The moment I saw Edie Fake's book Gaylord Phoenix (Secret Acres, 256 pages, $17.95) on a table at a local shop was a lifesaver. Not much contemporary art or stuff actually reaches me -- and jolts me -- at the mysterious and elusive spot(s) where my imagination and spirit reside, and the drawings and stories of Fake do exactly that. I have some issues of Gaylord Phoenix from when it was in serial form, and Fake's comic Rico McTaco, but I had no idea a lavish color book of Gaylord Phoenix existed, and the discovery was about as close to finding a treasure as I've had in recent daily life. Read more »
So Rihanna made an S&M video. No really, it's called “S&M.” And yes, it does feature her walking Perez Hilton – not the sexiest choice – on a leash, while wearing a latex dress and a killer day-at-the-races hat-thing, plus her singing while hanging from the ceiling, men in restraints and gags, and creative use of duct tape. Yep, yetanother celebrity discovers BDSM. While the video itself is not thrilling and not all that arousing (for my money, Rihanna's made hotter), the girl's got a way with outfits – she has a penchant for performing in latex, and sports a pretty incredible hood and stockings latex 'fit in the new video, which already has 9.3 million views on YouTube, fyi. Perhaps she could be convinced to share the wealth at one of SF's two kinky costume swaps this Sun/13 -- at Kinky Salon and the SF Citadel respectively. Even if RiRi's not in attendance, the event should be a good opportunity to re-up on some gear to wear to the next wild-and-wacky costumed sex party. Or nearly any of this weeks' sex events, for that matter...
“Yesterday we were all Tunisian. Today we are all Egyptian. Tomorrow we will all be Free,” read one sign on at last weekend’s protest in solidarity with the wave of uprisings across the Arab world, an event drew thousands of people into the streets of San Francisco.Read more »
With an average body mass index of 24.8 (measured in 2008), SF rates as the second skinniest city in the United States. Work it out people – all those bikes, parks, and beaches paying off, or at least putting us out ahead in America's race against obesity. But next to nearly every one of our yoga studios and muscle gyms is an art gallery. It's fair to say that art appreciation is as ingrained in San Francisco culture as athletic mastery – but where does one go to buff up one's rock hard appreciation of digital art film and radical myth iconography? Enter Yerba Buena Center for the Arts' new program, “YBCA: YOU”, currently accepting applications (this means you) for a free program that'll have you doing heavy lifting of the city's creative offerings in no time. Read more »
There is the fraud that is witch house, and then there is the musical spell cast by Demdike Stare, a duo that takes its name from 17th-century accused witch ElizabethSoutherns. Tryptych gathers three near-LP-length EPs, and its highlights are numerous. While Liberation Through Hearing delivers on the title's promise, my pick of the trio might be Voices of Dust, thanks to the swelling charge "Black Sun," the frenetic "Hashshashin Chant," and the seductive dirge "A Tale of Sand." These songs conjure dark visions on their very own, but after the jump, check out some montage videos that Jonny Redman of the European cult movie site www.lovelockandload.net has created for Demdike Stare tracks. If you can I.D. any of the amazing source material he's using, I'd love to know.
Sup. Jane Kim once again angered her progressive supporters yesterday by introducing legislation to give Twitter a huge corporate tax break, caving in to the company's extortionary threats to leave the city if politicians don't bend to its demands. And with Board President David Chiu co-sponsoring a proposal that came out of the mayor's office, it is all but assured to pass, exacerbating the city's $380 million budget deficit.Read more »
What are the barest fundamentals of theatre once you remove it from “the” theatre? This is one of the questions site-specific performances are always confronted with, and the answer is not immediately clear. Does “theatre” require a script? (Then what is improv?) Does it require actors? (Then what is Spalding Gray?) Does it require a moral? (Then what is Ubu Roi?) Perhaps, like obscenity, it is immediately known when seen, but otherwise elusively indefinable. What does seem to be certain, particularly in light of the latest wave of productions set in non-traditional venues, is that performing in an actual theatre space is definitely not a requirement for creating an actual theatre piece.
Slick, tongue-like uni, or sea urchin (part of the same clan as sand dollars and sea cucumbers), earned its urchin moniker from a Middle English term for hedgehog due to their similar spiny exterior. Uni is an acquired taste. My adventurous palate took a couple years to come around to appreciating its briny richness (to be fair, the initial uni I tried was less than fresh, tasting more like a stale tidepool - yes, it matters where you have it). Three upscale dining destinations have been sourcing immaculate uni and giving it the inventive treatment.Read more »
I get a lot of press releases and ignore them unless they're for books, kid stuff, or sex toys. But I have been remiss on one count: I have not solicited any samples of sex stuff aimed at men. There is something inherently humorous about fucking an inanimate object (see Portnoy, Alexander and Pie, American) that simply doesn't seem to apply to the dainty art of buzzing yourself to glory . Object-humping is not dignified.Read more »
Labor and transgender activist Gabriel Haaland reports that supporters of Lyon Martin Health Services have almost reached their $250,000 to save the clinic. Almost. Come help put them over the top on Wed/9 when I and other "celebrity bartenders" will be pouring stiff ones in a benefit event at the Buck Tavern (aka Daly's Dive), 1655 Market, starting at 6 pm. Donation of $5-$20 requested. See you there.
V-DAY Be still your beating valves — you'd have to sprint to make it to all the V-Day lovin' in town this week, whether you're domesticated, on the prowl, or straight-up taking a pass on Hallmark-mandated caresses.
A local nightlife producer has won a tentative settlement in a false arrest and police abuse lawsuit against San Francisco. The deal still needs the approval of the supervisors, but it involves a significant chunk of cash. And it comes on the eve of what would have been a very public and — for the city — embarrassing trial shows how costly and pointless the police department's crackdown on nightlife has been.
In the case, Arash Ganadan claimed that Officer Larry Bertrand handcuffed him and hauled him off to jail outside a South of Market loft where the 27-year-old party producer was meeting with friends. Bertrand, the allegations stated, was mad that Ganadan had filed a complaint against him after an earlier club bust. Bertrand has since been reassigned. Read more »
Pure zaniness: acid house from 1982 -- up to four years before the genre was invented -- that demonstrates Bollywood composer Singh's intuitive and innovative proficiency with the genre's prototypical Roland keyboards and drum machines. This reissue removes the word synthesizing from the beginning of the album's initial title, to downplay the kitsch factor, I guess. The mix of repetition and raga variation runs from meditative to maddening and is sometimes outright revelatory. One of a kind. After the jump, check out a comic and informative short movie from last year in which an enthusiast seeks out and meets Singh, and a few tracks from the album. As one online commentator suggests, it's time to put a bindi on the acid smiley. Read more »
This is probably the most-anticipated album of 2011, thanks to the promise of Blake's lavishly praised EPs, which have conjured the ghost of Aaliyah ("CMYK" draws brilliantly from "Are You That Somebody?") while deploying a innovative sense of dubstep's space and silence. (See the starts and stops and teasing not-there quality of "I Only Know (What I Know Now)" for an example.) Here, Blake adopts a more traditional pop vocal songwriting approach akin to his cover of Feist's "Limit to Your Love," which is included. The result teeters between Kid A-era Radiohead angst and something a lot more interesting and unique — a singular interplay between the possibilities of composition and production. Read more »