December 3 , 2003 (Vol. 38, No. 10)

noise.

Editor: Kimberly Chun
Art director: Lori Spears
Noise logo & cover designer: J. Fish
Music accounts executive: Chris Owen

Jeff Chang's top 10 (in alphabetical order)

Antibalas Afrobeat Orchestra, Che Che Cole 12-inch (Daptone)
Erykah Badu, Worldwide Underground (Motown)
Dead Prez, RGB: Revolutionary but Gangster (unreleased)
Egyptian: Greensleeves Rhythm Album #40 (Greensleeves)
Elephant Man, Good 2 Go (VP/Atlantic)
Missy Elliott, Pass That Dutch 12-inch (Elektra)
John Lennon, Lennon Legend DVD (Capitol)
Lifesavas, Spirit in Stone (Quannum Projects)
Lyrics Born, Later That Day ... (Quannum Projects)
Outkast, Speakerboxxx/The Love Below (LaFace/Arista)

Peter Nicholson's even 10 replays

1. John Arnold, Neighborhood Science (Ubiquity)
1. Luke Vibert and his Roland TB-303 acid trip back to '91 at Mezzanine
1. Matthew Dear, Leave Luck to Heaven (Spectral Sound)
1. Ayro's live P.A. at Milk's Fresco
1. Ricardo Villalobos, Alcachofa (Playhouse)
1. Richard Devine, Asect: Dsect (Asphodel)
1. Lyrics Born, Later That Day... (Quannum Projects)
1. Manitoba's masked madness at Bottom of the Hill
1. Juana Molina, Segundo (Domino)
1. Broker/Dealer, Initial Public Offering (Asphodel)

Victor Krummenacher's top 10

10. Miscellaneous stuff in the CD player in no particular order: Pell Mell, Neu, the Blue Orchids, Peter Green's Fleetwood Mac, Wire, the Soft Machine, Pink Floyd, Quicksilver Messenger Service, Steve Hillage, Nino Rota, Roland Kirk, the Red Krayola, Jaques Brel, the Kinks, David Bowie, Scott Walker, Trojan Dub reissues, Cassandra Wilson
9. Jayhawks, Rainy Day Music (American) Recorded almost too perfectly by Ethan Johns. Some of it's pretty fucking sappy, but the good songs are great and flawlessly delivered. Warning: includes a cameo by a former Eagle on banjo.
8. Jimmy Webb Pretty much anything. I spent some time in 2003 rediscovering Jimmy Webb, a master of songwriting. From "MacArthur Park" to "Do What You Gotta Do." Genius at work.
7. Bert Jansch The Jimi Hendrix of acoustic guitar. I've been buying up his reissues this year. Coming out of Britain as part of the mid-'60s folk scene and known as a member of jazz-folk hybrid Pentangle, he's still at it, hanging out with the likes of Johnny Marr and Bernard Butler. He's a visionary who just celebrated his 60th birthday. Most of his catalog has been reissued and is well worth checking out. Later recordings Crimson Moon (Castle Music, 2000) and Edge of a Dream (Sanctuary, 2002) are both excellent.
6. Nick Cave and the Bad Seeds, Nocturama (Anti-) Not the best Nick Cave record, but better than No More Shall We Part, and better than most records I heard this year. "Dead Man in My Bed" harks back to Birthday Party obnoxiousness in the best of ways.
5. Neil Young, Greendale (Reprise) The anti-Pro Tools release of the year, recorded live to a two-inch 16-track machine. Flawed (unlike the Jayhawks; see above) and lovable conceptual weirdness about a mythical coastal town called Greendale (he could have just called the thing Pescadero), this album is far better than Young's last couple of records and almost redeems him from the wretched "Let's Roll." All mistakes are intentional ... would that others had the guts to leave theirs in.
4. John Fahey, Red Cross (Revenant) His final recording. If you don't know the late John Fahey, you should. A man who could move emotional mountains with an acoustic guitar. This final recording is haunting in its depth and power. Beautiful and hard to listen to.
3. Richard Thompson, The Old Kit Bag (Cooking Vinyl) The promotional line "the best Richard Thompson release since Shoot out the Lights" has kind of lost its punch, but this one truly is. Stripped down to just the man himself with bass and drums, there are no "big concepts" or major-label politics at work on this release – just great songs, great playing, and transparent (this is a good thing) production work by John Chelew.
2. Carla Bozulich, Red Headed Stranger (DiCristina Stair Builders) I've already raved in print about Carla's great interpretation of Willie's classic outlaw record. It's an awesome piece of work. She does an amazing version of Marianne Faithfull's "Times Square" as well.
1. Willie Nelson, Crazy: The Demo Sessions (Sugar Hill) Eighteen demos cut from 1960 to '66. The man's gift for succinct communication in two minutes or less is nothing less than astounding, and in these stripped-down recordings you get the essence of his remarkable abilities in direct, wrenching performances. And these were basically just writing demos used to sell the songs to other artists. Potent, high-proof stuff meant for sipping. (P.S. I saw Willie with Camper Van Beethoven-Cracker drummer Frank Funaro at SXSW in February. He took the stage at midnight, after an oddly rambling set by Lucinda Williams. At the age of 70, the guy ran onstage, high-fiving the front row of the audience. After two-plus hours, with the bar shut down, he was still going strong. He put us relative youngsters to bed.)

