The credibility of Twitter

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The stories on the latest Twitter hack -- which caused the stock market to plunge and wiped out $136 billion in investor value in an instant -- have focused on the vulnerability of the social network to malware and intruders. Twitter's apparently hiring some new people to improve its security. That's all just fine, but it's the wrong point.Read more »

City-owned electricity generation works

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I remember years ago a loser of a supervisor named Bill Maher tried to make a lame joke in opposition to a public-power measure. "If the city tries to run an electric system," he said, "every time I throw a light switch my toilet would flush."

Ha. Ha. Ha.

But it's a common refrain: We can't even run the Muni on time -- how can we run an electricity system?Read more »

Ammiano's on a roll

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Willie Brown, the former mayor and current unregistered lobbyist, has been trying to undermine Assemblymember Tom Ammiano for years. But take a look at two Ammiano bills this spring and you get a sense of how effective San Francisco's veteran representative can be.Read more »

On 8 Washington, it's No, No

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The November ballot may contain not one but two measures addressing super-luxury condos on the waterfront. And that could pose a serious problem for the developer of the 8 Washington condominium project.Read more »

Chiu and Herrera roll up their sleeves for spring cleaning in City Hall

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For some time now, oft-labeled “power brokers” with undue influence in San Francisco city government have taken heat for failing to register as lobbyists. At the same time, politically connected insiders are often criticized for manipulating the permitting process for major real estate developments far outside the public gaze.

It’s said that sunshine is the best disinfectant. Yesterday, City Attorney Dennis Herrera and Board of Supervisors President David Chiu introduced a package of reforms designed to shed more light on lobbyists’ practices.Read more »

Tribeca Film Festival report: opening night (and beyond)!

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Ah, welcome to the land of Law and Order — and the Tribeca Film Festival —as Richard Belzer introduced the event's opening night movie, Mistaken For Strangers, on April 17.

"As if Bob doesn't have enough money with his American Express commercials ...," he drawled of festival founder Robert De Niro and its splashy sponsor. He went on to say that De Niro started Tribeca to bring people back to the neighborhood after 9/11, so it follows that this year's fest is dedicated to those suffering the after-effects of the Boston Marathon bombings.

After a brief monosyllabic appearance by the Bob himself — it's really not about him despite his presence on key red carpets; he quickly passed the spotlight to cofounder Jane Rosenthal — out came the grateful, guileless-looking Mistaken For Strangers director Tom Berninger, brother to the National vocalist Matt Berninger and the maker of the doc ostensibly about the band but a really about brotherly love, competition, and creation. Looking like a viking Zach Galifianakis and playing like a bumbling, hard-partying, apolitical Michael Moore in the film, Tom Berninger looked like he could not quite believe his incredible luck as he was joined on stage by the suited-up National, as well as his small crew, the latter thanked for editing down and "cleaning up this mess."

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Red-eyed trends: 420 fashion at Dolores Park

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For the really sloppy, you had to go to Hippie Hill. All in all, Dolores Park last Saturday looked pretty much the same as any other gloriously warm Saturday in San Francisco. Course, we love a theme. Read more »

Help fund Goldie winner Jamie Meltzer's latest doc!

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When I last spoke with filmmaker and Stanford assistant professor Jamie Meltzer, it was at the 2012 Guardian Local Outstanding Discovery (a.k.a. Goldie) awards ceremony. I selected him for that honor — the Goldies are meant to recognize up-and-coming artists who are making impressive work but haven't yet gotten widespread recognition — based on the two documentaries of his I'd seen: 2003's cult favorite Off the Charts: The Song-Poem Story, and 2012's Informant, about a prickly activist-turned-FBI-informant-turned-Tea-Partier, which premiered at the 2012 San Francisco International Film Festival.

Well, chances are, that widespread recognition is soon to come Meltzer's way. Informant was picked up by Music Box Films for distribution (look for it late summer or early fall in the Bay Area), and his latest project, Freedom Fighters, sounds highly promising: "The film follows three exonerated men from Dallas, with 57 years in prison served between them, as they start their own detective agency to look for innocent people who are still behind bars," Meltzer wrote in an email late last week. "It's a documentary detective film — a documentary noir, if you will." (NPR broadcast a story about the men on April 16; listen here.)

I called him up to learn more, including details on the Kickstarter he just launched to help fund the next phase of shooting.

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Newsom calls for marijuana legalization

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For all his flaws, Gavin Newsom has never shied away from taking a stand or showing leadership on emerging issues, particularly when the politicians are lagging behind public opinion. As mayor, he did it on same-sex marriage, temporary public art, and taking street some space from cars. Read more »

Beloved Shirts reads your mind, puts it on a sweatshirt

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I should be pissed that Provo, Utah's Beloved Shirts company has raided my Internet search records, but I'll focus on just being happy that now I can buy that Goldfish crackers crewneck sweatshirt of my dreams. Read more »

TNGHT whips the Mezzanine's 420 crowd into a frenzy

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Like a microcosm of our ever-morphing music culture, electronic duo TNGHT stands squarely between the traditions of EDM and hip-hop, reaping the benefits of both musical forms, and generating something new in the process. Comprised of Lunice (from Montreal), and Hudson Mohawke (from Glasgow), the pair stopped by the Mezzanine this past Saturday after a two-weekend Coachella run, bringing their shiny, brassy, bass-loaded grooves to a sold-out crowd of ecstatic 420ers. Read more »

Miranda rights in Boston

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It’s the age-old dilemma, the stuff of dozens of thrillers and action movies: You’ve captured a guy who knows exactly where a bomb has been planted, and it’s going to explode in 30 minutes and kill thousands of people. Do you bother to read him his Miranda rights and encourage him to speak to an attorney before he answers any questions?Read more »

Wells Fargo foreclosure fighters: They’re baaaack!

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See an update at the end of this article.

 A group of activists focused on organizing against Bay Area foreclosures will return to Wells Fargo’s San Francisco headquarters today for a protest timed to coincide with the banking giant’s shareholders’ meeting – even though the meeting was moved to Salt Lake City, Utah this year. (Perhaps the change of scenery had something to do with what happened last year, or the year before?) Read more »

420 trip(tych)

Scenes from Dolores Park, Snoop Dogg, and Denver's Cannabis Cup

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caitlin@sfbg.com

STREET SEEN Snoop wore rhinestone-dripping dichotomy to his 420 concert at the Fillmore. Trust, I was stoned enough to come up with theories based around it.Read more »

The comeback klown: John Leguizamo's 'Ghetto Klown' returns

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It's been three years since hyperkinetic funnyman John Leguizamo last played the Bay Area, when he workshopped his newest solo show, then called Klass Klown, at the Berkeley Rep. Following the confessional tone established by his previous solo shows, such as Freak, which in which he recreated moments from his stormy adolescence, and Sexaholix...a Love Story, which tackled both his playa heyday and his rehabilitated foray into fatherhood and married life, his renamed, award-winning Ghetto Klown focuses on his career trajectory in a format that's part documentary, part tell-all exposé.

Now returning for a brief victory lap at the Orpheum Theatre, Leguizamo is looking forward to reconnecting with his West Coast fans. I managed to catch up with him over the telephone and got him to dish on the evolution of his show, his newfound love of touring, and the key to his boundless energy.

San Francisco Bay Guardian Why did you decided to tackle this particular narrative?

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