Stage Listings


Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at For further information on how to submit items for the listings, see Picks. 



All Atheists Are Muslim Stage Werx, 533 Sutter, SF; $20. Opens Sun/5, 7pm. Runs Sun, 7. Through July 10. Zahra Noorbakhsh returns with her timely comedy.

Assassins Eureka Theatre, 215 Jackson, SF; $20-36. Opens Thurs/2, 8pm. Runs Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 25. Ray of Light Theatre performs the Sondheim musical.

Fighting Mac! Thick House Theatre, 1695 18th St, SF; 1-800-838-3006, $15-30. Previews Thurs/2-Sat/4 and Thurs/9, 8pm; Sun/5, 3pm. Opens Fri/10, 8pm. Runs Wed-Sat, 8pm; Sun, 3pm. Through June 19. Theatre Rhinoceros performs John Fisher's play about real-life queer British general Hector MacDonald.

"Fury Factory 2011" Various venues and prices; June 9-July 12. Over 30 Bay Area and national companies participate in this bi-annual theater festival.

Much Ado About Lebowski Cellspace, 2050 Bryant, SF; $25. Opens Fri/3, 8pm. Runs Fri-Sun, 8pm. through June 28. SF IndieFest and the Primitive Screwheads perform a Shakespeare-inflected take on the Coen Brothers' classic film.


Edward Albee's Tiny Alice Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, $32-53. Previews Thurs/2-Sat/4, 8pm; Sun/5, 7:30pm. Runs Tues, Thurs-Sat, 8pm (also June 16, 1pm; June 11 and 25, 2pm); Wed and Sun, 7:30pm (also Sun, 2pm). Through June 26. Marin Theatre Company performs Albee's most divisive play, an erotic thriller-cum-comic allegory.

[title of show] TheatreWorks at the Mountain View Center for the Performing Arts, 500 Castro, Mtn View; (650) 463-1960, $24-42. Previews Wed/1-Fri/3, 8pm. Opens Sat/4, 2 and 8pm. Runs Tues-Wed, 7:30pm; Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through June 26. TheatreWorks performs a new musical about musicals by Hunter Bell and Jeff Bowen.


Little Shop of Horrors Boxcar Theatre Playhouse. 505 Natoma; $20-50. Tues-Sat, 8pm; Sun, 2pm. Through June 26. Boxcar Theatre presents a new version of the musical.

Nobody Move Intersection for the Arts, 925 Mission, Golden Gate; 626-2787, $20-35. Thurs-Sat, 8pm; Sun, 3pm. Through June 12. Intersection for the Arts and Campo Santo present a play based on the novel by Denis Johnson.

The Pride New Conservatory Theatre Center, 25 Van Ness, SF; (415) 861-8972, $24-40. Wed-Sat, 8pm; Sun, 2pm. Through July 10. New Conservatory Theatre Center performs the West Coast premiere of Alexi Kaye Campbell's love-triangle time warp drama.

Reborning SF Playhouse, 533 Sutter; 677-9596. Tues-Wed, 7pm; Thurs-Sat, 8pm (also Sat, 3pm). Through June 11. Though emphatically fictional, Zayd Dohrn's play Reborning, currently receiving its world premiere at the SF Playhouse, provides an intriguing introduction to a decidedly fringe occupation. That of reborning: the art of crafting photo-realistic doll children commissioned by collectors, and sometimes by grieving parents. The play opens with an act of creation, as Kelly (Lauren English) tidies up a closed eye with a sculptor's blade while a joint burns in the ashtray beside her. Enter Lorri Holt as Emily, a crisp, efficient businesswoman, and a client, come to check on the progress of her "baby" Eva. Things start to go South when Emily suggests some modifications and Kelly's own obsession with the project eventually spirals out of control. Amiable foil, Alexander Alioto as Kelly's boyfriend Daizy, exudes eager, golden retriever-like loyalty, but as Emily coolly observes, has "nothing to offer someone who is drowning." All three actors are top-notch and do a fine job processing thoroughly uncomfortable moments, and the crack design team set the stage and mood precisely. Unfortunately the script itself skews towards melodrama and certain themes (dildo-design, drug abuse, "the dumpster darling") imbue Reborning with an almost seedy, Jerry Springer vibe that seems inconsistent with director Josh Costello's strictly straightforward approach to the charged material. (Gluckstern)

Risk is This...The Cutting Ball New Experimental Plays Festival EXIT on Taylor, 227 Taylor; (800) 838-3006, $20-50. Fri-Sat, 8pm. Through June 25. Cutting Ball Theater closes its 11th season with a festival of experimental plays, including works by Eugenie Chan, Rob Melrose, and Annie Elias.