Lynn Rapoport's top 10 songs

Julie Doiron, "Snowfalls in November," from Julie Doiron/Okkervil River (Acuarela)
Iron and Wine, "Jesus the Mexican Boy," from The Sea and the Rhythm (Sub Pop)
Alasdair Roberts, "The Whole House Is Singing," from Farewell Sorrow (Drag City)
Shins, "Mine's Not a High Horse," from Chutes too Narrow (Sub Pop)
Sophie Drinker Music Project, "A Plum Heart," from Three Songs (Inconvenient)
Songs: Ohia, "Farewell Transmission," from Magnolia Electric Co. (Secretly Canadian)
Anna Oxygen, "Spectacle," from All Your Faded Things (Cold Crush)
Cat Power, "Good Woman," from You Are Free (Matador)
James William Hindle, "You Will Be Safe," from Prospect Park (Badman)
Quails, "The War Will Be over When We Want It," from The Song Is Love (Mr. Lady)

Lee Hildebrand's top 10 (in alphabetical order)

Avi Bortnick, Clean Slate (axb)
Danny Caron, Good Hands (Danny Caron)
Joey DeFrancesco featuring Joe Doggs, Falling in Love Again (Concord Jazz)
Benny Green and Russell Malone, Jazz at the Bistro (Telarc)
Red Holloway, Coast to Coast (Milestone)
Rodney Jones, Soul Manifesto Live! (Savant)
Jenna Mammina and André Bush, Art of the Duo (Mamma Grace)
Branford Marsalis Quartet, Romare Bearden Revealed (Marsalis Music/Rounder)
Pat Martino, Think Tank (Blue Note)
Martial Solal, NY-1: Live at the Village Vanguard (Blue Note)

Josh Wilson's top 10 music thangz

Jolie Holland, Catalpa (Anti-) It's a beautiful album, and Holland is a uniquely soulful singer and evocative lyricist.
Mission Creek Music Festival Everything I want in a local music fest: genre-straddling, affordable, unpretentious, and stellar bookings.
Robert Wyatt, Solar Flares Burn for You (Cuneiform) Genius ex-Soft Machine drummer gone solo vocalist releases a collection of reissued and hard-to-find material.
Tina Age 13 reunion, Eagle Tavern, November Tromping, stomping, bearded, fuzzy Mission rawk old-timers bring the thrash, mosh, and punky stoner jam.
Television, Fillmore, Sept. 21 Simply one of the greatest guitar bands of all time.
Pink and Brown, Shame Fantasy II (Load) Spazzy, incomprehensible, and riveting noise, bracing like a rusty girder through your skull.
Dead Meadow, Shivering King and Others (Matador) Mythic psychedelic stoner metal, as perfect as it gets.
Bardo Pond, On the Ellipse (ATP) You are a lotus blossom adrift on a sea of milk and prefer your guitars with about 110 floors of reverb.
Red Bennies, Li Po Lounge, spring Pure garage rock 'n' soul explosion from SLC, Utah. An in-the-red teenage cataclysm with dynamic guitar chords and lots of gravelly crunch.
Max Roach and Abdullah Ibrahim, Streams of Consciousness (Piadrum) Two giants of jazz dish out emotional, euphonious, and creatively searching drum and piano duets.

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