The San Francisco Police Department, police commissioners, and community advocates are gearing up for another debate about whether or not SFPD officers should carry and use Tasers. The hearing will be held at tomorrow’s Feb. 23 police commission meeting. Read more »
With all eyes on Wisconsin, local labor leaders are suggesting that Public Defender Jeff Adachi’s proposed retirement/health plan reforms are really Tea Party initiatives, even as Adachi threatens to place another Measure B-like initiative on the fall ballot if city leaders can't agree on a fix for the city's fiscal problemsRead more »
Patrick Warburton occupies his own special niche. He is a big (6 feet, 3 inches), hirsute, square-jawed kinda white guy — the kind who saved screaming ingénues from gorillas or Martians in 1950s B flicks — who's flourished parodying macho blowhards. Who doesn't love Warburton? People who don't know who he is, obviously.
They probably know him regardless, if not by name. First widely noted as Elaine's emotionally deaf boyfriend on Seinfield, in recent years he's starred in successful network sitcoms Rules of Engagement and Less than Perfect. They followed The Tick, a short-lived Fox superhero parody series everyone loved but the viewing public. He's voiced various characters on Family Guy (a man's gotta work), as well as loftier ’toons including The Venture Bros., Kim Possible, and Scooby-Doo! Mystery Incorporated, playing Buzz Lightyear in Toy Story spinoffs, as well as endearing villain Kronk in The Emperor's New Groove (2000).
The Emperor's New Groove reunited him with Eartha Kitt, also a costar in his screen debut: 1987's WTF Mandingo (1975) rip-off Dragonard, in which he played a race traitor Scottish hunk on an 18th century Caribbean slaving isle populated by such punishing extroverts as boozy Oliver Reed, chesty Claudia Uddy, and creaky Pink Panther boss Herbert Lom. This campsterpiece features steamy sex intercut with chicken sacrifice, a character called "Manroot," appalling homosexual caricatures, much library music, and other incitements to drinking-game joy. (Start trolling eBay for used VHS copies now.)
These days, Warburton is promoting a past project he'd rather remember: 1999's The Woman Chaser (opening Fri/25 at the Roxie), billed as both his leading-role debut (hello! Dragonard!!) It was definitely the first feature for Robinson Devor (2005's Police Beat, 2007's Zoo), one of the most stubbornly idiosyncratic and independent American directors to emerge in recent years.
You want to see how easy life is in those lucrative, unionized public-sector jobs that the governor of Wisconsin is going after? Isthmus, the alternative weekly in Madison, has a brilliant piece by a teacher who talks about what this battle is really about. Read it and tell me that this woman is overpaid and gets too many benefits. Go ahead. I can't wait.
In today's episode, we talk about that remarkable moment when people realize that they aren't alone -- and that tends of thousands or maybe millions of their neighbors are willing to go out in the streets and do something about it. Listen after the jump. Read more »
Dick Meister, formerly labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for a half-century.
By now, there's can be no doubting it: What's happening in Wisconsin is one of the most important labor developments in decades. It's of major importance to unions and their members, of major importance to working people generally of major importance to us all.
In many ways, it's the 1930s again. Just as then, workers and their political allies and other supporters are demonstrating, picketing, marching, striking and otherwise forcefully demanding the basic civil right of collective bargaining the unfettered right for workers' representatives to negotiate with employers on setting their wages, hours and working conditions. Read more »
Sup. Ross Mirkarimi is going to file papers today (Feb 22) to begin his campaign for sheriff.
Mirkarimi told us he wants to continue the progressive legacy of Mike Hennessey and to work to reduce recidivism. "Eventually, almost everyone who's incarcerated comes back to the community," he said, noting that more than 60 percent of people released from the county jail are re-arrested at some point. "We have to work on re-entry programs to lower that number," he said. "It's about keeping communities safe."Read more »
Dance artist and choreographer Kyle Abraham isn’t going on vacation anytime soon and he admits his next day off will be in August. “I try to work really really hard, I never take days off, which I need, but I’d rather get work done,” says Abraham. His work is paying off. Originally from Pittsburgh, PA, and now based in New York City, Abraham visits San Francisco this weekend to perform two solos in the Black Choreographers Festival at the ODC Theater. Read more »
On our way to the Electronic Frontier Foundation’s 21st Birthday party, my programmer friend explained to me why, if it weren’t for the work of the good folks over at EFF, neither eBay nor WikiLeaks could do their thing. Read more »
The Family Jams, a documentary by Kevin Barker (the man behind Currituck Co. and and on-again-off-again accompanist of Vetiver), captures the careers of the genre-fucks Devandra Banhart, Joanna Newsom, and Vetiver in their infancy on a 2004 summer tour. (The doc screens Thurs/24 as part of the Noise Pop Film Festival; check out a trailer here.)
Near the film’s beginning, Barker, in a voiceover, shares a memory of seeing large flying cockroaches that lived in his grandmother’s kitchen drawers in Hawaii. In the next scene — whodathunk? — a large cockroach appears during a show in Houston, Texas when his musical family (Banhart, Newsom, and Andy Cabic of Vetiver, among others) plays together at the show’s end. Could this link 'twixt families be made any more obvious?
I lived at Hayes and Fillmore in the 1980s, at the height of the crack epidemic, and a spectacularly unsuccessful dealer hung out on my corner. He was so bad at selling the stuff (or else was smoking so much of it) that he was constantly broke and used to knock on my door late at night ask to borrow a buck to buy a can of beer.
At one point he owed me about $10, and offered to pay me back with “some hubba.” He proceded to open his fist and show me a couple of grimy rocks rolling around in his filthy, sweaty palm.
It looked so appealing. I politely declined.Read more »
Robert Moses may not know it, but he is a pied piper. The ability to hold the attention of 200 hormone-packed middle school students at 9 a.m. on a Wednesday in early February must qualify as some kind of superhuman ability.
But Moses, choreographer and artistic director of Robert Moses' Kin, defers to his own pied piper, the one on stage who immortalized the German city of Hamelin. As the fabled character, Dexandro "D" Montalvo twitches, churns, and first commands the rats; then, with beckoning index fingers, he mesmerizes the "children" to follow him who knows where.Read more »
Calitics has a revealing letter from David Onek, a senior fellow at the Berkeley Center for Criminal Justice, a former member of the San Francisco Police Commission and a candidate in the 2011 District Attorney’s race, demanding greater transparency from the D.A.’s office when it comes to explaining why officers have been cleared in officer-related shootings. Read more »