Visual Art

Let it all out

Shout! fosters artistic expression for female veterans

|
()

VISUAL ART Dottie Guy had a difficult time in 2006. In addition to the death of her grandfather, she was recovering from surgery for an injury to her ankle and foot that she had sustained on duty in Iraq. She started taking pictures as motivation to walk around and to reclaim a sense of purpose.Read more »

Walls of the Internet

From back alleys to Facebook walls: the street art-tech connection is heating up -- and changing SF's street scene

|
()

caitlin@sfbg.com

STREET SEEN The mural was neatly rendered in aerosol, with an expert's eye for color. It read "Facebook." Surrounding text bubbles proclaimed "poke," "write on your wall," and "I'll find something to put here" to the denizens of Sixth Street.

Tech-based graffiti? If you're up on the Bay Area art scene, the juxtaposition won't come as any surprise — the companies building the Internet have emerged as major supporters of professional street art.Read more »

Free expression

Taking in John Millei's unguarded new paintings — plus a guide to open studios

|
()

arts@sfbg.com

VISUAL ART Los Angeles painter John Millei is mostly known for muscular abstraction writ large, either because he usually applies his cerebral mark making to wall size paintings, or because he produces works in very large series.Read more »

1AM Gallery's street art app debuts

|
()

I keep my iPhone slow with all the street art shots I forever shoot and store with it. Where will these photos go, this endless documentation of my surrounds? Sure, every once in awhile they'll pour out into a best-of compilation for the paper, but most of the time they're just there, staring me in the face, daring me to trap my friends into a mandatory slideshow session. "Dude, you gotta check this one out! It's... oh, um, it's like in that one alley behind that fancy hat factory?"Read more »

Every night is teen night

YBCA Young Artists at Work inspire — and are probably smarter than you

|
()

VISUAL ART What if every artistic high schooler were taken aside and taught how to write a grant proposal? At the risk of sounding hyperbolic, the world would be a different place if every young person with a spark had the tools and know-how to fund their work. Or if nothing else, the gallery scene would be a hell of a lot more interesting.Read more »

An art benefit -- for the artists

|
()

All sorts of political campaigns and causes raise money by asking artists to donate work that can be auctioned off. It's not often that the artists themselves get the benefits.

So Matt Gonzalez -- former supervisor, longtime criminal defense lawyer, and big fan of local arts -- is putting together a different type of fund-raiser. It's an art auction -- to benefit the artists.Read more »

The hawk and the rat: Hugh Leeman's artistic 'social experiments'

|
()

The artist talks about his upcoming exhibit, depictions of the homeless, and art-related capitalism
 
If you’ve walked through the Tenderloin, along Market Street, or around SoMa, there’s a good chance you’ve seen Hugh Leeman’s art. (He'll be showing new work Thu/4 at SOMArts Gallery as part of the "Dial Collect" show.) Leeman is best known for his drawings of the distinct and arresting faces of Sixth and Market’s homeless, which he used to wheatpaste onto billboards and buildings. His iconic work has been characterized as “street art,” but Leeman views his homeless art project through a more enterprising lens.

The power latent in billboards and marketing campaigns – both to make a statement and to expose vulnerabilities held by the viewer – inspired Leeman to plaster his friends’ faces around town. (Leeman met most of the homeless men he's depicted by engaging in street-side conversation, usually with the help of a trusty pack of Camel cigarettes.) He aimed to get as many eyes on his work as possible by giving away free posters of his drawings and by allowing people to download posters off his website for free. He also screen printed his drawings onto t-shirts and gave them away to men and women on the street to sell for a 100% profit.

Read more »

Three for the road

Garry Winogrand, Lebbeus Woods, and Christian Marclay at SFMOMA

|
()

arts@sfbg.com

VISUAL ART Traveling juggernaut Christian Marclay: The Clock touches down at the San Francisco Museum of Modern Art this week for the latest stop along its endless summer tour of major world museums.Read more »

Fallacis and fallacies

Lawrence Wright's new play falls flat at Berkeley Rep

|
()

arts@sfbg.com

THEATER Speaking of oneself in the third person is a thing few figures outside of fiction can really pull off. Tarzan and Yoda, fine. Oriana Fallaci — well, in journalist-playwright Lawrence Wright's new two-hander, Fallaci, you could be forgiven for thinking the title character is not that real either.Read more »

Mike Shine's "Flotsam's Harvest" at White Walls

|
()

By Molly Champlain

A promise that all our ailments will disappear and our wildest dreams will come true ... for a small price. Or for the price of your soul? Dr. Flotsam and his self-described "crew of carny bastards," sprung from the wild mind of San Francisco artist Mike Shine, ask us the worth of that exchange. The question is scattered through the paintings, performance, and graphic novel of his show, "Flotsam's Harvest," up now through April 6 at White Walls.

According to the show's press release:

Read more »