Everyone's talking about austerity these days, from the prime minister of Ireland to the president of the United States, who wants to freeze wages for federal workers. But somehow, there's one class of people who aren't facing any austerity at all. Funny thing about that. Check out the discussion after the jump. Read more »
Note to self: stuff pockets with glitter. The concept was out in full force for Yard Dogs Road Show's "Glitter and Gold" Thanksgiving weekend show at The Independent (on Saturday, the second of a two-night run). And those prancing, bejeweled pony girls sure didn't disappoint -- neither did the dancing, singing marionette girls, or the multi-cannon explosions of confetti with which the show climaxed. Great visuals, them. The music ranged from Broadway D-Liscious' rubber-ankled lounge rendition of "The Life of the Party," to head bangers, to sexy, warbled somethings -- which sounded sexier (like they always do) when sung by a woman on an accordian. Here's hoping we don't have to wait another two years for the Dogs to get let out in the Bay once more.
To stem the massive hemorrhaging in the budget, the state of California has authorized the sale of 24 state-owned office buildings across the state to private investors. The state would then rent back the office space.
It’s a classic case of short-term thinking: In the end, the state will end up paying more money in rent than it will gain from the sales. The nonpartisan Legislative Analyst’s Office reported in April that over the next 30 years, the lease payments will likely cost $5 billion more than if the property had stayed in the state’s possession.Read more »
There's been much talk about naming a “caretaker mayor” to replace Mayor Gavin Newsom in January – most of it coming from downtown-oriented politicians, advocates, and publications, who are in the minority on the Board of Supervisors – but Sup. Chris Daly offered a full-throated denunciation of the idea this week.Read more »
Melting the masters with Oddball Films and Keith Hennessey
In a scene from the hilariously boffo short film Pull My Daisy an unruly gang of beatniks (Allen Ginsberg, Peter Orlovsky, and Gregory Corso) grill their pal’s invited guest, “The Bishop” (Richard Bellamy) about the relative holiness of the world around them, from baseball to cockroaches to the male organ. Is this-and-that holy, is such-and-such holy? they slur via Jack Kerouac’s partially-improvised narration. Their good-natured interrogation is doubtlessly modeled on Ginsberg’s “Footnote to Howl”—that affirmative litany asserting the holiness of cocks, typewriters, and “the bop apocalypse”. Throughout, their commitment to proving the divine in the human gives their tactless party-crashing a metaphysical justification and an almost wide-eyed innocence.
It's not until I really started thinking about it that I realized how much I love Sweden. My best friend Karin is part Swedish. The American Girl Doll I had when I was little was the Swedish immigrant girl Kristen, decked out in her Saint Lucia holiday outfit. I used to work at a cafe in Seattle that served the best Swedish pancakes, ever, topped with lingonberry sauce. And the gorgeous singer Robyn is from Sweden, too. Read more »
The San Francisco Chronicle ran a good story yesterday on progressives hopes for appointing one of our own as the next mayor. But beyond being fair to progressives that are often demonized by a newspaper whose political sympathies lie with the downtown crowd, the article was notable for something else: it's use of the word “progressive.”Read more »
On a cold and sunny morning in late November, as sharp winds stirred up fallen leaves, and most folks were beginning to slow down in anticipation of Thanksgiving, Shing Ma “Steve” Li, a 20-year-old nursing student from San Francisco who narrowly avoided deportation to Peru, whipped the local media into a energized frenzy by advocating for the passage of the DREAM Act during a press conference at the Asian Law Caucus, whose offices sits close to the Transamerica Pyramid, and a stone's throw from the lantern-decorated streets of Chinatown and the neon-lit strip clubs of North Beach, in San Fr Read more »
Femina Potens is moving up and out! But not too far. According to an email sent by the gallery featuring a look back by director-founder Madison Young, SF's favorite woman-run, sex-positive workshop/art show/bacchanal is celebrating its 10th anniversary this month with a move to a larger space that will still be on Market Street.
Says Young of the initial creation of FP, which she named after a tattoo meaning "powerful women" that she saw on a woman's arm: "I was only 20 years old but felt a very clear calling to create space for people to feel comfortable to express and explore their identity, their bodies, their boundaries, with out shame through art, sexuality, and education." Oh, and she'll be incepting a little something of her own: this hot mama's preggers. Come March 2011, she'll there will be another MILF on the scene, plus one more body-positive little girl in the world. Read more »
Rob Tannenbaum is a man with opinions on holidays. Thanksgiving, transcendent: “if it were up to me, I would be drinking turkey gravy.” Christmas, yawn: “it's the most boring time of year. There's not too much to do past stay at home and watch It's a Wonderful Life on TV.
And Hanukkah, time to go see his comedy-music duo Good for the Jews (Cafe Du Nord, Dec. 1): “There's a long and storied tradition of Jews in San Francisco. I hope that we will see evidence of that.” Tickets would make a great present for the first of those eight crazy nights... Read more »
The San Francisco Board of Supervisors unanimously approved a process for replacing Mayor Gavin Newsom last night after the progressive majority stuck together on a pair of key procedural votes and some parliamentary jousting provided a preview of the high-stakes power struggle that will begin Dec. 7.Read more »
Jennie Ottinger's last solo painting show at Johansson Projects, "ibid," presented an assortment of ghostly figures — ballerinas, nurses, schoolchildren, businessmen — lifted from found photographs. The less-is-more aesthetic of Ottinger's small oil and gouache canvases underscored the fact that, save for the recovered images used as source material, the everyday people depicted in them had long been lost to history.Read more »
Every nation had its distinct cinematic response to the sexual revolution of the 1960s and '70s. Germany's was characteristic in offering the pretense of order, "scientific" educational value, and encouraging a healthy collective morality — even if all this was usually mere gloss over the usual, more marketable qualities of copious T&A.Read more »