This weekend affords the last of a series of Hawaiian escapes here in San Francisco, especially Aloha Fridays at Gordon Biersch, which would be especially idyllic in the Spring gorgeousness we've been experiencing.
But it's also a time to dream of stealing away to the islands not just for drinks but for food. A recent event at Burlingame’s striking Sub-Zero & Wolf Showroom highlighted the locavore, farm-fresh movements infusing Hawaii's culinary scene with new life.
In the mid-Pacific Mexican state of Jalisco, jarritos, small earthenware pots, are used for many things-- drinking and decoration of homes, primarily. But multi national corporation Novamex has claimed the word for itself -- and is forcing small businesses, like Los Jarritos Restaurant on South Van Ness Avenue, to change their longheld names to accommodate that fact.Read more »
Miniature scrunchies, neon-colored jumpers and babysitters who insisted the tube stay tuned to MTV— awwwww, weren’t ‘80s babies the coolest? I may be partial, due to the fact that I was born in said decade, but so was Alan Palomo, a.k.a. the synth-wizard behind Neon Indian— playing Fri/26 at Mezzanine— and he’s an ’88 boy whose cheeks and beats I always wanna squeeze.
He died 20 years ago this month, but I can still see him, a tall, wiry, gray-haired, hawk-nosed man. I can hear him.
I see him pacing restlessly back and forth behind the podium at union meetings, nervously twirling a gavel, puffing incessantly on a cigarette. I hear him calling on members, white, black, Asian, Latino, in the broad accent of his native Australia, actually encouraging debate and dissent.Read more »
Ever since the driver of a truck laden with Asian pears flew off the Bay Bridge's new S-curve and plummeted to his death last November, the California Highway Patrol has been policing the speed limit and Caltrans has added striping, signs, rumble strips and other features. Those efforts have helped reduce the curve’s initially high accident rate.Read more »
From Scene: The Guardian Guide to Bay Area Nightlife and Glamour -- on stands now in the Guardian
You've always been the, shall we say, expressive one in your group. Eye-fluttering comes naturally to you. Your hands have been known to fly to your face at the slightest appearance of everyday anguish. You enjoy flouncing. So go east, young thang — straight to dramatic Bollywood.
Can't quite swing the flight to Mumbai? You're in luck, because since 2004, Vicki Virk and Suman Raj of the dholrhythms dance troupe, along with DJ Jimmy Love and others, have been holding monthly NonStop Bhangra club nights (www.nonstopbhangra.com) that turn the Rickshaw Stop into handclapping, bangle-clanging, whirling celebrations of bhangra, the dance music that drives Indian cinema. They spend the night's first hour schooling audiences to bhangra basics, leaving each diva free to bob and spin for the rest of the night to the tunes of an ever more impressive lineup of dub, hip-hop, and electronica DJs and musicians. We caught up with Virk to chat about how she's made this unconventional club night a multicultural institution in the Bay for the past six years.
Written by Lilan Kane. From Scene: The Guardian Guide to Bay Area Nightlife and Glamour -- on stands now in the Guardian
Jazz in its most fashionable and handsome form found itself around a table at Coda recently. I had the pleasure of meeting with dapper Jazz Mafia members Adam Theis, Joe Bagale, and Dublin to gain some insight into their music and experiences as members of one of the Bay's most youthful jazz ensembles.
The Mafia (www.jazzmafia.com), as one might expect, is a collective that incorporates several smaller groups containing dozens of members into a large and tuneful family. The first of these groups, Realistic Orchestra, was established about 10 years ago when various jazz forces of the Bay Area started to intertwine and jam together. (Other branches of the family include Brass Mafia, Spaceheater, and the Shotgun Wedding Quintet.)
Why won’t Mayor Gavin Newsom save San Francisco’s nightlife and culture? That question was raised toward the end of this week’s cover story on party-crashing cops, but it’s worth highlighting here because Newsom seem uniquely suited to the task of mediating this damaging dispute.Read more »
This week, San Francisco and the world said goodbye to a good friend, a true gentleman, and a diehard rock and roll fan. Bruce Roehrs, columnist and reviewer for Maximumrocknroll magazine and a staple on the local punk rock scene, passed away peacefully at his home. The exact time and circumstances of his death have yet to be determined.Read more »
I don't do regrets, but I do wish that I'd arrived in San Francisco early enough to catch more than the hot tail end of the Popstitute years. (A show of Popstitute-related archival objets d'art is on display at Goteblud starting Sat27.) In another way, though, the Popstitute era continues, perhaps more forcefully, now. Read more »
The Chronicle’s David Baker reported today that Pacific Gas & Electric Co. has proposed a new fee structure that would raise the average residential customer bill by $10.73 more each month, bringing it to a total of $88.13.
This new rate-hike proposal comes as the utility prepares to spend $35 million on Proposition 16, a ballot initiative that would essentially lock in its monopoly against competition by requiring a two-thirds vote before local governments could set up alternative power providers. John Geesman, former executive director of the California Energy Commission, called PG&E’s current rates “excessive” when he blasted Prop 16 before a joint hearing of the California Legislature. Geesman commented that the California Public Utilities Commission (CPUC) doesn’t set rates “at a level calculated to provide a $35 million slush fund for sole-sponsored political adventurism.” Read more »
My really sweet, nice new boyfriend is into S–M and I'm not sure I even understand the attraction. I can get behind the sensation aspect but I have some moral and feminist objections. He insists it's just a way to play, but it doesn't sound like play to me. From what I read, people seem to take it pretty seriously. Plus calling it play ("pain play" "play-dates," "play partners") doesn't really convince me that it's all in good fun. You're going to think this is ridiculous, but honestly all the talk about "play" sounds immature to me. We are 30 and 33 years old! Do we really need to spend our free time "playing"? Convince me.
(Santa Monica Studio, Sony Computer Entertainment)
A melting pot of ancient Greek myths and characters, the God of War series embodies the term "Big Game." When the first title made its debut on the PS2 in 2005, people were blown away by the scope of the environments and the brutality of its anti-hero Kratos. A pawn in one of those tragic mind-games that Greek gods were so well-known for, Kratos was a Spartan warrior who set out to exact vengeance against the gods that betrayed him, battling his way through hell itself more than once. In this, the third and supposedly final game in the franchise, action and spectacle are amplified to their limits as Kratos ascends Mount Olympus to murder Zeus himself.
Canadian director Atom Egoyan (1994's Exotica, 1997's The Sweet Hereafter) was recently in town to discuss Chloe, his latest film, which producer Ivan Reitman commissioned him to direct. Based on, but markedly different from, the 2003 French film Nathalie, Chloe follows the unexpected course of events triggered when the middle-aged Catherine (Julianne Moore), suspecting her husband David (Liam Neeson) of having an affair, hires luxe call-girl Chloe (Amanda Seyfried) to tempt him.
San Francisco Bay Guardian: Do you know what attracted Ivan Reitman to this project?
Atom Egoyan: My only clue, really, is that in looking at his filmography, he made a film [in 1993] called Dave, which I enjoyed because it really is also a study of a marriage, a marriage that had gone completely cold. Sigourney Weaver plays the wife of a president, played by Kevin Kline, and they can’t stand each other. He dies, and a ringer is brought in, also played by Kevin Kline. All they have to do is make public appearances, because this couple doesn’t talk to each other in private at all. And she finds herself strangely falling in back love with her husband, and of course it isn’t her husband, it’s a surrogate. I think I understand why the person who made that film would be attracted to Chloe, because it’s dealing with similar themes.