Well, it’s been another fringe-ferrific whirlwind here at the Vancouver Fringe, but like all good things, it too has come to an end. The Boulder Fringe is still poised to begin this afternoon despite the flooding, but the East to West Coast circuit is now complete, and many career-fringe artists headed home, wherever that may be, to count their successes and tally their losses (often both).
For Naked Empire Bouffon Company the rewards of its five-week tour appear to be both tangible (a Critic’s Choice nomination and a “Talk of the Fringe” award in Vancouver, quotable reviews, and some modest profit), and ephemeral (connecting with other Fringe artists, experiencing new frontiers of audience reaction, generating excitement and controversy). But it’s been a lot of work to get that: months of rehearsal time, many long days of flyering in costume, hustling for audience and some small portion of recognition. But it’s the shows themselves that Fringe artists and audiences come together to experience, and it’s the shows that will hopefully stay with us long after the bone-wearying nature of the hustle fades from memory. Here’s a shortlist of some of the stand-outs from my second week at the Vancouver Fringe. Catch them elsewhere if you can.
Here in Vancouver, the Fringe Festival has been in full swing since Sept. 5, and its early bustle has come as something of a welcome surprise. Shows have been selling out right and left, including those by the five-woman sketch comedy team Strapless, and the manic SNAFU Dance Theatre's survivalist romp Kitt & Jane. The buzz hangs as heavy in the air as the morning humidity. It’s interesting to compare the rowdy carnival atmosphere of the Edmonton Fringe, complete with sideshow attractions, tireless street performers, and mountains of cheap fried food and the people who eat it, with Vancouver’s more refined approach and oddience. The Vancouver Fringe is the biggest theater festival in town, I’m told, and therefore attracts a fairly large percentage of mainstream theater-goers.
But despite the fact that each show begins with an overly complicated spiel about sponsorship opportunities, the shows themselves have run the usual fringe-y gamut of content from heartfelt to hilarious, edgy to educational. Here are some of the standouts I’ve seen so far.