Monologos de la Vagina finds new actress to replace controversial conservative

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Following national controversy over the resignation of a politically conservative actress from the local Spanish-language production of The Vagina Monologues, producer Eliana Lopez announced yesterday that the production has found a replacement.

Actress Alba Roversi, a veteran of the Spanish language Monologos de la Vagina, will take the place of Maria Conchita Alonso, whose departure from the play had Fox News crying foul over her being “forced out” for her conservative political views. 

Any chance to needle San Francisco, right? 

Roversi starred in over 20 Spanish language soap operas, though she may not have the same name recognition in the US as Alonso, whose filmography includes Predator 2 and The Running Man (with our former Governator). Roversi is in, and Alonso is out. Read more »

Sundance, part two: Linklater love

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My second year of attending the Sundance Film Festival was at the age of 15; it was 1991 and I took a chance on a film called Slacker by Richard Linklater. 

This is the ticket stub that started my film journals. It's still taped into a spiral ring notebook that cradles my coming of age, and I have treasured every film of Linklater's since: his mainstream breakthrough, cult classic Dazed and Confused (1993); his hilarious remake of The Bad News Bears (2005); his underrated adaptation of Fast Food Nation (2006); his overlooked staging of Tape (2001); his pioneering, existentialist, rotoscoped duet Waking Life (2001) and A Scanner Darkly (2006). And, of course, his soul-searching Before trilogy.

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CCSF students angered by class cancellations

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Despite a day of misty downpours and gray skies, students, faculty members and their supporters gathered in the lobby of the City College of San Francisco’s Conlan Hall on Wed/28 in anticipation of a sit-down with the school’s chancellor, Dr. Arthur Q. Tyler.Read more »

Live Shots: Yuck finds its voice at The Independent

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“I remember the last time I was here the room was filled with the smell of weed,” said Yuck’s lead vocalist Max Bloom with his charming British accent, facing yet another thick fog looming over the audience. “I feel like I’m getting high out of proximity.” The herb-filled air wasn't new to The Independent, and this wasn’t Yuck’s first time in San Francisco. But the band that showed up there Wednesday night [1/30] was a very different band than Yuck has been in the past.Read more »

RIP Colonel Meow

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Alas, minions! Our fearless, fuzzy leader Colonel Meow has passed away. We will always remember him for championing the Cat Pack and sharing his wise words with us. The culling of beloved Internet kitties has begun too soon.

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Sundance, part one: crowd-pleasers and dino heists

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Check out Jesse's intro to his Sundance Film Festival series here.

This year, there were few films that stood out as across-the-board crowd pleasers. Gareth Evans' violent, 148-minute The Raid 2: Berandal (UK/Indonesia) — a sequel to his 2011 cult hit — is an absolute must-see, as is the latest from Wet Hot American Summer (2001) director David Wain, They Came Together (US); it's a comedy spoof that pitches Paul Rudd and Amy Poehler into a slew of rom-com tropes and clichés (delivering some huge laughs in the process).

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The future of civic engagement is here (so far it's not pretty)

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Last week, we wrote about San Francisco City Hall's foray into “civic innovation,” to foster greater governmental openness through web-based technology.

We spotlighted the OpenGov Foundation’s partnership with the city to upload the entire municipal code to a website, SanFranciscoCode.org, to make local laws readily accessible for anyone (regardless of city of residency, apparently) to comb through, offer comments, or suggest legislative tweaks.Read more »

San Francisco and its cycletracks lead the way toward safer biking statewide

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San Francisco has been blazing the trail toward safer cycling with innovative designs such as cycletracks, or bike lanes that are physically separated from cars, which have been installed on Market Street and JFK Drive. But cycletracks aren’t legal under state law, something that a San Francisco lawmaker and activist are trying to solve so that other California cities can more easily build them.Read more »

Tee time: a peek inside Urban Putt, the Mission's indoor mini-golf course

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On the back wall of the main room of the old Victorian building at 1096 S. Van Ness is a sculpture of two creepy angels. One holds the other in its arms, their wings keeping them up. These angels are part of the original construction of the building, back when it functioned as a mortuary. Perhaps due to the haunting angels, perhaps due to the thought of a dead body storage center, the building has sat empty on the corner of South Van Ness and 22nd Streets for 15 years.

