Stage listings


Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at



Abigail: The Salem Witch Trials Temple SF, 540 Howard; $10. Opens Thurs/3, 9pm. Runs June 10, July 8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, $10-28. Previews Fri/4-Sat/5, 8pm. Opens Tues/8, 8pm. Runs Thurs-Sat, 8pm; Sun, 7pm (no show July 4). Through July 10. Custom Made performs two comedies by Christopher Durang: Sister Mary Ignatius Explains It All For You, and The Actor's Nightmare.

Forever Never Comes Boxcar Playhouse, 505 Natoma; $10-25. Previews Sat/5, 8pm; Sun/6, 5pm. Opens June 9, 8pm. Runs Wed-Sat, 8pm. Through June 26. Crowded Fire performs Enrique Urueta's world premiere "psycho-Southern queer country dance tragedy."

Krapp's Last Tape Exit on Taylor, 277 Taylor; 1-800-838-3006, $15-30. Previews Fri/4-Sat/5, 8pm; Sun/6, 5pm. Opens June 10, 8pm. Runs Thurs-Sat, 8pm; Sun, 5pm. Through July 3. Cutting Ball Theater performs Samuel Beckett's comedy, which the company has previously mounted to wide acclaim.


John Steinbeck's The Pastures of Heaven Bruns Amphitheater, 100 California Shakespeare Theater Wy, Orinda; (510) 548-9666, $34-70. Previews Wed/2-Fri/4, 8pm. Opens Sat/5, 8pm. Runs Tues-Thurs, 7:30pm; Fri-Sat, 8pm (also June 26, 2pm); Sun, 4pm. Through June 27. Cal Shakes kicks off its season with Octavio Solis' world-premiere adaptation of John Steinbecks's 1932 novella.

Opus Mountain View Center for the Performing Arts, 500 Castro, Mtn View; (650) 463-1960, $27-62. Previews Wed/2-Fri/4, 8pm. Opens Sat/5, 8pm. Runs Tues-Wed, 7:30pm; Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through June 27. TheatreWorks performs Michael Hollinger's drama, set in the world of chamber music.


All My Sons Actors Theatre of San Francisco, 855 Bush; 345-1287, $26-38. Wed-Sat, 8pm. Through June 26. Actors Theatre performs Arthur Miller's masterwork.

Andy Warhol: Good For the Jews? Jewish Theatre, 470 Florida; 292-1233, $15-45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through June 20. Renowned monologist Josh Kornbluth is ready to admit his niche is a narrow one: he talks about himself, and more than that, he talks about his relationship to his beloved late father, the larger-than-life old-guard communist of Kornbluth's breakthrough Red Diaper Baby. So it will not be surprising that in his current (and still evolving) work, created with director David Dower, the performer-playwright's attempt to "enter" Warhol's controversial ten portraits of famous 20th-century Jews (neatly illuminated at the back of the stage) stirs up memories of his father, along with a close family friend — an erudite bachelor and closeted homosexual who impressed the boyhood Josh with bedtime stories culled from his dissertation. The scenes in which Kornbluth recreates these childhood memories are among the show's most effective, although throughout the narrative Kornbluth, never more confident in his capacities, remains a knowing charmer. (Avila)

The Apotheosis of Pig Husbandry SF Playhouse, 533 Sutter; $20-30. Wed-Sat, 8pm. Through June 12. SF Playhouse presents the world premiere of William Bivins' new play, set at the sleazy Lazy Eight Motel, as part of its stripped-down Sandbox Series.

Bone to Pick and Diadem Cutting Ball Theater, Exit on Taylor, 277 Taylor; 1-800-838-3006, $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through June 20. Cutting Ball Theater closes its tenth season with a pair of plays by Eugenie Chan.

Boys Will Be Boys New Conservatory Theatre Center, 25 Van Ness; 861-8972, $22-40. Wed-Sat, 8pm; Sun, 2pm. Through June 26. What happens when you realize you have Gay Attention Deficit Disorder? This comedic musical aims to find out.

The Breath of Life NohSpace, 2840 Mariposa; $25. Thurs/3-Sat/5, 8pm; Sun/6, 5pm. Spare Stage Productions performs David Hare's drama about a wife and mistress dumped by the same man.

Giant Bones Exit Theatre, 156 Eddy; (650) 728-8098, $15-50. Thurs-Sat, 8pm. Through June 19. Fantasy author Peter S. Beagle (The Last Unicorn) penned the source material for Stuart Bousel's world-premiere play.

*Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, $30-69. Thurs, 8pm; Sun, 7pm. Through June 27. On the principle that when you've got it you should really flaunt it, San Francisco's Thrillpeddlers essay their second revival of a musical by the storied Cockettes. Hot Greeks, which premiered in midnight performances at the old Palace Theater in 1972, was the gleefully crazed cross-dressing troupe's only other fully scripted musical besides, of course, Pearls Over Shanghai.

