Volume 42, Issue 21
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Volume 42, Issue 21
Top Stories
San Francisco is at the center of a national debate over government and corporate surveillance of US residents
Michael Leonard
Top Stories
Public defenders say they're being barred from accessing surveillance camera footage that could exonerate the innocent
G.W. Schulz
Top Stories
Buster's Place, the city's main 24-hour homeless drop-in center, faces closure
Bryan Cohen
Top Stories
Gavin Newsom attacks social services and other supervisorial spending priorities with unilateral cuts
Sarah Phelan
Top Stories
Volume 42, Issue 21
News & Culture
Sure, we know it's not packed with cool aliens, but we haven't realized that hunkering down on another planet isn't going to solve our basic problems as humans
Annalee Newitz
Although the state could save $13.3 million if several parks close, the governor hasn't calculated the loss in business tax revenue
David Carini
You can only hope that if you told the truth, played by the rules, and showed why your side was right, in the end you'll come out on top
Tim Redmond
The entire premise of secret electronic surveillance seems shaky, judge or no
Editorial
If the cameras can be used for prosecution, they ought to be available to lawyers for people who want to establish an alibi
Editorial
Some gay people are so anxious to participate in their own cultural erasure
Mattilda Bernstein Sycamore
Volume 42, Issue 21
Food & Drink
A craft-beer bar with food to match; ergo, a kind of hipster tavern
Paul Reidinger
Food & Drink
Volume 42, Issue 21
Arts & Culture
They're awkward, endearing, and unique to their San Francisco habitat
Kimberly Chun
Kimya Dawson -- breakthrough or last stand? Plus: Six Organs of Admittance rocks 'n drones
Kimberly Chun
Don't expect even a shadow of bolero or flamenco in the two different programs that constitute his company's San Francisco debut
Rita Felciano
Arts & Culture
Complex sensitivity as a guitarist and composer, showcased in the four-part "Progression of the Ancestors" suite
Ari Messer
A self-curated portrait of the artist Paul McCarthy as a young man told with a few of his favorite things
Matt Sussman
Arts & Culture
