Common knowledge states that if you're serious about becoming a stand-up comedian on the West Coast, you move to Los Angeles. But Frankie Quinones created the diversity of For the People Comedy here in San Francisco and despite his rising star on the stand-up scene, he's sticking around for the moment.
Maybe that's because Carmelita lives here. “She's taken on a whole thing of her own, her own career,” says the Ventura County native of his sassed-up, club-going Latina sexpot. “Carmelita's got her own list of things to do in 2012.” You can check out Quinones -- and possibly Carmelita or his popular "Cholo Whisperer" skit -- at the next For the People event at Cobb's on Thu/19.
THEATER The shows have been as varied and changeable as the weather this January in New York City, where the annual conference of the Association of Performing Arts Presenters (APAP) acts as catalyst for, by now, no less than four new-work festivals in the realms of theater, dance, and contemporary performance.
Near the beginning of the month, it got cold enough at night to make your nose hairs chime like little Christmas tree bells. "Every time you sneeze," a friend explained to me, "a whole shitload of angels get their wings."Read more »
Mugwumpin’s deconstructive history of Tesla electrifies
It is one day and 69 years after prolific inventor and notable oddball Nikola Tesla died of a heart attack, yet in the raw, unfurnished basement of the Old Mint, he stands quite alive before a contingent of captive theatre-goers, explaining his views on solitude.
“Be alone. That is the secret of invention,” he assures us, smiling in the manner of a man who knows he is about to be disagreed with. He has a lot of opportunities to display that same tight-lipped countenance throughout Mugwumpin’s “Future Motive Power,” as being disagreed with is one of the most recurring themes of Tesla’s biography. A man of compulsive and erratic habits and stubbornly-held views on the future impact of his own inventions, Tesla’s indomitable personality could be as hard to fathom as his scientific contributions were impossible to discredit. Channeled by Mugwumpin artistic director Christopher W. White, he alternates -- in a manner akin to his most famous electrical system -- between comedic mania and tragic inflexibility, as the patterns of his life entwine literally and figuratively with those of his dearest-held principles and hard-won triumphs. Read more »
Stirring together a mix of contemporary theater and actual traditional ceremonies, New Fire (which opened last night and runs through Jan. 29) is a play that gives its audience insight into the beautiful world of Indigenous American culture. Read more »
MUSIC There are so many extravagant things you could say about the late King of Pop, our holy father of stage theatrics and sequined gloves, Michael Jackson. The moon-walking man, the storied myth, the embattled legend.Read more »
A year on the city's wilder side, and looking ahead to more fine times
End-of-the-year roundups are all well and good, allowing us the opportunity to celebrate one last time the innovations of the past. But I’ve always preferred to look ahead into the future, so in that spirit here’s a shortlist of some of my fave Performant coverage from 2011 of ongoing and perennial events that you can still look forward to checking out in 2012—and beyond!
Going balls out for Berlin-style ping-pongwith American Tripps
The only thing lacking is a haze of cigarette smoke curling over the lone ping-pong table bogarting the cosy dance floor of Project One. A polite jostle of players, perhaps 25 strong, rings the table, shoulder to shoulder. Each one clutches a paddle in one hand, and, more than a few, a drink in the other. The game is “Berlin-style” ping-pong (also known as rundlauf)—a participatory style of play in which every participant gets a turn serving or receiving as the circle shuffles one spot at a time, counter-clockwise around the crowded table.
YEAR IN THEATER With a grateful nod to former colleague Brad Rosenstein, we re-inaugurate a system of accolades and nah-ccolades celebrating some memorable highs and lows of the rapidly closing year in theater and performance.