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Up against intense market pressure, longtime residents and community projects fade from SF

This Week's Paper

Evictions sweep the city. Plus, Björk, Black Watch, a guide to summer's best fairs and festivals, Southside Spirit House, community basketball, and more. Articles Online | Digital Edition

From the Blogs

You want to live in Manhattan? Move there.

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I feel like I've been having this discussion for 30 years, and it still keeps coming back. The latest installment (thanks to sfist for the link) is a Slate article by Matthew Yglesias arguing that San Francisco could solve its housing crisis by becoming as dense as Manhattan. Lots of highrise condos and apartments in places like the Mission. Read more »

"Ten more Ron Conways" would destroy San Francisco

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As I reported in this week's cover story, San Francisco has lost its balance under Mayor Ed Lee, with economic development pushing sustainability – both environmental and economic, as shown by rising rents and costs of living – onto the back burner. And in today's New York Times, Lee reinforces the idea that corporate titans should dictate what kind of city this becomes.Read more »

Property resistance in the Bay and beyond

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In 2004, Hannah Dobbz climbed up the drainpipe of an abandoned building in Emeryville and disappeared through a broken window. Outside, her friends waited with blankets, pillows, and food. Making her way down to the first floor, she unsecured the plywood door and let them in.Read more »

The Performant: Burning down the haus

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The Arsonists at Aurora Theatre crackles and sears
 
If there was ever a time to revive a play best known for its condemnation of the silent complicity of the comfortable classes in times of civil unrest and encroaching disaster, this might well be one of the best. And Max Frisch’s 60 year-old classic Herr Biedemann und die Brandstifter, newly translated (in 2007) by Alistair Beaton as The Arsonists, might prove to be one of the timeliest of cautionary tales to revive. Currently playing at the Aurora Theatre, two years after its bang-up American premiere at the Odyssey Theatre in LA, this Mark Jackson-directed farce might play on the surface as a cheerfully absurdist comedy of manners, but the pointed cultural critique that underlies it is deadly serious.

“It’s hard just lighting a cigar,” observes Biedermann (Dan Hiatt) plaintively at the top of the show, as a trio of uninvited firefighters (Kevin Clarke, Tristan Cunningham, Micheal Uy Kelly) menaces him into putting said cigar and lighter away, before introducing themselves as the “guardians of the city,” and its unacknowledged conscience.

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At the hub

Yoga teacher and environmental consultant Konda Mason links consciousness, activism, and sustainability

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GREEN ISSUE Konda Mason is a yoga teacher, filmmaker, and producer. But above all she's an activist, one of the most energetic Bay Area voices leading the effort to support sustainable practices in marginalized communities, and connect spiritual practice with real-world environmental action. Read more »

Food for thought: 18 Reasons' class series encourages the slow chew

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Hippocrates said, “let food be thy medicine and medicine be thy food”. The axiom certainly sounds nice rolling off the tongue, but curative qualities aside, you'll never stick to healthy if it doesn't taste good. Luckily here in the Bay Area we have Carley Hauck of Intuitive Wellness, who proves in her "Mindful Eating and Cooking" series at community food hub 18 Reasons that comestibles can indeed be medicinal, and that medicine can taste amazing.

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Covering the Boston bombing

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Ever since the horrible, awful bombing at the Boston Marathon, I've been doing what every crazy newshound does and spending far too much time on the Internet trying to get the latest scrap of information. This morning, none of us could drag ourselves away from the developing story.Read more »

Party Radar: Bruno Pronsato, No Way Honey, Harlum Muziq, Tube & Berger, Candis Cayne

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This week's Super Ego clubs column is full of signs and wonders for the coming weekend, but here's a further quintet of banging joints to top you off just right, Your soundtrack is "Triscuits," because that's my theme song right now. (Oh, and just a reminder -- that rained-out, positively drenched Hunky Jesus contest has been rescheduled for tonight, too!)