While not the Oresteia or anything, Hot Greeks is more than an excuse for a lot of louche, libidinous hilarity. Okay, not much more. But it is a knowing little romp — supported by some infectious songs courtesy of Martin Worman and Richard "Scrumbly" Koldewyn — wedding trashy high school romance with the trashy ancient Greece of Aristophanes and the Peloponnesian War. (Avila)

*How I Learned to Stop Worrying and Lost My Virginity SF Playhouse, 533 Sutter; $20. Sun, 7pm. Through June 27. A natural born charmer and a comedic actor with hard-won training behind her, Aileen Clark wins over an audience within about ten seconds. But her stories (co-scripted by John Caldon and ably directed by Claire Rice) turn out to be just as solid: all of them loving, irreverent, and unfailingly hilarious autobiographical accounts of coming of age across three cultures. Born to a Nicaraguan mother and a Scottish father and raised principally in Brazil, Managua and San Francisco, Clark's perfectly pitched monologue comes liberally spiced with Spanish and Portuguese, sweetened by an affecting but never maudlin honesty, and stirred with a feisty humor clearly a lifetime in the making. As well paced and energetic as this Guerilla Rep and Ann Marie co-production is, it could probably be tightened further by shaving some 10 minutes off the 90-minute run time. Nonetheless, you are not likely to regret a minute of this frank and funny, wise and sassy visit to Aileen's world. (Avila)

Marga Gomez is Proud and Bothered New Conservatory Theater Center, 25 Van Ness; 861-8972, $18-40. Thurs-Sat, 8pm (no show June 25); Sun, 2pm. Through June 26. Gomez performs her GLAAD Media award-winning comedy.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, $30-69. Fri-Sat, 8pm. Through June 26. Starting July 10, runs Sat, 8pm and Sun, 7pm. Through August 1. Thrillpeddlers presents this revival of the legendary Cockettes' 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie's tale is performed in a specially-built 360-degree CGI theater.

Sandy Hackett's Rat Pack Show Marines' Memorial Theater, 609 Sutter; 771-6900. $30-89. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 27. From somewhere before the Beatles and after Broadway "Beatlemania" comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The band is all-pro and the songs sound great — DeCosta's singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don't just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic. (Avila)

"Something C.O.O.L.: The Summer Cabaret Festival" Eureka Theatre, 215 Jackson; Free-$10. Mon-Tues, 7:30pm; Wed, 8pm. Through June 27. Cabaret singer Carly Ozard presents six diverse showcases (Mon-Tues nights) and hosts open mics (Wed nights) with professional performers.

Speed the Plow Royce Gallery, 2910 Mariposa; 1-866-811-4111, $28. Thurs-Sat, 8pm. Through June 19. Expression Productions performs David Mamet's black comedy.

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, $22-40. Wed-Sat, 8pm; June 13, 20, and July 11, 2pm. Through July 11. New Conservatory Theatre Center performs Paul Rudnick's bill of short comedies.

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.


*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; $20-50. Fri/4, June 11, 18, 9pm; Sun/6, June 20, 7pm; June 12, 8pm. Through June 20. Don Reed's solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

"Fireworks Festival" Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, $25-35. Through July 3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes "Scoop" Nisker.

God's Ear Ashby Stage, 1901 Ashby, Berk; $15-28. Wed, 7pm; Thurs-Sat, 8pm; and Sun, 5pm. Through June 20. Against a frozen, deceptively empty-looking landscape of perpetual winter, an anguished married couple stagnates in grief over the accidental death of their young son. Estranged by the sorrow and guilt they feel, they spend most of the time apart but not alone: Mel (Beth Wilmurt) stays at home, where she loses herself in obsessive domestic projects while fielding questions from their surviving daughter — the equally traumatized but far more resilient Lanie (Nika Ezell Pappas) — with assists from the Tooth Fairy (Melinda Meeng) and G.I. Joe (Keith Pinto); meanwhile, Ted (Ryan O'Donnell) wanders in his business suit through a string of airports and airport bars commiserating with other lost souls (Joe Estlack and Zehra Berkman). New York-based playwright Jenny Schwartz's whimsical meditation on the process of grieving is something like The Rabbit Hole as written by Ionesco, fueled by dialogue that makes an overly showy and eventually tedious hysterical poetry of the banalities, clichés, and platitudes spoken by her stricken characters as a kind of prefab linguistic armor — everything and anything to avoid saying something. Director-choreographer Erika Chong Shuch stages the action in this Shotgun Players production with warm energy and imagination, however — and a handful of tuneful, clever songs from composer Daveen Digiacomo — compensating somewhat for the motionless plot. Moreover, Shuch undercuts the play's maudlin tendencies by moving her able actors and even the stage properties around in swift, comical, aptly dreamlike fashion, as the stunned couple continue their largely separate meanderings, meaningfully spouting "meaningless" lines about bucking up, or settling in, or riding off, etc. The problem is there is not much beneath this frozen surface of clichés beyond more cliché. (Avila)

*In the Wake Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, $13.50-71. Tues and Thurs-Sat, 8pm (also Thurs and Sat, 2pm; no matinees Thurs/3, June 12, or 17; no show June 25); Wed and Sun, 7pm (also Sun, 2pm). Through June 27.

