably explode." I can see that.)Read more »
Considering the tripped-out journeys of its songs, it comes as no surprise that Fat Freddy's Drop was born of psychedelic experimentations. A top seller in its native New Zealand, FFD focuses on maintaining a stellar groove — you'd be hard-pressed to find a Fat Freddy track clocking in at less than six minutes. The seven-member band dropped into town last fall to play to a ravenous, sold-out Independent crowd. Read more »
A long version of the interview in the current issue of SCENE:
If I'm going to stay up late and go as deep as I can into the night, so far that I'm just about lost and in trouble, I want the sounds of Shannon and the Clams with me. The Oakland group's album I Wanna Go Home (1-2-3-4-Go! Records) is packed with songs that have been there and will shine a light to lead you back into the day, while letting you have a sip or two and an adventure or three along the way. This is rock 'n' roll music, electric-charged by bassist Shannon Shaw's wild wonder of a voice, guitarist Cody Blanchard's flair for classic crooning and crying, and drummer Ian Amberson's fierce reliability. See Shannon and the Clams live. You will believe.
Born in Ethiopia and raised in the U.S., songstress Meklit Hadero's musical endeavors span latitudes and genres. But there's also a timeless quality to her warmth and soulfulness that's reminiscent of archetypes like Nina Simone and Billie Holiday. A former director of the Mission's Red Poppy Art House, her recent debut album On A Day Like This was heavily influenced by her experiences as an integral part of the Mission scene. Read more »
From Scene: The Guardian Guide to Bay Area Nightlife and Glamour -- on stands now in the Guardian
You've always been the, shall we say, expressive one in your group. Eye-fluttering comes naturally to you. Your hands have been known to fly to your face at the slightest appearance of everyday anguish. You enjoy flouncing. So go east, young thang — straight to dramatic Bollywood.
Can't quite swing the flight to Mumbai? You're in luck, because since 2004, Vicki Virk and Suman Raj of the dholrhythms dance troupe, along with DJ Jimmy Love and others, have been holding monthly NonStop Bhangra club nights (www.nonstopbhangra.com) that turn the Rickshaw Stop into handclapping, bangle-clanging, whirling celebrations of bhangra, the dance music that drives Indian cinema. They spend the night's first hour schooling audiences to bhangra basics, leaving each diva free to bob and spin for the rest of the night to the tunes of an ever more impressive lineup of dub, hip-hop, and electronica DJs and musicians. We caught up with Virk to chat about how she's made this unconventional club night a multicultural institution in the Bay for the past six years.
Written by Lilan Kane. From Scene: The Guardian Guide to Bay Area Nightlife and Glamour -- on stands now in the Guardian
Jazz in its most fashionable and handsome form found itself around a table at Coda recently. I had the pleasure of meeting with dapper Jazz Mafia members Adam Theis, Joe Bagale, and Dublin to gain some insight into their music and experiences as members of one of the Bay's most youthful jazz ensembles.
The Mafia (www.jazzmafia.com), as one might expect, is a collective that incorporates several smaller groups containing dozens of members into a large and tuneful family. The first of these groups, Realistic Orchestra, was established about 10 years ago when various jazz forces of the Bay Area started to intertwine and jam together. (Other branches of the family include Brass Mafia, Spaceheater, and the Shotgun Wedding Quintet.)