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Red all over

A Tribe Called Red's electric powwow comes to SF. Plus: Silent Servant, Simian Mobile Disco, Tubesteak Connection, Joe Claussell, and more on the week's finest dancefloors

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SUPER EGO "I've been listening a lot to Hulk Hogan's new comedy album. I hear he has an acid jazz album coming out soon, too — can't wait for that." I'm being treated to some good ol' deadpan Native American leg-pulling from DJ Bear Witness of A Tribe Called Red, performing at Thee Parkside on Fri/19.Read more »

The new Exploratorium opens -- are the piers as good as the Palace?

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As someone who was practically bottle-fed on the old Exploratorium space, I was hesitant approaching the science museum's opening day at its new home on Pier 15 and 17. Like many other SF natives, I was attached to the old world charm and neo-classical elegance of the Palace of Fine Arts location, opened in 1969 by physics professor Frank Oppenheimer.

But consider me a convert. Where the Palace of Fine Arts' physical layout seemed to dictate the content of the old museum, the new building, extensively rehabbed to house the famously hands-on exhibits, allows them to exist more organically. The new site now houses the largest pod of solar panels in the city, holds a magnificently vista-ed observatory, and harnesses as a heating source the Bay waters it sits above on 1800 wood and concrete pilings built around a century ago.

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Cruisin', obsessin', and drinkin': new movies!

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Hollywood is clearly bowing down to the power of Tom Cruise this week, opening no other contenders (sorry, Rob Zombie, The Lords of Salem doesn't count) to compete with what's sure to be an Oblivion-ated weekend box office. (And to be honest, the movie's big and dumb, but actually pretty entertaining. My review after the jump.)

Elsewhere, the must-see movie-obsessive doc Room 237 opens at the Roxie (check out my interview with director Rodney Ascher here; he'll be at the Roxie in person this weekend), and Dennis Harvey takes on a pair of imports that actually do fairy-tale adaptations proud: Blancanieves and Let My People Go! Also worth checking out is the latest from Ken Loach, a comedy about crime and whiskey ... what's not to love? My review follows.

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Catching up with Young Prisms: new video, new process, and those pesky Cure comparisons

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At their show at Elbo Room on Friday, Young Prisms are going to play new material that they’ve never performed in front of an audience.

“It should be interesting,” bassist and singer Gio Betteo told me last week at Mission Pie. Read more »

Bay Area groups critical of immigration reform proposal

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Olga Miranda, secretary treasurer of the San Francisco Labor Council and president of SEIU Local 87, did not mince words when sharing her initial reaction to the proposed federal immigration reform bill, which was unveiled April 16 by a bipartisan group of senators.

“If it was myself and our members at the bargaining table, we would walk away,” Miranda said. “This proposal is nothing more than an offense to the community.”Read more »

Solomon: The Orwellian warfare state of carnage and doublethink

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By Norman Solomon

Norman Solomon is co-founder of RootsAction.org and founding director of the Institute for Public Accuracy. His books include “War Made Easy: How Presidents and Pundits Keep Spinning Us to Death.” He writes the Political Culture 2013 column.

After the bombings that killed and maimed so horribly at the Boston Marathon, our country’s politics and mass media are awash in heartfelt compassion -- and reflexive “doublethink,” which George Orwell described as willingness “to forget any fact that has become inconvenient.”

In sync with media outlets across the country, the New York Times put a chilling headline on Wednesday’s front page: “Boston Bombs Were Loaded to Maim, Officials Say.” The story reported that nails and ball bearings were stuffed into pressure cookers, “rigged to shoot sharp bits of shrapnel into anyone within reach of their blast.”

Much less crude and weighing in at 1,000 pounds, CBU-87/B warheads were in the category of “combined effects munitions” when put to use 14 years ago by a bomber named Uncle Sam. The U.S. media coverage was brief and fleeting. Read more »

"Street Fight" examines the politics of mobility in San Francisco

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Ideology plays a bigger role in shaping San Francisco than most people realize, as we've discussed in this space before. Read more »