Travel

Appetite: Pebble Beach Food and Wine Fest delighted with celeb chefs, wine copter

|
()

Despite chilly breezes and outrageously high ticket prices ($500 was cheap), PBF&W, April 12-15, was a bustling, fun-filled weekend, with celebrity chefs, after (and after-after) parties, copious amounts of caviar, champagne and white Burgundy sipped overlooking the waves from the Inn at Spanish Bay fire pits, and a helicopter ride with sommeliers(!) to Carmel Road's vineyards.

Appetite: An elegant line of tequilas

|
()

Tequila Avión has gained a sort of cult status from a (unsolicited) mention in the show Entourage, but I’m glad to say this tequila holds enough quality to stand on its own. Produced in the Jalisco highlands, in the town of Jesus Maria at the highest elevation of any tequila producer (7000 feet), brings a naturally higher sugar content to the agave plants. Their process is to roast the agave plants at very low temperatures and let them cool naturally which retains more juices and makes the plants less fibrous when crushed.

Read more »

Appetite: Exploring 3 wineries in Niagara-on-the-Lake, Ontario

|
()

Call it dessert wine if you will, icewine (eiswein in German) is definitely sweet. But winemakers prefer to call it “rich and concentrated,” an apt icewine description, which, when produced well, retains enough acidity to keep it from being cloying.

Icewine’s intensity comes from frozen grapes, allowing greater flavor concentration. Unlike in Sauternes, Bordeaux, icewine is not sweet from botrytis (noble rot), rather from frozen, concentrated juice. Canada and Germany are the largest icewine producers in the world, with most of Canada’s icewine vineyards in Ontario, which I recently visited. Besides attending the annual Niagara Icewine Festival, I spent time with three wineries and tasted winning salumi and cheeses made locally.

Read more »

Restaurant 1833

Irresistible spot lights up Monterey with ghosts, Negronis, quality fare -- and tableside Absinthe service  

|
()

Appetite: The very latest in LA cocktails

|
()

After years of hunting, the day finally came when I could find proper cocktails in LA, even if the scene itselfwas years behind NYC or SF. I’ve covered LA cocktail bars in recent years as the quality has rapidly grown, with my latest visit yielding the most consistent drinks yet. The LA cocktail renaissance is indeed coming into its own.

There have still been a few hyped-up letdowns, like Next Door Lounge in Hollywood, which is a fantastic space: roomy, mellow, old world, with comfy leather couches, friendly service, and classic Powell and Loy movies playing on a big screen. I absolutely loved the environment which it made it even more disappointing in sampling four expensive drinks ($12-14) to find them unbalanced and generally unappetizing.

Perhaps Next Door's execution will improve to match the interior. In the meantime, here are some spots worth checking out down south.

Read more »

Texas highlights

Street performers, Jimmy Cliff, and organ-rattling beats at SXSW 2012

|
()

>>View Mirissa's complete SXSW 2012 diary here.

MUSIC To be at SXSW is to know you're missing out on a lot of good music. Fortunately the music you do see makes up for the difference, and very often it's the unexpected showcases, the things that weren't on your radar until that very moment, that end up being the highlights of your experience. That said, here are some of my impressions from this year's slate:

 Read more »

Bounce to this: Rusty Lazer does Mardi Gras

|
()


Due to health problems, Big Freedia had to cancel her and Rusty Lazer's Noise Pop gig at Public Works Sat/25. The event been transmutated into a big gay dance party with Double Duchess, DJ Bus Station John, and more. You should still read this interview, though.

With all its technicolor thrift flair, Mardi Gras costumes in state of midway-preparedness, and sleepy passels of breakfast-cooking houseguests, Jay Pennington's New Orleans clapboard house is pretty hallucinatory on the Saturday afternoon of Carnaval weekend. Staring out the window waiting for the bounce DJ to call me up for our interview, I was to be excused for imagining that the shed in the side lot was producing actual chords while the New Orleans monsoon that raged outside hit it. Read more »

Sundance Diary, volume eight: the final countdown

|
()

In a series of posts, Midnites for Maniacs curator-host and Academy of Art film-history teacher Jesse Hawthorne Ficks reports on the 2012 Sundance Film Festival. Check out his first, second, third, fourth, fifth, sixth, and seventh entries.
 
No film at this year's festival encountered as much controversy as Craig Zobel's Compliance. At the first public screening, an all-out shouting match erupted, with an audience member yelling "Sundance can do better!" You can't buy that kind of publicity. Every screening (public and press) that followed was jam-packed with people hoping to experience the most shocking film at Sundance, and the film does not disappoint. (Beware: every review I have happened upon has unnecessarily spoiled major plots in the film, which is based on true events.)

What is so impressive about Zobel's film is how it builds up a sense of ever-impending terror. In fact, I would go as far as to say that the film steps into Psycho (1960) terrain, specifically in the final act of the film. Compliance aims to confront a society filled with people who are trained to follow rules without questioning them. Magnolia Pictures, which previously collaborated with Zobel on his debut film Great World of Sound (which premiered at Sundance in 2007), picked up the film for theatrical release; if you dare to check it out, prepare to be traumatized. You'll be screaming about one of the most audacious movies of 2012 — and that's exactly why the film is so brilliant.

Read more »

Queer and boning in Las Vegas

San Francisco adult stars storm the red carpet at the AVN Awards, a.k.a. the 'Oscars of porn'

|
()

Sundance Diary, volume seven: up all night!

|
()

In a series of posts, Midnites for Maniacs curator-host and Academy of Art film-history teacher Jesse Hawthorne Ficks reports on the 2012 Sundance Film Festival. Check out his first, second, third, fourth, fifth, and sixth entries.

Park City at Midnight is what excites me most about each Sundance Film Festival. Yet, many other films screen at midnight that aren't technically part of the actual category, which brings up the dilemma of what type of film warrants the designation of "Midnight Movie." Late-night audiences range from the inebriated to the intellectual (and often both combined). This year's crop of midnight films, in and out of the Park City at Midnight category, was genuinely one of the most eclectic and enjoyable group of films presented in years.

Quentin Dupieux's Wrong — his follow-up to 2010's unstoppable cult hit Rubber — is an absurdist journey where everything and nothing can happen, as long as it's what you'd least expect from a narrative. The reactionary rules of this wandering wonder (don't read any spoilers about it!) seem to have expanded David Lynch's quietest, most awkward moments into a web of surrealist silliness that I immediately wanted to watch again as soon as it was over. As audiences were exiting at two in the morning, half of them were bleary-eyed from laughing hysterically, while the other half were in groggy, drunken stupors. For me, this confirms that Dupieux has achieved exactly what he wanted (to make the obvious joke, something so Wrong it's right).

Read more »