Zef!? I may not understand it, but I got a crash course after sweating, watching, and surviving a Die Antwoord show. If a hot and packed house crammed with drunks is zef, the Rickshaw Stop was so fokken zef. The duo of Ninja and Yo-Landi (DJ Hi-Tek was absent?) plowed through their debut album $o$ with fury and madness. Luckily I got one of the few vantage points to take these shots surviving most of it. After the jump, a video sent to us by Big Up Magazine
“Kelly, parents really need to listen up on this one,” says the somewhat stiff-jawed newscaster on News 9 Oklahoma City. Oh good, I hadn't heard another blatant attempt to scare the bejeesus out of parents in a while. They're talking about “I doser” videos, videos that cause Mountain Dew swilling adolescent nerds to approximate what they think drunk people do. But wait... free drugs? Can grownups play? Ever attentive to our readers' needs, I have sifted through the rubble. Conclusions to follow.
While downtown-oriented politicos and out-of-touch corporate columnists tout the political potential of targeting public employee unions with pay reductions and pension plan take-aways – and say the Public Defender Jeff Adachi may be mayoral material for doing so – they forget that electoral success requires coalitions, particularly in savvy San Francisco.Read more »
Dick Meister , former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for a half-century. Contact him through his website, www.dickmeister.com, which includes more than 250 of his recent columns.
It was an unusually hot July day in San Francisco. There was a parade on that day in 1916 – a “Preparedness Day” parade organized by local Republican businessmen. It was intended to drum up support for U.S. entry into World War I and embarrass Democratic President Woodrow Wilson, who was running for re-election on a platform that stressed, “He kept us out of war!”
A lot of people supported neither the war nor the parade, however. The opponents particularly included the union organizers who were the radicals of that period – “reds” who were trying to establish the right of unionization in the face of often violent opposition from the business interests who controlled the city and who most assuredly supported the war. Read more »
Jazzy, sultry, soulful, and smooth, Shayna Steele -- performing at Coda on Sat/17 -- has a voice and style that is causing quite the buzz. With a background in Broadway (she starred in Rent and Hairspray) and influence from the jazz greats, she had a major break with her vocal feature on Moby's number one dance hit "Disco Lies." On her latest record I'll Be Anything (Highyella Lowbrown), she truly shows that she can sing anything.
Over the last decade, Sup. Chris Daly has been both a stalwart leader of the progressive movement in San Francisco and a political lightning rod – both for his aggressive advocacy of controversial policies and his combative personal style. But as he prepares to leave office, Daly is trying to highlight the role his District 6 constituents have played in pushing progressive reforms, starting with an event this Saturday morning at Herbst Theater.Read more »
An inspired idea for a film series if ever there was one — the SF Maritime National Historical Park is showing nautically themed films onboard the ferryboat Eureka at Hyde Street Pier. They began last month with 2003’s Pirates of the Carribean: The Curse of the Black Pearl, and they’re picking up Thurs/15 with Lifeboat (1944), Alfred Hitchcock’s production of a John Steinbeck story, starring Tallulah Bankhead. Next month, step aboard the Eureka for Jaws (1975) — that is, if they don’t end up needing a bigger boat. Teasers and show info after the jump: Read more »
After the SF-based dance company the Foundry (founded by Alex Ketley and Christian Burns in 1998) performed their most recent project, Please Love Me, July 7 at Theater Artaud, I overheard a woman ask her friend: “Well, what did you think?” After a minute of searching for just the right words, her friend replied, “I feel like I just had really intense, emotional sex. I need a second to process it.” While Please Love Me isn’t about sex, the woman’s answer seems fitting. Combining dance with original music and video projection by former Ballet Frankfurt media artist Les Stuck, Please Love Me is intense, beautiful and emotionally poignant. Read more »
Shortly after filming a protester being arrested by police in riot gear near 12th street and Broadway in Oakland, the Guardian caught up with Dan Siegel, a legal observer for the National Lawyers Guild, who had also witnessed the incident. The protester, who is at this time unidentified, was featured on the cover of this week’s San Francisco Bay Guardian, squaring off with an officer in the police line shortly before being arrested. Read more »
This from Michael Sturtz, creative director of the berth of the Bay's fire community, the Crucible. This weekend (Fri/16 and Sat/17), HEAT: the Fire Cabaret, rises up like a sultry phoenix, an onstage imagining of a flame speakeasy during fire Prohibition at whose “height, lighters and matches were confiscated.” Involved in the production: Read more »