Brilliantly weaving the political and the personal, New York playwright Lisa Kron takes on the myth and mayhem of American exceptionalism through the prism of a compelling lefty smarty-pants named Ellen (Heidi Schreck) and her "alternative" family circle, as it slowly unravels during the first decade of the 21st century. From her modest Manhattan perch — shared with adoring, wise-cracking longtime boyfriend Danny (Carson Elrod) — Ellen rails against the ineptitude of the Democrats in the face of the rising Right and its season of havoc. But she's already told the audience she has a problem with "blind spots," much like the country. Projections of headlines and sound bites, intermittently splayed across the fortified proscenium arch, locate the action at precise moments in the dreary political timeline of the last decade, beginning with the 2000 election coup that has put a damper on Thanksgiving festivities (despite inclusion of Pilgrim smocks). Her sister (Andrea Frankle) and sister's wife (Danielle Skraastad) are there too, along with Ellen's older friend Judy (Deidre O'Connell), a cranky, deceptively oblivious relief worker just back from a refugee camp in Africa. As time goes by, and Ellen turns to an open relationship with a woman filmmaker (Emily Donahoe), our protagonist's bedrock assumptions about the natural order of things get sorely tested. Leigh Silverman directs a top-notch cast in a remarkably engaging mix of political dialogue and personal entanglements, written for the most part with stirring intelligence and incisive humor. If the play loses focus and momentum by the second act — despite a wonderfully charged scene between Ellen and Judy that is the play's most memorable — its wit, real anger and constructive irreverence still make it too good to miss. (Avila)

1001 Berkeley City Club, 2315 Durant, Berk; (510) 488-4116, $15-30. Thurs-Sat, 8pm; Sun, 5pm (no show Sun/6). Through June 20. Just Theater performs Jason Groete's Arabian Nights-inspired tale of post-9/11 life.

Twelfth Night La Val's Subterranean, 1834 Euclid, Berk; $10-20. Thurs-Sat, 8pm. Through June 12. You've got to hand it to Impact Theatre: they make reimagining Shakespeare look so darned easy. To set a crass comedy about class, obsession, and mistaken identity at "Illyria Studios" in the heart of tawdry Tinseltown seems like such an obvious take, you wonder why it took someone so long to get around to doing it. True, the execution is not as vivacious as last year's A Midsummer Night's Dream, but overall, the enthusiastic cast and timeless humor win the night. (Gluckstern)

Woody Guthrie's American Song Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, $34-54. Tues, Thurs-Sat, 8pm (also June 10, 1pm; Sat/5 and June 20, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Marin Theatre Company presents Peter Glazer's musical based on the life and times of the legendary songwriter.

The World's Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; (415) 826-5750, $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.


"Bakla Show II" Thick House, 1695 18th St; Thurs-Sat, 8pm. Through June 12. $15-20. Bindlestiff Studio presents this theatrical exploration of queer Filipino identities, inspired by myths and folktales.

"Festival of New Voices II: The Next Wave of Solo Performance" Marsh San Francisco, 1062 Valencia; 1-800-838-3006, Wed-Thurs, 7:30pm; Fri, 8pm; Sat, 5, 5:30, 8:30, and 9pm; Sun, 3pm. Through June 13. $7.50-50. Six new full-length works and 11 shorter works make up this solo-performance fest.

"Richmond/Ermet AIDS Foundation presents One Night Only Cabaret" Theatre 39, Pier 39; 273-1620, Mon, 7:30. $38-58. This fundraising show features cast members from Broadway musical In the Heights, plus Jai Rodriguez, Marga Gomez, and RJ Helton.

"San Francisco Ethnic Dance Festival" Palace of Fine Arts, 3301 Lyon; 474-3914, Sat-Sun, 2pm (also Sat, 8pm). Through June 27. $22-44. Nearly 600 Bay Area performers representing 20 cultures participate in this 32nd annual festival.

"Standing in the Current" Dance Mission Theater, 3316 24th St; 273-4633, Fri-Sat, 8pm; Sun, 3pm. $20. Spinning Yarns Dance Collective performs in partnership with Robin Anderson and Chicago-based RE/Dance.

"Ungrateful Daughter: One Black Girl's Story of Being Adopted into a White Family That Aren't Celebrities" StageWerx, 533 Sutter; Thurs-Sat, 8pm. Through June 12. $20-25. Lisa Marie Rollins performs her autobiographical show.