The Stops New Conservatory Theatre Center, 25 Van Ness; 861-8972, $24-40. Wed-Sat, 8pm; Sun, 2pm. Through June 25. New Conservatory Theater Center presents a musical comedy set in San Francisco.

A Streetcar Named Desire Actors Theatre, 855 Bush; 345-1287, $26-38. Wed-Sat, 8pm. Through June 25. Actors Theatre of San Francisco presents the Tennessee Williams tale.

*Vice Palace: The Last Cockettes Musical Thrillpeddlers' Hypnodrome, 575 10th St; (800) 838-3006, $30-35. Fri-Sat, 8pm; Sun, 7pm. Through July 31. Hot on the high heels of a 22-month run of Pearls Over Shanghai, the Thrillpeddlers are continuing their Theatre of the Ridiculous revival with a tits-up, balls-out production of the Cockettes' last musical, Vice Palace. Loosely based on the terrifyingly grim "Masque of the Red Death" by Edgar Allan Poe, part of the thrill of Palace is the way that it weds the campy drag-glamour of Pearls Over Shanghai with the Thrillpeddlers' signature Grand Guignol aesthetic. From an opening number set on a plague-stricken street ("There's Blood on Your Face") to a charming little cabaret about Caligula, staged with live assassinations, an undercurrent of darkness runs like blood beneath the shameless slapstick of the thinly-plotted revue. As plague-obsessed hostess Divina (Leigh Crow) and her right-hand "gal" Bella (Eric Tyson Wertz) try to distract a group of stir-crazy socialites from the dangers outside the villa walls, the entertainments range from silly to salacious: a suggestively-sung song about camel's humps, the wistful ballad "Just a Lonely Little Turd," a truly unexpected Rite of Spring-style dance number entitled "Flesh Ballet." Sumptuously costumed by Kara Emry, cleverly lit by Nicholas Torre, accompanied by songwriter/lyricist (and original Cockette) Scrumbly Koldewyn, and anchored by a core of Thrillpeddler regulars, Palace is one nice vice. (Gluckstern)


Care of Trees Ashby Stage, 1901 Ashby, Berk; (510) 841-6500, $17-26. Thurs-Sat, 8pm; Sun, 5pm. Through June 26. Shotgun Players presents a play about love and belief by E. Hunter Spreen, directed by Susannah Martin.

Distracted 529 South Second St, San Jose; (408) 295-4200, $15-35. Thurs-Sat, 8pm; Sun, 2pm. Through June 19. City Lights Theater Company of San Jose presents a drama written by Lisa Loomer and directed by Lisa Mallette.

Let Me Down Easy Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, $17-73. Tues and Thurs-Sat, 8pm (also Sat, 2pm); Wed, 7pm; Sun, 2pm. Through June 26. Anna Deavere Smith performs her latest solo show.

Welcome Home, Julie Sutter Marion E. Greene Black Box Theater, 531 19th St, Oakl; $10-30. Thurs-Sat, 8pm; Sun, 2pm. Through June 19. A combat veteran returns home to figure out her post-Iraq life in Julie Marie Myatt's drama.


Dance Elixir Fort Mason Center, Southside Theatre, Marina at Laguna, SF; Sun, 4. $15. The company performs Thieves, a work about mortality.

Iraqi Bodies, Nina Haft and Company Fort Mason Center, Southside Theatre, Marina at Laguna, SF; Fri-Sat, 8pm; Sun, 7pm (Iraqi Bodies only). $25. Iraqi Bodies debuts in the U.S. with Crying of My Mother, a work that addresses religious conflicts in Iraq, while Nina Haft and Company perform T:here, a collaboration with Bay Area Palestinian dance artists and musicians. Sunday, Dance Elixir joins the shared program with The Quieting Heart