October 1 , 2003 (Vol. 38, No. 1)
noise.
Editor: Kimberly Chun
Art director: Lori Spears
Noise logo designer: J. Fish
Music accounts executive: Chris Owen
Cover Photographer: Winni Wintermeyer

Punctum
By George Chen

Yanks

AFTER ONLY A few precious hours of sleep, I was awoken at 10 a.m. by the telephone. It was a phone company wanting me to switch over. In my dazed state, with the voice on the other end calling me "dude" and offering to cut my bill in half, I just went for it. Midway through the call, my sleep-deprived paranoia kicked in. Chatter buzzed in the background, and I intently listened to one voice back there, louder than the rest. I was convinced that there was a loop running in the background, and if I listened closely enough I could hear her repeat a phrase. I asked if my telemarketer was in a real office, and he tried to convince me that this was so, but I was so far gone that I kept bringing it up: "But you guys could afford to be calling from soundproof booths, couldn't you? How many people do you have working there on a Saturday? It sounds like a small army!" I thought I'd found my way out of the Matrix. He said they were in Iowa and asked if I'd been out late drinking. The call abruptly ended, and as of today, I have no idea who my service provider is.

I am not intentionally mean to telemarketers. It's a crappy job, and we have all been in crappy jobs, so why pile on more misery? At least telemarketing involves personal attention, unlike spam e-mail.

Yet I think paranoia is sometimes justified. My housemates were convinced that the FBI had tapped their previous phone line, so why shouldn't I at least proceed with caution? I let Nielsen Media Research mail me $10 to be a reporting family for its ratings, but that seemed like just too good an opportunity to pass up. I've been spending an inordinate amount of time on the phone, screening roommates found through Craigslist. I wonder who is on the other end – if any of them could be a joke. They all could be.

I only think this way because I was the victim of a phone prank last week, though maybe "victim" is an exaggeration. In the scheme of things, it's not a big deal. After all, I've laughed at my share of crank recordings.

It just highlighted my ambivalence toward crank calls. In the '90s I thought the Jerky Boys were just mean and politically suspect. Using lots of adopted accents and relying on racist assumptions, those crank callers are definitely classist, berating people who are stuck in menial jobs, like my telemarketing friend. Now they seem quaint and innocuous compared to the pranks perpetuated in skate videos and brought into the mainstream via Jackass. Now there's Ashton Kutcher's Punk'd, which does pranks with an MTV budget and springs them on other celebrities. It takes away that weird anonymity of some of my favorite pranks – that unsettling feeling of anonymity. There are lots of horrible, unfunny shock-jock-type crank recordings out there, but I have a few crank-call records that have brought me at least partially around, to the point where the extreme discomfort is mixed with laughter.

Crank Yankers, The Best Uncensored Crank Calls, Volume 1 (Comedy Central) The Comedy Central show puts puppets to work, acting out crank calls. Some of the callers are inherently funny, like Tracy Morgan, Stephen Colbert, and the otherwise useless Jimmy Kimmel. I only have the first volume, but the CD series is up to volume three. There are a few total bummers, like Dennis Leary being attacked by a monkey, which might make a funny visual but here means undiluted Leary, and Billy West's horrible Mickey Rooney-esque Chinese rap fan, which is total bullshit because most Chinese people I know listen to Wu-Tang. Still, if you skip those two tracks, there are plenty of choice moments that aren't bleeped, as they must be for basic cable.

Kathy McGinty, Kathy McGinty (Hamburger) Released as a CD-R, this collection tweaks the crank-call dynamic in a way that makes it seem less intrusive and adds voyeuristic complicity. The label announces that "Kathy" is a Yamaha Su10 sampler and that "she" entrapped a few callers on Yahoo!'s adult chat rooms. The 21 tracks are the result of lonely people's calls and Kathy's repetitive samples. The people on the other end want to believe she's real, although it's glaringly obvious it's a canned voice. Some ideal quotes from her are "I've got a pickle in my ass" and "I think you might be racist," and you wait through awkward silences for the victims to catch on. It looks like an L.A. label has reissued it with the review from Aquarius Records on the cover.

The National Hardwood Floor Association Presents Savage Vigilance for a Rug Free America (Electro Motive) A 1992 release on Berkeley's Electro Motive Records, which is affiliated with prank-centric Mono Pause and Negativland, The National Hardwood Floor Association Presents Savage Vigilance for a Rug Free America documents crank calls to a Christian radio show. While this requires more patience than some of the other records for the final payoff, there are plenty of choice moments, like the time a prankster asks for a recommendation of a Christian abortionist. There are riffs on the Church of the Subgenius and lots of callers named "Bob," gays in the military, gluttony, and Michael Jackson being a Jehovah's Witness. Lots of background music and sounds are thrown in – ragtime, '80s pop, chorales, dogs barking – and tape manipulations make the whole thing more of an audio collage than a collection of straight-up prankery.

Zartan, Sidekick: Collected Works of Zartan, 1991-2001 (Fever Pitch/Little Mafia/SunShip/ Freedom From/Breathmint) This is the least well known of the records listed, and it's pretty unique. Naming himself after GI Joe's Cobra master of disguise, Zartan oversees a Midwestern domain that includes the Greenbay, Wis., FBI office; Lawrence, Kan., radio DJs; and a massage parlor. My favorites are a harassing job interview with Barnes and Noble, "Bosefus" singing the football song, an A&R rep talking up a deluded musician, and Loki calling Thor to get his hammer back. Zartan's accent is funny enough in itself, but when he cracks himself up, the joke gets self-referential and the facade falls apart like Jenga when a victim tries to exact revenge. How do you top a man who calls a Hardee's in Oklahoma to see if they found his gun? You don't. Order me a low-fat pizza; e-mail punctum@sfbg.com.