Today, the angels are still there and the building’s new owner has no intention of taking them down. “We will preserve as much as we can from this old look,” says Steve Fox, the man behind San Francisco’s first indoor mini-golf course, Urban Putt, set to open in April. The “high-concept” course will feature a restaurant with “eclectic California comfort cuisine” upstairs and two bars with a “creative bar program,” according to Urban Putt’s most recent press release. 

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An ally and a union brother: Pete Seeger's legacy in the labor movement

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Pete Seeger's sweet voice was, among other things, a clear, articulate, consistently outspoken one for workers' rights. In honor of Seeger's legacy of activism, we reached out to longtime community activist and LaborFest co-founder Steve Zeltzer to hear about what he meant to the labor movement in the Bay Area and beyond. Read more »

Promo: Eric Roberson plus Algebra Blessett at Yoshi’s San Francisco

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Eric Roberson – Erro, as he is affectionately known by fans and friends alike – has achieved major milestones in his career, from being a successful songwriter and producer for notable artists like Jill Scott, Musiq Soulchild, Dwele, Vivian Green and countless others, to releasing eight albums under his Blue Erro Soul imprint. Read more »

I Was a Teenage Sundancer

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I grew up at the Sundance Film Festival — beginning in 1990, when my father took my 14-year-old self to an archival screening of Melvin Van Peebles' X-rated Sweet Sweetback's Baadasssss Song (1971), and my best friend Grayson Jenson's parents introduced us to Richard Lester's A Hard Day's Night (1963). 

These two films have polar-opposite subject matter, but they do share some odd similarities; they both make aggressive statements about counterculture, and both are cut together with hyperkinetic, French New Wave-esque editing. But back then, all I knew was that my life was maniacally changed ... forever. 

This transformative experience was enhanced by accidentally sitting next to only movie critic I had ever heard of: Mr. Roger Ebert. As it happens, a documentary about the late writer's career, Steve James' Life Itself, was one of the 2014 festival's biggest hits. Friendly and engaging, Ebert explained to me (at 14) that he personally enjoyed watching the Beatles' "best film" on 16mm as opposed to 35mm. The conversation we shared ("What are your favorite films?" Me: "Hellraiser II, Aliens, Evil Dead 2, and Phantasm II") left a long and deep impression on me.

That was my first memorable Sundance moment. But this year's Sundance and Slamdance Film Festivals — celebrating their 30th and 20th anniversaries, respectively — were (on the occasion of my own 24th Sundance anniversary) maybe the best I've ever experienced, overall.

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'The Bachelor' (episode 4, what better time to start?) recap: APOLOGY PLZ

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Forgive the late (mid-season) arrival, some copy got lost in translation. And if you buy that, Juan Pablo's public image has a shot.

So last week, amid all the real news (Chris Christie things, GOP things, Obama-NSA things, Sochi things) and amid all the Bieber news (eggs, DUI's, Jeremy Bieber's existence, shiny shorts, smiling mugshots) there was a bad piece of Bachelor news. 

Juan Pablo, the current Bachelor, decided to share his feelings on a matter he was totally unqualified to address, he did so in a socially tone-deaf manner and is now dealing with that fallout. 

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Pure poetry

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"I didn't know I was a Chicano until I met Jose." -- actor and activist Edward James Olmos at the Jose Montoya Memorial Celebration at Sacramento's Crest Theater, Jan. 23, 2014. Photo by Fernando Andrés Torres.

Read Fernando Andrés Torres' story on NorCal's poesia en espanol revival in this week's paper.

Controversy still brewing over CCSF administrative pay raises

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A string of recent emails have led City College of San Francisco faculty members to believe that college administrators are already being paid according to the higher salary ranges that were proposed and then hastily withdrawn from an action agenda last week. Read more »