About 30 minutes into this year's Burger Boogaloo, I noticed a guy walking around in a Tool shirt. Ten minutes later, I saw another dude walking around in a Meshuggah shirt. This wouldn't be so remarkable at most concerts, but it's worth keeping in mind that this was ostensibly an indie rock concert. Most fans of progressive metal wouldn't dare enter that often rigid and snobbish universe, just as most indie fans would consider those heavy-but-impeccably-produced bands well outside the accepted parameters of "cool."Read more »
(Note: In July of 1972, when the Bay Guardian was short a Fourth of July story, I sat down and cranked out this one for the front page on my trusty Royal Typewriter. I now reprint it each year by popular demand on the Bruce blog, with some San Francisco updates and postscripts.)
Back where I come from, a small town beneath a tall standpipe in northwestern Iowa, the Fourth of July was the best day of a long, hot summer.
The Fourth came after YMCA camp and Scout camp and church camp, but before the older boys had to worry about getting into shape for football. It was welcome relief from the scalding, 100-degree heat in a town without a swimming pool and whose swimming holes at Scout Island were usually dried up by early July. But best of all, it had the kind of excitement that began building weeks in advance.
The calm of the summer dawn and the cooing of the mourning doves on the telephone wires would be broken early on July Fourth: The Creglow boys would be up by 7 a.m. and out on the lawn shooting off their arsenal of firecrackers. They were older and had somehow sent their agents by car across the state line and into South Dakota where, not far above the highway curves of Larchwood, you could legally buy fireworks at roadside stands. Read more »
Pride's Pink Saturday offered a dynamic final morning of the massive 38th annual Frameline, the world’s largest film festival devoted to LGBT films. Compared to What: The Improbable Journey of Barney Frank, a doc that gives an intimate look into the private and political life of the recently retired iconic Congressman, screened to a packed and cheering crowd at the Castro Theater.
If you've ever walked out of a dance party wishing you could take the party home with you, Push The Feeling has a solution to your problem. For the last two years, Kevin Meenan and Drew Marcogliese have hosted dance parties at the Lower Haight's Underground SF nightclub under that name; they've hosted all manner of DJs, from local heroes like Giraffage to blogosphere faves like YACHT and Les Sins (aka Toro Y Moi).Read more »
"We are now at our best and so Death Grips is over," announced a napkin posted to Death Grips' Facebook page yesterday afternoon. The sudden dissolution of one of the most controversial, confrontational, and influential hip-hop groups of the 2010s so far spurred an outpour of dismay among music fans. But anyone who's been keeping a tab on Death Grips shouldn't have been too surprised. Read more »
“I would get the comment ‘Gosh, you play really good for a girl,’” Barbara Borden admits in the introduction of Keeper of the Beat, which chronicles her lifelong passion for drumming. The documentary, by San Francisco's David L. Brown, airs Sun/6 on KQED.
The Always brand's empowering #LikeAGirl ad campaign made the rounds on the internet this week, but Borden’s musical sojourn, discouraged for a female at the time, is decidedly more inspiring (especially since it’s delivered by a badass drummer and not a corporation).
Hey there, lovers and haters of the World Cup, if you missed out on the protest of Google and FIFA at Pride, there’s still time on the clock to score that goal: there will be another protest tomorrow [Thu/3] to support Brazilian transit workers and their quest for higher wages.Read more »
Given all traditional parameters of critical experience, SF Playhouse’s production of Into the Woods (now playing through Sept 6) should be at least somewhat irksome. The vocal talent can be inconsistent, the accents are ambiguous, the set looks busy, and the musical is high-strung enough that it can be insufferable without expert work on all fronts. Shockingly, despite the surface-level issues, the Playhouse production is an unqualified technical success and a complete joy to take in.
Can Silicon Valley tech companies “do better?” With the launch of a new website, the tech industry's security guards are coming forward with tales of inequality in Silicon Valley, and asking Google and other big tech companies to do just that.Read more »
[Editor’s Note: With the San Francisco Board of Supervisors Land Use Committee scheduled on Monday, July 7, to act on a proposal to allow the new owner of the San Francisco Design Center to evict existing tenants to accommodate tech company Pinterest, Jim Gallagher of Garden Court Antiques, one of those tenants, wrote the following guest editorial for the Guardian.]
The San Francisco Design Center has been a doing business at 2 Henry Adams street for the last 40 years. During that time it has created thousands of good paying jobs in the city. We are currently at risk of losing the majority of the building to tech office space. The building is zoned for PDR-Design but a loophole in the law is being exploited by the new owners, a Chicago based investment firm. This would lead to the loss of SF based small businesses and the jobs that they create. Read more »
Future, America's Auto-Tune rapper du jour, is in a cushy position. His recent album Honest is one of the year's most critically acclaimed rap albums so far, and it's moved enough units to establish him as a major presence on 2014's hip-hop scene. Hip-hop fans know who he is, as do a lot of indie kids who've stumbled across fawning reviews of his work online. But he's not yet a star.Read more »