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Snap Sounds: Buillon

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Buillon
Love Me Oh Please Love Me EP
(Deek)

Releasing singles and EPs as Bullion since 2008, laptop-whiz Nathan Jenkins has managed to avoid the generic, cut-and-paste aesthetic that's corralled so many of his colleagues into mediocrityville. He's always edited his samples with an old-school rock musician's touch, allowing the drums, synths, and guitars to breathe, instead of exposing them to heavy-handed whiplash. Read more »

Live Shots: Spiritualized at the Fillmore

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The guy working security at the Fillmore Wednesday night gave all the photographers in the pit the fingers. Two. Letting them know that rather than the usual three songs, they’d only be allowed to stay there and shoot the first couple. Coming from some bands this sort of announcement would be enough to send the photogs into a hurried panic, but as Spiritualized set the pace with “Hey Jane,” the almost nine-minute rocker that opens latest album Sweet Heart Sweet Light, it was clear the show wouldn’t be so rushed. Read more »

The comeback kids: Indie-pop straight poppin'

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The Bay Area has always been a warm breeding ground for bands and thus a vibrant music scene. Indie-pop is a rock subgenre that has thrived particularly well here. Back in the 1990s, indie-pop experienced a significant heyday in the Bay - a phenomenon that may be bubbling up once again. Read more »

Danzig on Doyle, his fans, Verotik, and that Metallica anniversary

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Glenn Danzig has spawned a cult following with his dark and brooding voice, and the sinisterly seductive imagery of his lyrics. From the early days – some 35 years back – as front person for horror punk icons the Misfits, to metal-infused Samhain, and finally to the eponymous Danzig, where he achieved a degree of mainstream success, he has taken macabre themes, blasted them with an obsessive sheen, and come up with some of the most hauntingly memorable songs this side of hell. Read more »

The Beat: Eclectic events spin heads, shake butts

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Having too many options can prove paralyzing, but sometimes it can be the reason you end up shaking that ass for days on end. This week, much like the wind, I found myself swirling in four different directions -- musically that is. Not able to focus on just one artist or event (and in a city like San Francisco, why should you have to?) I decided to map out all of my fancies this week. Here are four appealing acts traveling to and performing in The City this weekend -- suck on a Red Bull and see you at the show. Read more »

SF duo Tidelands returns with even more flugelhorn

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We’ve Got a Map boasts the title of experimental folk band Tidelands’ upcoming sophomore album – and do they ever. You may remember seeing Tidelands’ stunning animated music video for their song “Holy Grail” last summer off debut album If....

Well Gabriel Montana Leis and Mie Araki are back this summer, with a relatively minimalistic follow-up to that orchestral introduction. And a show this week at Bottom of the Hill. Read more »

Localized Appreesh: Major Powers & the Lo-Fi Symphony

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Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. To be considered, contact emilysavage@sfbg.com.

Behind every San Francisco band is the shadow of the past – decades of sweeping musical scenes that came before it, haunting the Victorian venues, ghosts with ink stamped on their hands. With Major Powers & the Lo-Fi Symphony, that tap-tap-tapping is a bit more literal. Read more »

Fresh Cuts: Kimbra makes good, Girls get limited, and the return of an indie-pop institution

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This week in new music explores the depths of an ingenue with a siren attitude, the quiet ranges of Mount Eerie, mom as muse, and more.

Kimbra: Vows (Warner Bros.)

I have three words to say regarding Kimbra's debut album Vows: I like it. The poppier tracks are infectious (backsides and feet are among the first to fall victim) and the slow jams are worthy of a swoon or two.

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Heads Up: 7 Must-See Concerts

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Weirdo jazz, San Pedro punks, free daytime brewery parties, the highly desirable remains of the Misfits, and more, in this week's Heads Up. Read more »

Dum Dum Girls drummer Sandra Vu doubles as SISU's lead singer

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If you've ever caught Dum Dum Girls live, you've likely asked yourself, “who is that babe with the flying black hair who's slaying on drums?” That's Sandra “Sandy Beaches” Vu, the quartet's drummer, who also fronts her own music project, SISU (pronounced “see-soo”). Her band mixes minimal electro beats and synth with guitar, bass, and flute, all surrounded by Vu's ethereal voice, a far cry from Dum Dum Girls' chainsaw surf guitar and singer Dee Dee's vibrato. Read more »