Stage Listings


Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at For further information on how to submit items for the listings, see Picks. For complete listings, see



Goodfellas Live Dark Room Theater, 2263 Mission, SF; $20. Opens Fri/6, 8pm. Runs Fri-Sat, 8pm. Through April 26. The Dark Room offers a comedic take on Scorsese's gangsters.


Anatol Aurora Theatre, 2081 Addison, Berk; $30-55. Previews Fri/6-Sat/7 and April 11, 8pm; Sun/8, 2pm; Tue/10, 7pm. Opens April 12, 8pm. Runs Tue and Sun, 7pm (also Sun, 2pm); Wed-Sat, 8pm. Through May 13. Aurora Theatre Company performs a world premiere translation of Arthur Schnitzler's drama about the love life of an Viennese philanderer.

Hairspray Fox Theatre, 2215 Broadway, Redwood City; $20-48. Previews Thu/5, 8pm. Opens Fri/6, 8pm. Runs April 12 and Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through April 22. Broadway By the Bay opens its 47th season with the John Waters-based, Tony-winning musical.

Of Mice and Men TheatreWorks at Mountain View Center for the Performing Arts, 500 Castro, Mtn View; (650) 463-1960, $19-69. Previews Wed/4-Fri/6, 8pm. Opens Sat/7, 2 and 8pm. Runs Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through April 29. TheatreWorks performs the Steinbeck classic.


*The Aliens SF Playhouse, 533 Sutter, SF; (415) 677-9596, $20-70. Tue-Thu, 7pm; Fri-Sat, 8pm; Sun, 3pm. Through May 5. On the heels of Aurora Theatre's production of Body Awareness, SF Playhouse introduces local audiences to another of contemporary American playwright Annie Baker's acclaimed plays, in a finely tailored West Coast premiere directed by Lila Neugebauer. (Avila)

Any Given Day Magic Theatre, Fort Mason Center, Marina at Laguna, SF; $20-60. Previews Wed/4-Sat/7, 8pm (also Sat/7, 2:30pm); Sun/8, 2:30pm; Tue/10, 7pm. Opens April 11, 8pm. Runs Wed-Sat, 8pm (also April 21, 2:30pm); Sun, 2:30pm; Tue, 7pm. Through April 22. Magic Theatre performs Linda McLean's Glasgow-set play about modern, urban life.

*Fool For Love Boxcar Studios, 125A Hyde, SF; $25. Showtimes vary. Through April 14. Another installment of Boxcar Theatre's epic Sam Shepard repertory project, Fool for Love inaugurates their newest performance space within their Hyde Street Studios location. In addition to the reliably strong performances from each of the actors, Fool features notably clever staging. (Gluckstern)

*Glengarry Glen Ross Actors Theatre of San Francisco, 855 Bush, SF; (415) 345-1287, $26-40. Wed-Sat, 8pm. Extended through April 28. Actors Theatre of San Francisco and director Keith Phillips offer a sharp, spirited production of the 1984 play by David Mamet in which four real estate agents (Mark Bird, Sean Hallinan, John Krause, and Christian Phillips) jockey and scheme for advantage in their Chicago office in a landscape of insecurity and fierce competition. If the scenic design is a little shabby, the strong cast makes that hardly an impediment to a story that feels especially timely. (Avila)

Hot Greeks Hypnodrome Theatre, 575 10th St, SF; $30-69. Opens Thu/29, 8pm. Runs Thu-Sat, 8pm. Through May 5. Thrillpeddlers launch a new version (new cast, songs, costumes, etc.) of the Cockettes classic by Scrumbly Koldewyn and Martin Worman.

It's All the Rage Studio Theater, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, $15-50. Thu, 8pm; Sat, 8:30pm, Sun, 7pm. Through April 15. Longtime comedian and radio host Marilyn Pittman's solo play wrestles with the legacy of her parents' violent deaths in a 1997 murder-suicide initiated by her father. It's disturbing material that Pittman approaches indirectly via a good deal of humor. (Avila)

*A Lie of the Mind Boxcar Playhouse, 505 Natoma, SF; $25. Showtimes vary. Through April 14. Sam Shepard's three-act drama is streaked with humor, horror and heartbreak, all of it arising from the most mundane but also extraordinary of things, love and family. That's Shepard territory, of course, as surely as is the rowdy backwater of the American West where much of the play unfolds. But seeing the exceptionally sharp and powerful production currently up at Boxcar Theatre under direction of Susannah Martin — in the midst of Boxcar's mostly terrific four-play Shepard fest — suggests 1985's Lie may cut deeper than most. (Avila)

Maple and Vine American Conservatory Theater, 415 Geary, SF; (415) 749-2228, $10-95. Opens Wed/4, 8pm. Runs Tue-Sat, 8pm (Tue/10, show at 7pm); Wed and Sat-Sun, 2pm (no matinee Wed/4); April 15, show at 7pm). Through April 22. ACT performs the West Coast premiere of Jordan Harrison's play about a 21st century couple drawn into a community of people who live as if it's the 1950s.

The Real Americans Marsh Studio Theater, 1062 Valencia, SF; (415) 282-3055, $25-50. Fri, 8pm; Sat, 5pm. Extended through April 14. Dan Hoyle revives his hit solo show about small-town America.

Suicide in B Flat Stagewerx, 446 Valencia, SF; $15. Fri/6-Sat/7, 11pm. Sam Shepard is all over SF at the moment. Contributing to the four-play repertory program Boxcar Theatre has underway comes this lively if uneven production of a little seen Shepard work, a darkly comical jazz noir, by capable newcomers Do It Live, under direction of Will Hand. (Avila)

*True West Boxcar Studios, 125A Hyde, SF; (415) 967-2227, $25. Thu/5-Sat/7, 8pm. The first installment of Boxcar Theatre's four-play Sam Shepard repertory project, True West ushers in the ambitious run with a bang. This tale of two brothers who gradually assume the role of the other is one of Shepard's most enduring plays, rich with humorous interludes, veering sharply into dangerous terrain at the drop of a toaster. (Gluckstern)

Waiting for Godot New venue: SF Playhouse Stage Two, 533 Sutter, SF; (415) 336-3522, $20-32. Thu, 7pm; Fri-Sat, 8pm. Extended through April 14. The fuchsia papier-mâché tree and swirling grey-on-white floor pattern (courtesy of scenic designer Richard Colman) lend a psychedelic accent to the famously barren landscape inhabited by Vladimir (Keith Burkland) and Estragon (Jack Halton) in this production of the Samuel Beckett play by newcomers Tides Theatre. The best moments here broadcast the brooding beauty of the avant-garde classic, with its purposely vague but readily familiar world of viciousness, servility, trauma, want, fear, grudging compassion, and the daring, fragile humor that can look it all squarely in the eye. (Avila)

The Waiting Period MainStage, Marsh San Francisco, 1062 Valencia, SF; (415) 282-3055, $15-50. Fri, 8pm; Sat, 5pm. Extended through April 27. Brian Copeland (comedian, TV and radio personality, and creator-performer of the long-running solo play Not a Genuine Black Man) returns to the Marsh with a new solo. The play concerns an episode of severe depression in which he considered suicide, going so far as to purchase a handgun — the title coming from the legally mandatory 10-day period between purchasing and picking up the weapon, which leaves time for reflections and circumstances that ultimately prevent Copeland from pulling the trigger. A grim subject, but Copeland (with co-developer and director David Ford) ensures there's plenty of humor as well as frank sentiment along the way. (Avila) *