Ryan Coogler's Bay Area story Fruitvale picked up the Audience Award and the Grand Jury Prize; it is, of course, based on the life and death of Oakland's Oscar Grant, a young man gunned down by a BART cop on New Year's Day 2009. I emerged from this important, wonderfully-made debut like everyone around me in the sold-out theater — in devastated tears.
Lead actor Michael B. Jordan is absolutely gripping as Oscar — no surprise for anyone who saw him as Wallace on the first season of HBO's The Wire, or as one of Josh Trank's accidental superheroes in 2012's surprisingly gritty Chronicle. Coogler is a skilled director; the way he slowly builds toward his story's inevitable conclusion is worthy of praise.
Scroll on up Pixel Vision for Jesse Hawthorne Ficks' previous Utah festival reports.
In recent years, Sundance has become well-known for its strong documentary offerings — to the point of overshadowing its dramatic films. And with good reason, when docs like Martha Shane and Lana Wilson's After Tiller are among the selections.
The film follows the four remaining doctors in the United States who continue to perform third-trimester abortions; it's a decidedly direct character study that uncovers the complex and difficult choices these physicians go through on a daily basis. (Not to mention the element of danger they face, as the title's reference to the murder of Dr. George Tiller suggests. With that in mind, there was a protective police presence at all of After Tiller's Sundance screenings.) The doc's impact didn't end when the lights came up; for days after the screening, I found myself drawn into fascinating conversations with folks who were eager to discuss their feelings about the film and the issues it explores. Read more »
Festival veteran Jesse Hawthorne Ficks files his second report from the 2013 Sundance and Slamdance Film Festivals.Check out his first report here.
The most controversial and inspired film amid this year's Utah fests actually screened at the Slamdance Film Festival, where it won the Grand Jury Sparky Award for a Narrative Feature. The Dirties, by 28-year-old Canadian writer-director-star Matthew Johnson, is an utterly brilliant, unstoppably hilarious found footage entry that follows two high school cinephiles as they try and make a documentary about "bullying," while they themselves continue to get uncomfortably bullied at their own school.
Festival veteran Jesse Hawthorne Ficks files his first report from the 2013 Sundance and Slamdance Film Festivals.
This year's Sundance and Slamdance Film Festivals were both outstanding, so I did my best to pack my schedule as full as humanly possible (sacrificing sleep in the process). With close to 50 programs achieved, I can assure you it's gonna be one helluva year for cinema. Make sure to mark some of these titles down for 2013.
Filmmaker Sebastián Silva brought two new entries to Sundance, and they both happened to be two of my most cherished experiences. Crystal Fairy and Magic Magic were filmed in Chile at the same time, and showcase the almighty Michael Cera — who learned Spanish just for these projects. If you are able to avoid the countless spoiler-heavy reviews (this isn't one of them) and enter these films at your own risk, you will be treated to Silva's masterful, even transcendental, slow burn.