THEATER Moscow's temperatures had been climbing up to 70 degrees just a week before my arrival, but by the first of April, it had slipped back into the 30s and 40s, collecting snow on the ground and clouds overhead in a gloomy replay of winter. In a novel this would have looked like a cheap literary device: nature manifesting a political climate that had also grown decidedly chillier. But with Russia's recent reabsorption of Crimea, and talk everywhere of a new Cold War, it was pretty apt nonetheless.Read more »
Good lord, this play is hot, hot, hot. Rave reviews of its run in New York last year -- mostly heralding the rise of Broadway newcomer Nina Arianda -- gave me pause. Could our own A.C.T. pull off this super-steamy, sometimes-harrowing, consistently enthralling sex comedy without Arianda's now-famous starpower?
No fear. Sensational actors Brenda Meaney and Henry Clarke stole the audience's breath away, when playwright David Ives' perverse 2010 take on novelist Leopold von Sacher-Masoch's perverse 1870 masterpiece opened at A.C.T. last night. Prepare to be intellectually and emotionally (and even a bit physically) whipped, beaten, and thrilled into submission.
There are two sides to every road. But ask a long-haul trucker, a traveling salesman, or a pair of wandering minstrels like the Bengsons, and they'll remind you that those sides converge at the horizon line.Read more »
THEATER Alfred Jarry's Ubu Roi is probably better known for its riotous Parisian opening (back in 1896) than for the play itself. The profanity it leveled against the city's crème de la crème, beginning with its famous opening incantation, "Merdre!" — not exactly a word but dirty-sounding enough to precipitate a violent revolt long before the final curtain — broke open the doors of the WC on so-called polite society. As it turned out, no one was really keen or able to close them again.Read more »
Following national controversy over the resignation of a politically conservative actress from the local Spanish-language production of The Vagina Monologues, producer Eliana Lopez announced yesterday that the production has found a replacement.
Actress Alba Roversi, a veteran of the Spanish language Monologos de la Vagina, will take the place of Maria Conchita Alonso, whose departure from the play had Fox News crying foul over her being “forced out” for her conservative political views.
Any chance to needle San Francisco, right?
Roversi starred in over 20 Spanish language soap operas, though she may not have the same name recognition in the US as Alonso, whose filmography includes Predator 2 and The Running Man (with our former Governator). Roversi is in, and Alonso is out. Read more »